Все треки

евгения пак • Rock-pop anthem with driving mid-tempo drums, palm-muted electric guitars in verses, soaring open-chord chorus, and a steady bass pulse; verse rides tight and close, pre-chorus opens with rising toms and harmony lift, chorus hits with stacked gang vocals on the hook. Lead vocal is gritty and emotional with doubled choruses, short delay throws on key words, and a brief filtered break before the final lift. Bright, punchy, radio-ready mix with a wide, anthemic finish., rock, pop

Евгений BaRTeX • jazz, rock, hip hop, electronic, metal

евгения пак • Russian pop ballad with a steady midtempo pulse, gentle swung drums and warm piano carrying the verses; pre-chorus strips to piano, bass, and rising strings; chorus opens with layered harmonies and a simple clap pattern. Lead vocal stays intimate and close-mic with soft doubles, delay throws on the hook words, and a few breathy ad-libs. Ear candy: reversed swell into the chorus, bell chime between lines, final lift with string rise. Bright, emotional, polished mix.

vladzak57 • Rock-pop with electronic pulse, mid-tempo driving four-on-the-floor and punchy guitar stabs; verses ride tight drums and bass with clipped vocal phrasing, pre-chorus opens with rising synth layers and tom build, chorus hits wide with stacked gang vocals and bigger chords. Use doubled lead vocal, short delay throws on key phrases, and handclap accents in the hook. Add reverse swells into each chorus and a brief synth lift before the bridge. Bright, powerful, arena-ready mix with crisp low end., pop, rock, electronic

vladzak57 • Rock-pop with electronic pulse, mid-tempo driving four-on-the-floor and punchy guitar stabs; verses ride tight drums and bass with clipped vocal phrasing, pre-chorus opens with rising synth layers and tom build, chorus hits wide with stacked gang vocals and bigger chords. Use doubled lead vocal, short delay throws on key phrases, and handclap accents in the hook. Add reverse swells into each chorus and a brief synth lift before the bridge. Bright, powerful, arena-ready mix with crisp low end., pop, rock, electronic

евгения пак • Rock-pop with electronic pulse, mid-tempo driving four-on-the-floor and punchy guitar stabs; verses ride tight drums and bass with clipped vocal phrasing, pre-chorus opens with rising synth layers and tom build, chorus hits wide with stacked gang vocals and bigger chords. Use doubled lead vocal, short delay throws on key phrases, and handclap accents in the hook. Add reverse swells into each chorus and a brief synth lift before the bridge. Bright, powerful, arena-ready mix with crisp low end., pop, rock, electronic

Гога Манжурский • Rock ballads, solo guitar and akkordion, orchestra symphony, energetic slow tempo.

kuprumserga • The song is in the style of **cheerful pop-rock** with elements of **folk** and **chanson**, which is perfect for a party performance. The main rhythm is **drivable, dance-like**, with an emphasis on a strong beat, so that you want to clap your hands and stomp your feet. The tempo is moderately fast, around 120-130 *BPM*. The arrangement features a **lead acoustic guitar** with a "beat" that sets a lively tempo. It is joined by a **bass guitar** and **live drums** with a clear, penetrating “working” and an open high hat. To create an atmosphere of a folk festival, a **bayan or accordion** is added, playing simple, memorable riffs. In the choruses, an **electric guitar** with a slight overdrive and **backing vocals** are added to increase the energy. The sound should be bright, positive, and a little “raucous” to evoke a smile and a desire to sing in unison.

Айрис • Female melodic rap, sexy female rap, girl raps gensta raps, beats

ФИЛ1 • metal, 96 BPM, half-time groove, double kick drums, distorted baritone guitar, fingerpicked acoustic guitar, pump organ drones, accordion counterlines, tambourine backbeat, gang shouts, plate reverb, tape saturation, minor key, bittersweet nostalgia, martial momentum

KriKri • Genre: Gothic punk, Slavic folk punk, dark fantasy, mystical pagan rock. Tempo 90-100 BPM, groove and bite. No funeral doom, no whining. Instruments: cello lead (sharp attacks + sustains), electric guitar (clean arpeggios + distorted accents in chorus), folk flute (cold color), frame drum driving rhythm, bass melodic, piano (water drops). Drums: mid-tempo punk beat with folk patterns. Dry production, close mic. Vocals: female contralto, deep, dramatic. Natural phrasing — no sustained vowels. Smooth & hypnotic in verses, sharp & attacking in chorus, whispered in bridge. Accents on: глупцов, тысячу лет, дурак, без души. Clear words, no flat whining. Dynamics: wide shifts. Soft verse, explosive chorus, whisper bridge, dry shocked verse 3. No monotony. Atmosphere: Slavic fantasy horror — midnight river ritual with punk energy. Haunting, dangerous. Goosebumps guaranteed.

Johnny D • hard rock ballad, mid-tempo 84 BPM, fingerpicked acoustic guitar, soaring lead guitar, tom-driven drums, tambourine backbeat, sustained power-chord choruses, four-on-the-floor bridge, stereo guitar harmony, plate reverb, tape saturation, dynamic buildup, bittersweet departure, anthemic restraint

Горельцев Григорий • cinematic rock, post-rock ballad, four-on-the-floor kick, sustained power-c…, electronic

MSIb860 • ambient

Oceania • Empowering anthem about defiance and inner strength. Modern pop rock with electronic influences, 112 BPM. Female vocal — powerful, slightly raspy, restrained (close mic) in verses, full power (doubled vocals) in choruses, peak emotion on final «strong». Driving beat with punchy snare on 2 and 4, deep bass pulse, light shaker in verses, cymbal swells before choruses. Instrumentation: electric guitar (riff/power chords with overdrive in choruses), atmospheric synth pads with reverb, piano arpeggios, orchestral strings in choruses. Dynamic structure: sparse verses → powerful choruses (layered vocals, drum fills). Bridge: piano/vocal moment (solo first half, full band return on «light!»). Mood: triumphant, cathartic. Instrumental intro (8 bars with synth and bass build), fade out ending (sustained synth pad tail). Vocal effects: increasing reverb, delay on key phrases, slight distortion on «strong» in final chorus.

Ратибор Ясный • ocean new age, wave sounds, aquatic themes, flowing

MSIb860 • ambient

Maestro74 • шансон,gritty male vocals

vladzak57 • melancholic and atmospheric Russian indie folk-pop ballad, 110BPM

vladzak57 • melancholic and atmospheric Russian indie folk-pop ballad, 110BPM

Мэри П • French rap, 92 BPM, spoken word cadence, sample chopped hooks, fingerpicked acoustic guitar, tambourine backbeat, darbuka groove, modal oud riff, staccato synth lead, sub bass pulses, dry close vocal, plate reverb snare, parallel compression, sparse verse drop, call-and-response chorus, percussive lyric phrasing, urban melancholy

max_28767663 • Lyrical Russian romance, sad male tenor voice, classical guitar arpeggios, slow waltz tempo, ,melancholic, poetic, rich reverb, intimate and emotional performance, no drums, strings section in the background

Андрей2874 • heavy metal, 1989 glam metal, palm-muted riffing, twin lead guitars, pinch harmonic accents, snarling guitar crunch, arena tom fills, double kick bursts, bass pick attack, dry snare crack, gang chant choruses, wide stereo guitars, tape saturation, plate reverb, abrupt breakdowns, tempo surges, reckless aggression

Андрей2874 • metal, drum and bass, disco

DDdddDD • post punk, garage rock, 115 BPM, tom-heavy backbeat, wall of sound, overdriven baritone guitar, fuzz octave lead, pick scrape accents, spring reverb, tape saturation, mono drum room, minor key, restless urgency, bruised defiance

kuprumserga • The song is in the style of **sympho-pop** with elements of **art-rock**. Classical poetry requires a large-scale, cinematic sound. The rhythm section should be solid and unhurried, creating a sense of confident, measured steps. The arrangement is based on a **string orchestra** (violins, cellos), which leads the main melodic line, emphasizing the drama and lyricism of the text. Their sound should be dense, voluminous, and use "underlays" (long notes) in the choruses to create an epic feel. The rhythm is set by an acoustic guitar (strumming in the verses) and a **soft, deep bass guitar**. The drums enter in the choruses, playing a powerful but not aggressive beat. In the bridge, the arrangement quiets down to a minimum (perhaps just piano and string pizzicato), only to explode with a final chorus featuring the entire band. The vocals are a dramatic baritone with a wide range and emotional delivery.

Олег_1985 • Russian chanson with gritty male vocals, mid-tempo swagger and driving swing; verse rides brooding electric guitars and deep bass; pre-chorus tightens with snare rolls and rising chords; chorus hits harder with gang-style doubles on the hook and a gritty singback feel. Use brief turnarounds with reverse swells, chrome-sheen guitar squeals, and a bass drop before each chorus. Mix is dark, punchy, and road-dust rough.

KriKri • Gothic punk, female vocals only, no choir, no backing vocals. Russian language. Live drums intro with punchy kick and snare. Heavy distorted bass guitar leads. Electric guitar with thick distortion on choruses, clean arpeggios on verses. Female vocalist alone, melodic singing, clear voice, sarcastic, no screaming, no rap, no harmonies. Loud aggressive mix, wide stereo, deep low end. Tempo 130-140 BPM, driving forward. No reverb wash. In-your-face production. Dark, powerful, raw.

KriKri • female vocal, raspy voice, drunk punk rock, folk rock, dark folk, melodic punk, angry sad, ironic, epic, anthemic choir gang vocals sarcastic female vocal, russian folk punk, raw recording 3. Чтобы была хрипотца: попробуй hoarse voice, whiskey voice, aggressive female vocal 4. Чтобы хотелось подпевать: добавь в конец промта with audience clapping, anthem

KriKri • female vocals, raspy voice, folk punk, gothic rock, dark cabaret, driving drums, electric guitar, witch vibe Динамика резкие смены: громко → шёпот → взрыв Акапелла в [Chorus] после (а-а-а-а) — убрать все инструменты на 2 секунды Хрипотца особенно на Хэй!, Кто сказал «ад»?, я — мятеж Бэк-вокал охать, ахать, подвывать в мужском/низком регистре Темп куплеты чуть сдержаннее, припев — в разнос Outro эхо, дисторшн, резкий обрыв (не затухание) фолк-панк / готик-рок / женский вокал с хрипотцой Темп: 140–160 bpm, драйвово Тональность: ми минор (под гитару с перегрузом)

KriKri • rock ballad, fast, upbeat, funny, female lead vocal, male backing vocals, fire sound effects optional

Махарани • Style: Modern magical rock-blues, 18+. Dark Folk Rock / Ethereal Blues with indie folk. Excluded: chanson, retro, Soviet pop, 90s, restaurant jazz. No accordions, bayans, 80s synths. Instruments: Violin (aggressive-tender, bow like a spell). Hammond or church organ (low vibrating notes). Cello (deep bass, long sustains). Bongos + mridangam (live pulsing rhythm, breaks). Kartals (occasional, like stardust). Vocals: Female, flirty, playful, convincing, soft with breathiness. Voice enters immediately. Lots of whispers, breath, intimate tones. Bridge: half-scream emotional outburst, then back to softness. Choruses: dense, hypnotic. Atmosphere: Goosebumps, magic, night, ritual, candles, stars. Tempo: medium with accelerations in bridge and slowdowns in finale. Duration: 3.5-4 min. Structure: Short intro -> Verse 1 -> Chorus -> Verse 2 (shorter) -> Bridge (with mantra) -> Chorus (shortened) -> Finale. No long instrumental breaks.

KriKri • upbeat indie rock, female vocals, staccato, energetic, no melancholy, dry mix, folk punk influence

KriKri • dark violin, raw, abrupt, cinematic, Nordic folk, whispered female vocal, explosive dynamic unhinged, broken, breathing, imperfect, live

KriKri • Genre: dark folk, shamanic tribal, epic dark ambient, female vocals, harsh but melodic Tempo: moderate (90-100 BPM) Instruments: heavy frame drum (shamanic beat), jaw harp (vargan), throat singing undertones, sudden silences, distorted flute, ritual bells Structure: intro (drum only), verse, chorus (explosive), verse, chorus, bridge (spoken, drums stop), verse, abrupt silence, final chorus (quieter, then build up) Mood: wild, broken, tragic, powerful, ritualistic, cold forest Vocal style: raw, intense, almost chanting, with sudden drops to whisper Production: dry, close mic, reverb like a cave, sudden cuts of silence between lines

KriKri • · Drums: heavy kick, dry snare, accelerating tempo on the 2nd chorus, abrupt stop at the instrumental break · Bass: distorted, repeating ostinato, glue between drums and violin · Violin: leads melody with long sustained notes in verses, screaming and atonal in the break, harmonic at the end · Transitions: sudden, jarring (e.g. from silence to full band, from fast to stop) · Vocal: clean female lead with whispered layers, no autotune, raw and emotional Dark Post-Punk, Ritual Industrial, Cinematic Darkwave, Female Vocal, Violin, Bass Guitar, Drums, Witch Chanting, Whispered Vocals, Abrupt Tempo Changes, Screaming Violin

DDdddDD • nu metal, 168 BPM, drop tuned guitars, chugging palm mutes, syncopated riff hits, abrupt metric shifts, turntable scratches, punchy snare cracks, sub drop accents, dry room reverb, parallel compression, distorted bass layering, breakdown halftime, aggressive resolve, spoken baritone, short shred solo

Сергей Хабаза • cinematic orchestral, mystical atmosphere, string ostinatos, brass swells, woodwind countermelody, taiko drums, choir pads, harp glissandi, fingerpicked acoustic guitar, tambourine backbeat, four-on-the-floor synth-pop, staccato synth lead, plate reverb, tape saturation, wide stereo mix, build and drop, dramatic uplift, 92 BPM, dynamic crescendos

KriKri • Style: Dark Gothic Rock, Post-Punk, Heavy Gothic Metal Tempo: Fast-mid, 135 BPM, Driving, Aggressive Vocal: Male, Deep, Raspy, Emotional, Sarcastic, Almost Shouting in Chorus Instruments: Heavy Distorted Bass Guitar (Lead), Fast Rock Drums (Kick, Snare, Crash Cymbals), Electric Guitar (Overdriven, Long Bending Solos) Production: Dark, Deep, Wide, High Reverb, Live Sound, Thick Bass Atmosphere: Deep, Desperate, Ironic, Energetic, Dark shamanic folk, frame drum, sudden silences, raw female vocal, epic and tragic, like a ritual in a frozen forest. No clean production. Aggressive and broken.

KriKri • Gothic punk, folk rock, dark female vocal, deep alto, driving bass guitar, cello, heavy drums, bass drum, fast tempo, 170 bpm, raw energy, anthemic chorus, atmospheric bridge, a cappella outro, no rap, no spoken word, sung ONLY female voice only.

KriKri • Gothic rock, dark cabaret, deep female contralto, fast tempo, 160 bpm, driving bass, cello, heavy drums, double bass drum, dramatic, aggressive vibrato, dynamic vocals, melodic singing, no rap, no spoken word, full band, a cappella outro dark voice, no soprano, chest voice only.

Daemryx • blackened deathcore, heavy industrial riddim, 150 bpm, pristine high-fidelity production, widescreen stereo imaging, ultra-wide soundstage, punchy modern master, massive wall of sound, dual-tracked guitars, sub-bass optimization, 4k studio quality

DDdddDD • nu metal, 97 BPM, baritone shouts, fingerpicked acoustic guitar, detuned seven-string riff, slapback vocal delay, gated room reverb, tape saturation, sub drop impacts, half-time groove, tempo shifts, syncopated snare accents, industrial percussion, anxious urgency, unstable momentum

Predvehni • folk, indie, classical, drum and bass, synthwave, lofi

Oceania • post-punk, new-wave, alternative-rock, melancholic, somber, introspective, emotionally raw, raspy male vocals (main, low-pitched, detached delivery), ethereal female vocals (subtle background layer in final chorus), cold vocal tone, electric guitar (clean in verses, distorted in choruses), minimalist guitar riffs with reverb/delay, bass guitar, deep bass, drums, restrained drums with strong backbeat (snare on 2 & 4), synthesizer, atmospheric synth pads, prominent reverb and delay effects, minimalist arrangement, cold sound, medium tempo (115 BPM), 4/4 beat, gradual build-up (minimal intro → full instrumentation in chorus), peak in final chorus with dual vocals, atmospheric outro with guitar reverb fade and synth pad dissolve into silence, subtle cymbal swells in pre-choruses, light hi-hat pulse throughout total duration: 5 minutes 45 seconds

Mixanik • Style: Post-apocalyptic, Psybient / Space Rock, CINEMATIC AMBIENT, dreamy guitars, synth layers, and otherworldly textures, Premium sound. Vocals: Male, gritty, powerful, with echo and distortion effects Instruments: Dreamy guitars, industrial percussion, atmospheric synths, eerie soundscapes, occasional Geiger counter samples. Mood: mysterious, tense, epic, Exclusion Zone, artifact, stalker, Chernobyl. Tempo: Fast verses, slow bridge, powerful chorus. Professional studio production.

The Sad rabbit • hip hop, rap, rap, 92 BPM, fractured beat, chopped drum breaks, sub bass stabs, glitch percussion, detuned synth pulses, fingerpicked acoustic guitar, vocal harmonizer stack, stereo delay throws, tape saturation, four-on-the-floor kick, unstable groove, anxious resolve, sing-rap hooks

Dukem • Rapcore / Nu-Metal, aggressive male vocal, heavy downtuned electric guitars, punchy rap verses, explosive screamed chorus with melodic backing, breakdown with half-time groove, double bass drum, dark and powerful atmosphere. Intro: guitar riff building into beat. Verse: fast rhythmic rapping over chugging riffs. Chorus: wide screamed vocals with gang backing. Bridge: stripped down, only bass and whispered voice. Outro: fading guitar and vocal, abrupt cut. Theme: pantheism, interfaith solidarity, friendship with a priest, unshakeable faith in the One.

Dukem • Rapcore / Nu-Metal, aggressive male vocal, heavy downtuned electric guitars, punchy rap verses, explosive screamed chorus with melodic backing, breakdown with half-time groove, double bass drum, dark and powerful atmosphere. Intro: guitar riff building into beat. Verse: fast rhythmic rapping over chugging riffs. Chorus: wide screamed vocals with gang backing. Bridge: stripped down, only bass and whispered voice. Outro: fading guitar and vocal, abrupt cut. Theme: pantheism, interfaith solidarity, friendship with a priest, unshakeable faith in the One.

Volodya98 • Pop anthem in mid-tempo four-on-the-floor with claps, bright synth plucks, and a bouncing bassline; verse stays intimate and image-heavy, pre-chorus lifts with rising harmonies and snare build, chorus opens wide with stacked doubles and gang vocal echoes on the hook. Add sparkle chimes, reverse swells into the chorus, and a final lift with handclaps and ad-lib replies. Crisp, glossy, and emotional with a radio-ready punch.