Все треки

Последние публичные треки, созданные нашими пользователями

СкОлько перепрОбовала (by @zhenech15)

Zhenich rap, hip hop, trap, fast flow, rhythmic, 808 bass, rap vocals.

77
СкОлько перепрОбовала (by @zhenech15)

Zhenich rap, hip hop, trap, fast flow, rhythmic, 808 bass, rap vocals.

103
Мамины руки

Олег_1985 Russian hip-hop chanson with piano-led half-time groove, warm brushed percussion and tight bass under a restrained verse arc; intro opens sparse with piano, verse 1 stays intimate and conversational, pre-chorus lifts with layered backing vocals and a rising chord turn, chorus lands with chantable unison doubles and short emotional repeats, bridge strips back to piano and voice before the final chorus returns fuller. Close-mic male vocal, slightly gritty in verses, heartfelt stacked harmonies on the hook, subtle tape hiss and filtered swells between sections, bright but sentimental mix

87
Регги о яичнице

Р С И И roots reggae, 72 bpm, lazy rub-a-dub, offbeat rhythm, deep analog bass, relaxed male vocal with a smile, warm morning vibe, russian language, humorous, sincere, like breakfast on a porch in Jamaica

88
СкОлько перепрОбовала (by @zhenech15)

Zhenich олдскульный хип-хоп (Old School Hip Hop) , джаз-рэп (Jazz Rap).

83
СкОлько перепрОбовала (by @zhenech15)

Zhenich олдскульный хип-хоп (Old School Hip Hop) , джаз-рэп (Jazz Rap).

74
Картошка

ХохлоМА pop, electronic, disco

130
Мы выбираем (Edit)

Дмитрий1365 A meaty female voice, ambient folk, drone pop, soft felt piano, fingerpicked acoustic guitar, brushed percussion, tape hiss, room reverb, distant sub-bass, slow-moving pads, silence pockets, whisper-low dynamics, airy harmonics, restrained compression, spacious mix, 72 BPM, sparse arrangement, bittersweet solitude

151
Смысл жизни (И.Черемушкина)

Petitpapillon82 A bard-inspired minimalist rock track opens with sparse acoustic guitar and subtle percussive taps. Deep , deliver philosophical musings and irony. In the chorus, electric guitar adds texture without excess, and occasional harmonies punctuate the socially conscious message. female vocals carry emotional intensity throughout

219
СкОлько перепрОбовала (by @zhenech15)

Zhenich Style Description: Powerful female choir, gospel influence, anthemic, piano, rhythmic, soul-stirring, celebratory

81
СкОлько перепрОбовала (by @zhenech15)

Zhenich Style Description: Powerful female choir, gospel influence, anthemic, piano, rhythmic, soul-stirring, celebratory

74
Свадьба

Andrew_Sh horror punk, punk rock, mid tempo, distorted power chords, galloping bassline, pick scrapes, snare-crack backbeat, doubled guitar octaves, overdriven baritone guitar, tape saturation, room mic drums, gritty mono mix, defiant dread, macabre swagger

114
Монетка

Владимир Кочетов · trip-hop · spoken word · dark atmospheric · male vocals · deep bass · minimal beat · hypnotic

166
IceStorm - Вестник смерти

IceStorm Symphonic Gothic metal, neoclassical metal, clean vocal, high-quality production, natural reverb, piano as harmonic foundation

117
Вертолётная патриотическая(Edit) (Edit)

КВНнк Symphonic rock with a driving mid-tempo pulse, soaring electric guitar lead, bass guitar, synth intro that blooms into full orchestra, drums, violin, cello, trumpet, bassoon, and French horn; verse rides tight and restrained, pre-chorus opens with rising strings, chorus hits with massed male choir. Gravelly handsome male vocal in verses, stacked harmonies and choral call-backs on the hook, brass swells and reverse cymbal lifts into the final lift, wide cinematic mix with bright punch and emotional depth.

110
Gatsby Castle Ball(стихи@Золтана)

Oceania Style: Roaring 20s Jazz, Charleston Dance, Vintage Glamour (like "Gentlemen..."). Key: F Major. Tempo: 170 BPM (upbeat swing, Charleston rhythm). Vocals: Female lead — sultry, high register (like Monroe), clear diction, scat in Bridge. Male vocal — deep, gravelly, subtle low harmony in chor.; brief call‑and‑response in Bridge; ad‑libs "Yeah!" between phrases. Always quieter than female. Sung in English. Instrumentation: piano (arpeggios), muted trumpets (fanfares), alto saxophone (melodic fills), clarinet (runs), banjo (Charleston rhythm), bass (walking), drum kit (brushes, hi‑hat), vibraphone (shimmer), tap dance sounds (syncopated steps). Mood: glamorous, flirtatious, joyous — a sparkling jazz night. Structure: Intro → Verses (3) → Pre‑Chorus (x2) → Choruses (x3) → Bridge (scat + call‑and‑response) → Final Chorus with ad‑libs → Outro (fade with piano and tap).

323
Dragon's Eyes

divey Eurodisco synth-pop, vintage 85s Italo disco vibe, 1985 Modern Talking style, catchy romantic 80s ballad, uptempo around 118-122 BPM, male duet vocals like Dieter Bohlen and Thomas Anders, high falsetto choruses, gated reverb drums, bright DX7 synth arpeggios, warm analog bassline, melodic electric guitar riffs, glossy production, neon romantic mood, soaring emotional vocals, heavy reverb on chorus

91
Sexy, Sexy Lover

divey Eurodisco synth-pop, vintage 80s Italo disco vibe, Modern Talking style, catchy energetic 80s europop, uptempo around 118-122 BPM, male duet vocals like Dieter Bohlen and Thomas Anders, high falsetto choruses, gated reverb drums, bright DX7 synth arpeggios, warm analog bassline, melodic electric guitar riffs, glossy production, neon romantic mood, soaring emotional vocals, heavy reverb on chorus

95
Деревенские дембеля

Mixanik Style: Balkan dance hit, festive, trumpet-driven, premium sound. Vocal: male baritone vocals Mood: Joyful, energetic, party atmosphere. Instruments: Trumpet (must be heard), accordion, tuba, drums. [Intro] Fast, energetic Balkan dance track. Accordion intro, followed by bright trumpet solo. [Verse 1] Energetic male vocals, storytelling style. Upbeat Balkan rhythm, driving drums, accordion backing. [Pre-Chorus] Rhythmic build-up. Brass section joins, bass line gets deeper. [Chorus] Powerful, anthemic male vocals. Full Balkan brass band sound: trumpet, tuba, accordion. Danceable, festive mood. [Verse 2] Humorous, playful male vocals. Fast accordion, lively percussion. [Bridge] Fast trumpet solo with Balkan flair. Energetic flow, call-and-response style. [Chorus] Repeat powerful chorus with full brass band and prominent trumpet. [Outro] Fade out with laughing, accordion riff, and final trumpet flourish.

109
Вертолётная патриотическая(Edit) (Edit)

КВНнк Symphonic rock with a driving mid-tempo pulse, soaring electric guitar lead, bass guitar, synth intro that blooms into full orchestra, drums, violin, cello, trumpet, bassoon, and French horn; verse rides tight and restrained, pre-chorus opens with rising strings, chorus hits with massed male choir. Gravelly handsome male vocal in verses, stacked harmonies and choral call-backs on the hook, brass swells and reverse cymbal lifts into the final lift, wide cinematic mix with bright punch and emotional depth.

73
Сердце в ритме

Alex31 Eurodance with four-on-the-floor kick, bouncy offbeat bass, bright saw synth stabs, and a fast club tempo feel; verse rides tight kick, bass, and clipped vocal lines, pre-chorus opens with rising filters and snare rolls, chorus hits wide with stacked hooks and crowd-style gang ad-libs. Lead vocal stays glossy and forward, with doubled hook phrases, airy ad-libs, and delay throws on the last word of each chorus line. Ear candy includes reverse cymbal swells, sparkling synth arps between phrases, and a big snare lift before each drop. Mix is bright, punchy, and festival-clean.

113
Я их придумаю.

Горельцев Григорий indie folk, synth-pop, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, vocal harmonies on hook, four-on-the-floor kick, analog pad layers, plate reverb, tape saturation, close mic intimacy, crescendo arrangement, bittersweet devotion, yearning resolve, 118 BPM, clapping backbeat

97
Мой путь
112
Дочери Лилит

NEORADA Gothic rock combined with classical music, female dramatic soprano vocals. Emotional performance. Symphonic orchestra and electric guitar. Powerful electric guitar solo and violin. Energetic and aggressive performance. Transitions from classical music to heavy rock. Screaming and harsh vocals are used in the chorus, folk

93
Такая весна (Edit)

Владимиръ Стрекаловский В стиле советских военных песен 1940-х, темп 90 BPM, оркестровые струнные, духовые, баян, мужской хор и солист баритон, торжественное и грустное настроение.

68
Мой родной
124
Приказ

Kaif Music Folk Hip-Hop, Russian ethnic fusion, deep rapper, soulful folk vocals, 80-90 BPM

87
Приказ

Kaif Music Folk Hip-Hop, Russian ethnic fusion, deep rapper, soulful folk vocals, 80-90 BPM

89
Говорю сам с собой...

Максим Борисович Metalcore, breakdowns, screaming and singing, hard core, punk influence

104
Пепел и крик

MaReVo Industrial rock with jazz-pop twists, mid-tempo stomping groove and syncopated drum hits; verse rides tense bass, brushed snare accents, and angular guitars, pre-chorus opens with muted sax stabs and rising noise, chorus hits wider with shouted doubles and gang replies. Male vocals, gritty close-mic verses, raspy open-hook chorus. Metallic hits, reversed swells, and short tape echoes; bright, punchy, slightly smoky mix., pop, jazz, industrial rock

103
Маргарита

Андрей_Ш dramatic symphonic rock, minor key, 92 BPM, timpani hits, string ostinato, French horn calls, choir pad, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, tom-heavy march, sidechain compression, plate reverb, tape saturation, battle-cry energy, redemption arc

125
Gatsby's Castle Feast(стихи@Золтана)

Oceania Song: “Gatsby’s Castle Feast”. Style: Roaring 20s Cinematic Jazz / Smooth Jazz with Blues & Soul Ballad. Key: F Major. Tempo: 100 BPM (moderate swing). Vocals: Powerful female lead (wide range, soaring high notes, emotive soul delivery). Deep gravelly male vocal (rough timbre) — prominent in choruses (low harmony) and bridge (dialogue). Whispers: “He walks…”, “A phantom…”. Sung in English. Instrumentation: trumpet, clarinet, trombone, banjo (Charleston), Rhodes piano, slide guitar (bridge), upright bass, brushes, shaker, synth pad (“castle mist”). Mood: opulent yet melancholic. Structure: Verses (female + male gravelly whispers); Pre‑Chorus (male low harmony); Choruses (full brass, female soaring + male deep); Bridge (Rhodes, bass, slide guitar, dialogue: female “Is it love…”, male gravelly “Or merely…”); Outro (Rhodes motif, male gravelly whisper “For me and you…”).

373
Ближе к тебе

Кощей hip hop, 92 BPM, dry snare backbeat, syncopated kick pattern, sub-bass octave drops, chopped piano stabs, fingerpicked acoustic guitar, tambourine backbeat, distorted electric guitar riffs, staccato synth lead counterpoint, sidechain pumping, slapback delay, call-and-response hook, tense defiance, gritty resolve, glitch hop, 92 BPM, chopped acoustic guitar, tambourine backbeat, staccato synth lead, sub-bass pulses, granular vocal chops, tape saturation, spring reverb, sidechain pumping, breakbeat drums, half-time drop, spacious stereo field, bittersweet nostalgia, uneasy momentum, off-kilter groove, rap, spoken-word cadence, 92 BPM, rimshot backbeat, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, electric bass slides, brushed snare, accordion accents, tape saturation, plate reverb, mono center vocal, dry close-mic, syncopated percussion, call-and-response hooks, gritty intimacy

92
Режет тишиной

MaReVo Techno-rock-pop-trap with male vocals, driving mid-tempo pulse and syncopated trap hats over distorted guitars and glossy synth stabs; verse rides tight half-spoken lines with dry kicks and bass, pre-chorus opens with rising filters and tom fills, chorus hits wide with stacked doubles and shouted hook repeats. Add reversed swells, glitch ticks, and a short drop before the final chorus. Bright, aggressive, polished mix with a hard low end and sharp vocal front., rock, pop

94
Туман (v2)

Кощей hip hop, 92 BPM, dry snare backbeat, syncopated kick pattern, sub-bass octave drops, chopped piano stabs, fingerpicked acoustic guitar, tambourine backbeat, distorted electric guitar riffs, staccato synth lead counterpoint, sidechain pumping, slapback delay, call-and-response hook, tense defiance, gritty resolve, glitch hop, 92 BPM, chopped acoustic guitar, tambourine backbeat, staccato synth lead, sub-bass pulses, granular vocal chops, tape saturation, spring reverb, sidechain pumping, breakbeat drums, half-time drop, spacious stereo field, bittersweet nostalgia, uneasy momentum, off-kilter groove

98
Наш Хабаровский край. Стих А. Н. Кухтина

YohPilot Folk metal, Russian folk instruments (balalaika, accordion), rich male vocals, stomping drums, gritty, anthem.

140
Наш Хабаровский край (на стих А. Н. Кухтиной)

YohPilot ‎Pop rock, catchy melodic chorus, acoustic guitar, clear male vocal, uplifting, 95 BPM, major key, radio quality.

106
Без сохранения

макс шишигин Rock anthem with driving mid-tempo four-on-the-floor drums and crunchy downstroke guitars; verse rides tight riffs with violin and flute answering the vocal lines, pre-chorus opens with tom buildup and rising harmony stacks, chorus hits wide with gang vocals and a soaring violin hook. Bridge pulls to half-time with flute and bowed strings before the final chorus returns bigger, bright and punchy mix, close-mic lead vocal with doubled hook phrases and short delay throws., rock

94
Березка сережки

Дмитрий1365 electronic, breakbeat, 190 BPM, arpeggiated synth lead, staccato drum machine, chopped breakbeats, 808 sub-bass sidechain, overdriven lead synths, glitch edits, filter chops, hypercompressed mix, wide stereo imaging, aggressive syncopation, manic energy, unstable momentum

170
Хит

Вальдемар Черепанов Реп.- **Бит:** энергичный, с глубоким басом и чёткими ударными. В начале — атмосферный сэмпл (например, звуки города или радиоэфира), затем вступает мощный бит. - **Темп:** 85–95 *BPM* (умеренный, чтобы слова были разборчивы и качали). - **Инструментал:** синтезаторы с «космическим» оттенком, живые струнные в припеве для эпичности, электронные эффекты для современного звучания. - **Атмосфера:** трек должен звучать масштабно — как гимн города и поколения. В припеве — хоровой бэк-вокал или эффект толпы.

113
Топор и рейд

макс шишигин Epic metal with driving double-time drums, riff-heavy electric guitars and soaring violin counterlines; verse 1 stalks with tense low chugs and sharp bow accents, pre-chorus opens into rising gang shouts, chorus slams wide with stacked gang vocals on the anchor phrase. Verse 2 gets faster and more brutal, bridge drops to bowed violin and a lone vocal before the final chorus returns huge. Male vocals, gritty close-mic verses, shouted doubles and brief violin flourishes between lines, bright punchy mix with cinematic impact and crisp low-end thump.

105