Все треки
Последние публичные треки, созданные нашими пользователями
АрсенАпро • pop, rock, electronic, metal, disco, techno, drum and bass, dubstep, synthwave
Владимиръ Стрекаловский • "emotional pop ballad, female vocals with soft vibrato, piano-driven, strings in chorus, slow tempo 70 BPM, cinematic production, heartbreak mood"
АрсенАпро • pop, rock, electronic, drum and bass, dubstep, synthwave
Галина Тара • Грустный шансон с надрывом
Андрей 0304 • Raspy mail voice, indie rock, acoustic guitar,folk, indie, blues
АрсенАпро • [Epic Folk Metal, Symphonic New Age, Cinematic Rock, slow atmospheric intro, building to massive aggressive storm, Ritual Dark Choir]
АрсенАпро • pop, rock, electronic, drum and bass, dubstep, synthwave
Галина Тара • Шансон грустный. Сарказмом и надрывом, rock, pop
Доктор Аня • Cinematic music video in the style of a Russian spiritual-folk ballad inspired by Жанна Бичевская. A lonely woman with a guitar sings by candlelight in a cold winter room while snow and war-torn streets fade outside the window. Slow emotional camera, dark blue-grey tones, candlelight, old Soviet realism, raw female vocals, acoustic guitar, prayer-like atmosphere, grief and endurance. Tarkovsky-inspired, realistic
Ashes of the Covenant • Post-hardcore and alternative metal with metalcore punches and groove metal chugs at a driving mid-tempo; intro opens with clean guitar harmonics, tom-heavy build, and a sudden stop-start riff hit; verses alternate between strained male lead and harsher second male vocal with tight doubles, pre-chorus tightens into gang shouts, chorus lands huge with stacked harmonies and shouted hook responses, rap solo cuts over half-time drums and bass stabs, final chorus adds octave leads, cymbal lifts, and gritty crowd-like chants. Bright, aggressive mix with wide guitars, huge snare, and crushing low end., metalcore, metal, alternative metal
Галина Тара • Грустная лирическая драма с надрывом и болью в голосе, rock, pop
max_80975473 • Rock ballad with classical strings, mid-tempo driving toms and crunchy guitars; verse rides tight palm-muted riffs under cellos, pre-chorus opens with rising violins and tom fills, chorus hits with full band and layered string stabs. Lead vocal stays close-mic and urgent, with doubled lines on the hook and short gang responses. Add bowed tremolo swells, a dramatic snare lift, and a final orchestral hit. Bright, powerful, cinematic mix., rock, classical
Romantik • [Ambient Neoclassical Lullaby, Warm Male Baritone, No drums or percussion, Ethereal sustained synths, Distant angelic strings, Soft harp swells, Ultra-slow tempo 60 BPM, Intimate and weightless, Protective and calming, Lots of air and space, Lead Vocal: Чарующий голос, crisp and clear with a tender, loving whisper]
ALINAF • Создай песню-пробуждение в стиле cinematic mystical art-pop with ritual feminine energy. Начало тёмное, интимное, почти шёпотом: низкий гул, редкие ноты фортепиано, ощущение ловушки, зеркал и внутренней войны. В пред-припеве музыка постепенно нарастает: появляются струнные, дыхание, напряжение и внутренний вопрос. Припев должен быть широким, сильным и катарсическим, с главным хуком: “Я была и тюрьмой, и ключом, и дверью”. Куплет 2 звучит спокойнее и мудрее: героиня уже не жертва, а проводник для другой женщины. Мост сделать ритуальным и минималистичным: глубокий барабан, дыхание, почти шаманская подача, повторяющиеся фразы как мантра. Финальный припев — мощное раскрытие света, женский хор, струнные, объём, ощущение освобождения. Аутро — тихая мантра, мягкий голос, колыбельное звучание, возвращение домой. Женский голос глубокий, чувственный, немного хриплый. В куплетах — интимный шёпот и исповедь, в припеве — сильный раскрытый вокал, в мосте — ритуальная речь, в аутро — мягкое
VKR • Electronic ethno-pop with a tender 6/8 sway, hand drums and airy plucked motifs, built for male-female duet vocals; verse stays intimate with sparse percussion and low drone, pre-chorus opens with rising frame drum rolls and breathy harmonies, chorus blooms with clapping patterns and a lilting ethnic chant. Alternating close-mic male lines and silky female replies, doubled hook phrases, soft delay throws on the last word, wind chimes and reversed swells between sections, warm and luminous mix with a sensual spring glow., electronic
MDM music • Рэп, поп рнб, electro-pop, dance-rock, synth-pop, 95 BPM, pulsing sidechained bass, bright synth stabs, layered analog pads, gated snare, picked electric guitar riffs, octave bass line, tom fills, stereo delay, tape saturation, verse dropouts, pre-chorus lift, anthem energy, controlled menace, hip hop
Галина Тара • Грустная драма с надрывом, rock, pop
Галина Тара • Лирическая драма с надрывом и обреченностью, rock, popВ слова песни Черт с Ним прокричать
Plys1 • Emotional pop, male vocals
Вечно Грустный • Rap lyrics
Purga • trap rap, 92 BPM, syncopated kick snare, swung hi-hats, 808 sub-bass, chopped sample loop, distorted synth brass, sparse piano stabs, plate reverb, tape saturation, halftime breakdown, crowded hook harmonies, brooding defiance, nocturnal urgency
Alena Varshavskaia • Христианское поклонение, в современном стиле, мелодично и торжественно., pop
Людмила Дементьева • Поют дети весёлая детская песенка очень радостно задорно крутая детская весёлая песня про праздник смеха, очень быстрый танцевальный супер хит
Людмила Дементьева • pop rock, 108 BPM, driving backbeat, syncopated bass guitar, acoustic guitar strums, electrified chorus lift, tremolo electric guitar, tom-heavy bridge, synth brass stabs, analog delay, stereo room mics, punchy drum bus, autumn melancholy, anthemic release
Людмила Дементьева • Красивая песня о природе о красивом месте о любви нежная красивый мужской голос волшебный вокал эмоции очень очень красивая мелодия оркестр музыка порящая романтично нежно
Людмила Дементьева • k-pop, electro-pop, staccato synth stabs, syncopated bassline, glitch percussion, handclap snaps, sidechain pumping, layered pad swells, chorus lift, sparse verse breakdowns, big pre-chorus build, drop silence accents, anthemic release, 128 BPM, bright major key, crisp digital mix, stereo widening
Людмила Дементьева • indie folk, ethnic percussion, fingerpicked acoustic guitar, tambourine backbeat, bowed psaltery, frame drum, accordion drones, staccato synth lead, four-on-the-floor kick, 92 BPM, half-volume climax, restrained dynamics, tape saturation, plate reverb, mono room ambience, bittersweet resolve, Russian verse, English ad-libs
Людмила Дементьева • upbeat pop-rock, orchestral pop, four-on-the-floor synth-pop, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead counterpoint, power-chord choruses, melodic tenor hooks, vocal harmonies on the hook, projected duet vocals, plate reverb, tape saturation, wide stereo mix, 1980s production, bright major key, 128 BPM, jubilant energy
Людмила Дементьева • kpop, synth-pop, 112 BPM, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, four-on-the-floor kick, funk guitar scratches, vocal harmonies on hook, accordion stabs, gated snare, sidechain pumping, neon melancholy, bittersweet lift Красивая мелодия сильный вокал эмоции выразительная музыка
Людмила Дементьева • neo-classical, chamber strings, prepared piano, cello harmonics, bowed vibraphone, concert snare rolls, distant field recordings, tape saturation, mono room mic, 1970s analog capture, sparse arrangement, dynamic crescendos, austere mood, mournful stillness Очень сильная музыка оркестр симфонический Очень сильный вокал эмоции выразительная музыка серьёзно глубоко оркестр. поют дуэтом мужчина и женщина
Witch • epic folk rock, dark female vocals, driving acoustic guitar, pounding drums, violin or fiddle solo, accordion bursts, nocturnal atmosphere, 120 BPM, verse: intimate and brooding, chorus: explosive and dance-like, bridge: tribal percussion, whispers turning into battle cry, wet reverb, forest night ritual energy
Witch • Genre: Epic Folk Rock-n-Roll, Celtic Punk Ballad, Tavern Rock, Orchestral Folk Tempo: 112 BPM with a "push-and-pull" pulse, half-time bridge at 56 BPM Mood: Defiant, wild, heartbroken but danceable, then vulnerable, then explosive catharsis Vocals: , raspy, Russian-language Instruments: Intro – acoustic guitar; rhythm – stomping drum + handclaps; lead – violin/cello; chorus – bagpipes; bridge – piano & cello; final chorus – brass section Structure: Verse (sweeping) → Chorus (epic, full) → Instrumental break (violin solo) → Verse 2 (higher energy) → Chorus → Bridge (quiet waltz 3/4, 2 sec silence) → Final chorus (double tempo: starts a cappella, then full explosion) Production: Wide stereo, "beer-soaked" reverb, no Auto-Tune, vinyl crackle only in bridge Key contrast: "Scream, then whisper." Implied crowd clapping. Final chorus sounds like a burning church at full volume.
Pahano • rock
Суетолог • Trap-hip-hop with rock drums and mournful solo violin, slow half-time bounce and marching toms; verse rides sparse 808 pulses and clipped guitar, pre-chorus opens with rising strings and doubled ad-libs, chorus hits with full drums, distorted bass, and chant-like gang vocal support. Breath-close lead vocal, strained shouted doubles on hooks, reverse violin swells into each drop, cold plate reverb on the last words, dark polished mix with sharp low-end and cinematic width., rock, hip hop, rap
С НАМИ БОГ • Блатной, серьёзный, дерзкий, русский шансон! Спетый грубым мужским голосом!
Viktor Babeshko • ambient, bass, down tempo
ЛюМиСа-Hits • an airy new wave ballad with a male deep baritone; the verses feature an intimate acoustic guitar and a soft synthesizer, while the chorus features lush strings and distant drums. The chorus features delicate choral backing vocals and subtle reverb to create the impression of a spacious futuristic hall, with the arrangement gradually building up and then fading away in a slow-motion effect.
ЛюМиСа-Hits • an airy new wave ballad with a male deep baritone; the verses feature an intimate acoustic guitar and a soft synthesizer, while the chorus features lush strings and distant drums. The chorus features delicate choral backing vocals and subtle reverb to create the impression of a spacious futuristic hall, with the arrangement gradually building up and then fading away in a slow-motion effect.
Darkself • hip-hop banger, 94 BPM, chopped drum break, punchy 808 kick, sub-bass slides, rimshot backbeat, syncopated hi-hats, staccato synth lead counterpoint, funk guitar scratches, call-and-response horn stabs, distorted snare layers, tape saturation, hard-panned percussion, drop breakdowns, swaggering anger
Viktor Babeshko • psychedelic ambient, dawn tempo, post industrial, bass
Igor-Push • Deep house, progressive house, melodic electronic, emotional , warm pads, rolling bassline, 124 BPM, four-on-the-floor, atmospheric breakdown, gradual build-up, reverb, sidechain compression, uplifting
Darkself • grime rap, 140 BPM, syncopated drum grid, sub-bass wobble, clipped kick snare, metallic rimshots, distorted synth stabs, chopped vocal hooks, call and response chants, sparse breakdowns, drop-heavy arrangement, half-time switches, grime siren accents, cold street energy, confrontational grit
ЛюМиСа-Hits • Этническая поп-музыка 90-х, фьюжн , арабские мотивы, испанская гитара, ближневосточная перкуссия, дарбука, хлопки в ладоши, страстная женщина
White Roses
Искусственный свет • Future bass, epic vocal, melodic