Все треки
Последние публичные треки, созданные нашими пользователями
ARS • hard-hitting trap, heavy 808 bass, punchy kick, 140 bpm, energetic, aggressive drums, dark club atmosphere, russian underground rap, gritty synth bass, distorted 808, loud master, confident , club banger, high energy, raw production
SveChi • pop ballad, 74 BPM, piano arpeggios, muted electric guitar harmonics, cello counterlines, analog synth pads, brushed snare, tom fills, sidechain bass, tape saturation, stereo plate reverb, chorus delay, restrained crescendo, bittersweet nostalgia, autumn dusk, delicate build, 6/8 pulse
Gene • Love bites, British heavy metal rock, AOR
SveChi • pop rock, 92 BPM, melancholic love, electric piano arpeggios, palm-muted rhythm guitar, delayed lead guitar lines, tom-driven drums, bass guitar pedal tones, string pads, verse-chorus lift, half-time bridge, stereo plate reverb, double-tracked guitars, dynamic dropouts, chorus swell, major-minor shift, Russian pop melody, autumn nostalgia
Johnny D • nu metal, 150 BPM, downtuned palm-muted guitar riffs, octave lead guitar harmonies, syncopated power chords, aggressive drum kit, snare-clap backbeat, sub bass reinforcement, distorted bass grit, parallel compression, slapback delay, room reverb, wide stereo guitars, anthemic chorus lift, brooding intensity, verse break stabs
Johnny D • nu metal, 150 BPM, downtuned palm-muted guitar riffs, octave lead guitar harmonies, syncopated power chords, aggressive drum kit, snare-clap backbeat, sub bass reinforcement, distorted bass grit, parallel compression, slapback delay, room reverb, wide stereo guitars, anthemic chorus lift, brooding intensity, verse break stabs
ЕленаЕ • Russian lyrical rap with female vocals, slow half-time beat and tender piano chords; verse stays intimate and story-led, pre-chorus lifts with string swells and breathy doubles, chorus lands on a simple aching chant. Close-mic lead vocal, soft stacked harmonies, delayed ad-libs on the name “Коля”, reverse piano tails and a final stripped bridge, warm and intimate mix with tearful low-end weight.
Ольга128 • Jazz swing with brushed drums, upright bass walk, smoky piano comping, clarinet fills, and gentle scat turns; verse rides sparse piano and bass, pre-chorus opens with walking bass and brushed snare, chorus lifts with warm sax answers and soft group doubles; close-mic male vocal with intimate phrasing, light harmony swells, quick turnaround fills, tape hiss, and a lush but cozy mix, jazz
Подна7 • slow-dance pop, synth-pop, mellow 92 BPM, piano ostinato, electric piano chords, fingerpicked acoustic guitar, brushed snare, four-on-the-floor kick, sub bass pulse, staccato synth lead, vocal harmonizer, plate reverb, tape saturation, intimate longing, late-night pulse
DDdddDD • punk rock, 130 BPM, detuned power chords, overdriven guitar riffs, unison shout chorus, pick scrape accents, driving snare backbeat, tom fill transitions, DI bass grit, plate reverb snare, tape saturation, live room bleed, late-70s punk mix, raw mono punch, reckless defiance
DDdddDD • punk rock, 130 BPM, detuned power chords, overdriven guitar riffs, unison shout chorus, pick scrape accents, driving snare backbeat, tom fill transitions, DI bass grit, plate reverb snare, tape saturation, live room bleed, late-70s punk mix, raw mono punch, reckless defiance
Лес • house, 124 BPM, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, detuned Juno pads, electric piano comping, slapback snare, sidechain pumping, tape saturation, gated reverb, four-on-the-floor kick, syncopated bassline, bittersweet nostalgia, late-night release
Алексей Алексеев • Russian pop chanson, acoustic guitar fingerpicking, accordion lead lines, keyboard intro, keyboard fills, tambourine backbeat, male tenor hook, layered backing vocals, staccato synth counterpoint, four-on-the-floor kick, punchy snare crack, bright room reverb, analog tape saturation, radio-ready compression, bittersweet defiance, forward momentum, 108 BPM, verse to chorus lift
Tema can fly • Style: dark cinematic dubstep with sci‑fi undertones, inspired by Star Wars universe and KOTOR II atmosphere. Tempo: 140 BPM (classic dubstep half‑time feel — perceived as 70 BPM). Rhythm: syncopated patterns with kick on beat 1, snare on beat 3; sparse hi‑hats; off‑beat percussive hits; occasional triplets for tension. Vocals: female lead — gritty, defiant tone with street‑wise inflections; layered harmonies in chorus for ethereal “Force whisper” effect; vocal chopping and stutter effects during drops. Instrumentation: deep sub‑bass (wobble bass modulated via LFO, “wub‑wub” texture); metallic percussive stabs and industrial clangs (echoing Nar Shaddaa’s underbelly); glitchy synth arpeggios (symbolising Force awakening); ambient pads and distant choirs (Malachor V’s haunting energy); sidechain compression on all non‑percussive elements for punchy rhythm; bass drops after key narrative lines (e.g., “I am free”). Mood: defiance, inner strength, transformation.
Лес • house, 124 BPM, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, detuned Juno pads, electric piano comping, slapback snare, sidechain pumping, tape saturation, gated reverb, four-on-the-floor kick, syncopated bassline, bittersweet nostalgia, late-night release
DDdddDD • metal rap, speed rap, sung choruses, male duo, deep baritone lead, high tenor hook, tight unison rap, octave harmony chorus, distorted rhythm guitars, palm muted chugs, gang shouts, punchy snare, subdrop impacts, tape saturation, mono verse space, stadium reverb, relentless momentum, rueful catharsis, 192 BPM
Лес • dubstep, ambient, electronic
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Лес • electronic, house, drum and bass, dubstep
Екатерина Сажина • melancholic pop rock, emotional intense female vocals, acoustic intro, powerful dramatic chorus, heavy drums, nostalgic, grunge
Екатерина Сажина • melancholic pop rock, emotional intense female vocals, acoustic intro, powerful dramatic chorus, heavy drums, nostalgic, grunge
Milla • classical, soul, меццо-сопрано
MC MON 62 • [horrorcore rap] [dark hip-hop] [male vocal] [aggressive delivery] [eerie synths] [pounding drums] [creepy atmosphere] [verse] [bridge] [chorus] 145 BPM
Cergey T • Pop ballad with female vocals and lush orchestra; steady mid-tempo pulse, verse stays intimate with piano and soft strings, pre-chorus opens with rising cellos and snare swells, chorus lifts into full orchestral hits and layered harmony doubles. Add harp glissandos, warm french horn answers, and a final string surge into the last chorus. Bright cinematic mix, emotional and polished.
Volshebnitsa888 • Techno, заводная, очень весёлая песня, поднимающая зал
ARKADYI • energetic pop punk, fast tempo, distorted guitars, youthful energy
ARKADYI • country, Warm acoustic country ballad, male vocals with twang; brushed snare and upright bass keep an easy sway. Verses stay intimate with close-mic vocal and soft dobro fills; chorus widens through stacked harmonies and organ pad. Subtle fiddle lines answer key phrases, last chorus lifts with a brighter strum and ad-libbed tails.
vladzak57 • orchestal, futuristic
СветланыЧ • rock, house, drum and bass, lofi,, ambient
У КАМАЗа отказали тормоза
Владимир Балахонов2 • electronic
ТатьянКаА • female vocal, contralto, low deep voice, dark, warm, mid tempo, 90 BPM, minor key, acoustic guitar, piano, light drums, supportive, march rhythm, no dance, no pop, no fast, no high pitch
ТатьянКаА • female vocal, contralto, low deep voice, dark, warm, mid tempo, 90 BPM, minor key, acoustic guitar, piano, light drums, supportive, march rhythm, no dance, no pop, no fast, no high pitch
Plys1 • Душевная поп-баллада спокойная красивая мелодия в быстром темпе. Спокойный низкий взрослый женский голос без надрыва 180 bpm
Cergey T • Symphonic rock ballad with low gritty male vocals, orchestral swells and pulsing synth layers; verse stays tense and restrained, pre-chorus strips to voice and strings, chorus surges with full brass, choir doubles and sharp vocal peaks, bridge drops to near-silence with distant piano and a rising synth bloom before the final explosive chorus. Dark, wide, cinematic mix with close-mic lead and huge reverb tails.
Dmitriy Kraev • mastered, rap, rock, 86 BPM, melancholic, sad, piano, bass, 808 bounce, dry vocals, minimal reverb
Влад Мигаль • Russian pop, slow adagio, tender melody, symphonic pop, fingerpicked acoustic guitar, tambourine backbeat, string ensemble legato, piano arpeggios, tenor hook melody, vocal harmonies, plate reverb, analog tape saturation, wide stereo mix, mellow resolve, bittersweet nostalgia, 78 BPM, half-time pulse, classical, metal
Евгения Грозд • Russian rock, pop, russian voice, folk color, russian accent, dance-pop, bayan, bass guitars, bass, ethnic music, folk rock, epic
Денис 0810 • male baritone voice, strong voice, aggressive vocals, rap vocals, trap, dubstep
Yurec • Style Prompts (Основной жанр): Russian rock, Britpop, alternative rock, mid-tempo, melodic, melancholic, electric guitar drive, 2000s vibe, russian pop-rock . Voice & Vocal Style Prompts (Самый важный блок — голос): Male vocals, tenor, raw voice, emotional, broken voice, nervous and cracked vocals, abrupt transitions, talk-sing style, desperate singing, intimate microphone sound, sometimes sliding into low chest voice, high-pitched but not squeaky, weary phrasing. Instrumental Prompts (Инструменталовка): Driving bass guitar, straight drum beat, jangly electric guitar riffs, minor key, atmospheric keyboard pad in background, dynamic build up to chorus, drop D tuning feel, hooky guitar solo in the middle, lo-fi texture. Структура и динамика: Verse has a conversational, low energy flow -> Chorus bursts with high tension and aggressive drive.
Владимиръ Стрекаловский • classical, chamber pop, fingerpicked acoustic guitar, mandolin tremolo, brushed tambourine, accordion drone, bowed double bass, glockenspiel counterlines, tape saturation, plate reverb, mono room ambience, 1970s analog warmth, minor key, bittersweet nostalgia, 92 BPM, swung backbeat, staccato string pizzicato, orchestral swell
Галина Тара • Лирика с надрывом и болью, pop, rock
мс Хоттабыч • House-dubstep with driving four-on-the-floor verses, half-time bass drops in the chorus, and syncopated claps pushing the groove; verse stays tight with minimal kick, bass, and staccato synth stabs, pre-chorus lifts with filtered risers and chopped vocal repeats, chorus slams with wobble bass and gang shouts, bridge drops to a tense sub pulse then rebuilds. Male vocals with doubled hook lines, delay throws on the phrase anchor, breathy ad-libs in the gaps, bright punchy mix with glossy low end and sharp transient snap., dubstep
Галина Тара • Шуточный шансон, вокал с юмором, огоньком, лёгкая и веселая музыка
