Все треки

Yuki_Schtiel • Russian post‑punk live concert performance, dark melancholic atmospheric longing, 85 BPM, C minor. Male spoken‑word vocal delivery (low, detached tone) — occasionally pausing to let the crowd sing key lines back to him. Ethereal , harmonies (high, airy, wordless “ooh/aah”) echoing in the background. Instrumentation: accordion with dark dissonant chords, pulsating synth bass, cold glassy synth melody, minimal drums (sparse snare and cymbal). The audience joins in during the chorus — a collective, resonant hum of low male voices and high female voices blending into the harmonies. Production: heavy reverb and delay on all elements (including crowd vocals), wide stereo field, mood of quiet hope amidst darkness, cinematic atmosphere, emotional crescendo in the chorus where the entire venue sings together.

Yuki_Schtiel • Industrial dark electronic track (128 BPM, C# minor) reimagined as a live concert with the crowd as a core part of the performance. The singer acts as a conductor, cueing the audience with gestures. Sound design: pulsing 808 bass, industrial drums, metallic percussion, cold synth arpeggios, noise layers. Lead vocal is intense and low (moderate reverb/delay); crowd vocal is raw and slightly delayed (prominent in choruses and call‑and‑response). Whispered parts (singer + crowd, heavy reverb) in intro/outro. Structure: Intro: whispered crowd section (tense atmosphere). Verse 1: crowd listens. Chorus: crowd sings loudly. Bridge: call‑and‑response (singer → crowd). Verse 2: crowd hums melody. Chorus 2: peak crowd participation. Outro: crowd continues singing, fades with reverb.

Gene • Walk Like an Egyptian, Egyptian style, ambient trance, acid house, dance style

Gene • Italodisco 80 years, electropop 80 years, dance style, arpeggio, twang with belting vocal

АрсенАпро • Russian Rock, Russian Symphony, Russian Folk, Guitar, Violin, Flute, Duduk, Rock, Metal, Classical

Владимир Кочетов • dark ambient · post-rock · spoken word · male vocals · slow · minimal · silence · distant bell · clean guitar · no drums · reverb · fade to black

ТатьянКаА • folk pop, indie folk, female vocal, contralto, very low deep voice, sultry, languid, melodic runs, acoustic guitar, light percussion, flute, warm strings, mid-tempo, 115 BPM, major key, rhythmic, atmospheric, nostalgic, no sad, no slow

ТатьянКаА • folk pop, indie folk, female vocal, contralto, very low deep voice, sultry, languid, melodic runs, acoustic guitar, light percussion, flute, warm strings, mid-tempo, 115 BPM, major key, rhythmic, atmospheric, nostalgic, no sad, no slow

ТатьянКаА • indie pop, female vocal, contralto, deep, sultry, husky, raw, dynamic, melodic, acoustic guitar, electric bass, light drums, warm pads, mid-tempo, 122 BPM, major key, atmospheric, rhythmic, passionate, no whisper, no ethereal

ТатьянКаА • indie pop, female vocal, contralto, low deep voice, smoky, languid, acoustic guitar, light percussion, warm synth pads, mid-tempo, 115 BPM, major key, dreamy, tender, atmospheric, rhythmic, dynamic vocals, no electronic drums

DDdddDD • Russian folk rock, 105 BPM, kazachy chant, fingerpicked guitar, accordion drone, bass guitar pulse, dry snare backbeat, spoons percussion, tom-led march, call-and-response hooks, stacked tenor harmonies, plate reverb, tape saturation, mono intro, wide chorus, half-volume climax, solemn defiance

Ariada Elard • electronic

MEDjik • Bass

Лисичка 777 • Rock ballad with driving drums, distorted guitars, soaring violin lines, and a half-time chorus lift; verses stay tense and stripped with voice, low guitar, and mournful fiddle, pre-chorus rises with toms and harmony stacks, chorus opens wide with doubled lead vocals and gang echoes on the plea line. Add reverse swells into each downbeat, a bowed-violin scream before the hook, and a final lift with dense guitars and bright, emotional mix., rock

Лисичка 777 • Rock ballad with driving drums, distorted guitars, soaring violin lines, and a half-time chorus lift; verses stay tense and stripped with voice, low guitar, and mournful fiddle, pre-chorus rises with toms and harmony stacks, chorus opens wide with doubled lead vocals and gang echoes on the plea line. Add reverse swells into each downbeat, a bowed-violin scream before the hook, and a final lift with dense guitars and bright, emotional mix., rock

Alena Varshavskaia • Christian worship pop - rock!

Свет2 • [Instrumental Club Music, Melodic Techno, Eurotrance Revival, 138 BPM, four-on-the-floor kick, punchy clap, off-beat hi-hats, breakbeat shuffle in bridges, rolling Moog bass, supersaw pads, detuned saw leads, Roland TB-303 acid squelch, plucky arpeggios, euphoric breakdowns, tension builds with snare rolls and filter sweeps, hands-in-the-air drops, summer beach energy, driving rhythmic, hypnotic, no Latin percussion, no dem bow, no reggaeton]

Свет2 • [Deep House, Ethnic Downtempo, 118 BPM, rolling sub-bass, four-on-the-floor kick, soft clap, off-beat hi-hats, Tibetan singing bowls, guzheng plucks, bamboo flute melody, throat singing samples, female vocals, ethereal, breathy verses, chest voice in choruses, overtone singing elements, mantra-like delivery, unpredictable phrasing, call-and-response, atmospheric pads, spiritual dancefloor, mountain journey, no Latin, no supersaw]

Свет2 • [French touch deep house] [filtered house] [groovy bassline] [Parisian electronic vibe] [rhythmic] [danceable] [warm pads] [disco samples] [humorous] [playful] [soft tender vocal delivery] [smiling while singing] [gentle irony] [cute whisper] [intimate bedroom vibe] [BPM 122] [vinyl crackle] [filter sweep] [piano breakdown] [spoken bridge with a wink] [warm bass] [disco strings] [airy sweet vocal] [mischievous tone] [neutral vocalist] [anonymous vocal] [no named artist] [original composition]

HomeTunes • Electronic angry Rap hip hop with driving syncopated drums, dark piano chords in the chorus, aggressive emotional rap verses, verse stays gritty and close-mic over sparse kick and bass, pre-chorus builds with filtered claps and rising tension, chorus hits harder with stacked shouted lines and a mournful piano motif, final hook adds ad-libs and crowd-style responses. Bright punchy low end, tense cinematic mix, rap, angry, hip hop, electronic

Touch • Rock, Prog

КВНнк • Blues-rock with a slow swung pocket and a dusty backbeat; verse rides classical guitar, upright bass, brushed drums, and piano, pre-chorus opens with rising synth pads and tighter snare tension, chorus hits with gritty electric strums and gang shouts on the anchor phrase. Vocal is close-mic and weathered in verses, doubled and rough on hooks, with short delay throws on key words. Ear candy: tape hiss, reverse piano swells into choruses, and a bright synth lift before the final refrain. Mix is warm, punchy, and intimate, with a vintage bar-band edge., rock, blues

Евгения Сергеевна • positive pop rock: light, bright melody, energetic rhythm, bright synthesizers and acoustic guitar. Mood - joy, kindness, inspiration. Vocal ringing, the chorus memorable. Children's choir on backing vocals.

АрсенАпро • Ambient, Space Music, Minimal Techno, Lullaby, Ethereal, Saxophone, New Age

divey • space disco, electronic, synth, synthesizer, drum machine, theremin, sampler, arpeggiator, vocoder, space voices, male and female vocals, duet

АрсенАпро • Russian Rock, Russian Symphony, Russian Folk, Guitar, Violin, Flute, Duduk, Rock, Metal, Classical

Aler S-ey • electronic, synthwave, bluegrass

Дмитрий Горяйнов • witch house, dark synth-pop, 120 BPM, detuned analog pad chords, syncopated synth-bass, hand drum pulse, bell arpeggios, distorted electric guitar swells, tribal tom fills, layered crowd chants, plate reverb, tape saturation, minor key, ritualistic, defiant catharsis

Piligrim • country rock, 92 BPM, acoustic-electric interplay, fingerpicked acoustic guitar, slide electric guitar, tambourine backbeat, brushed snare, pedal steel swells, stacked tenor harmonies, spring reverb, tape saturation, wide stereo mix, laid-back groove, bittersweet resolve, arena lift

Piligrim • synth-pop, dance-rock, 132 BPM, four-on-the-floor kick, syncopated synth-bass, gated snare, juno chords, arpeggiated synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric guitar stabs, melodic tenor lead, stacked hook harmonies, chorus plate reverb, analog tape saturation, driving uplift, bittersweet nostalgia

Piligrim • indie folk, synth-pop, 96 BPM, fingerpicked acoustic guitar, syncopated synth-bass, muted kick-snare, tambourine backbeat, glockenspiel hooks, soft felt piano, brushed cymbals, sidechain pumping, tape saturation, stereo delay, open-space rests, bittersweet romance

Milla • Персидские мотивы ,меццо-сопрано

Gene • Hip hop, spoken word, neoclassic, ironic, duty bass

Ariada Elard • electronic

Sergui Valamo • heavy rock, classical strings, sustained guitar solo, distorted rhythm guitars, fingerpicked acoustic guitar, tambourine backbeat, four-on-the-floor kick, staccato synth lead, layered vocal harmonies, projected tenor vocals, punchy snare, tape saturation, hall reverb, dynamic build-ups, breakdown bridge, bittersweet nostalgia

КВНнк • Blues-rock with a slow swung pocket and a dusty backbeat; verse rides classical guitar, upright bass, brushed drums, and piano, pre-chorus opens with rising synth pads and tighter snare tension, chorus hits with gritty electric strums and gang shouts on the anchor phrase. Vocal is close-mic and weathered in verses, doubled and rough on hooks, with short delay throws on key words. Ear candy: tape hiss, reverse piano swells into choruses, and a bright synth lift before the final refrain. Mix is warm, punchy, and intimate, with a vintage bar-band edge., rock, blues

Суша • 120bpm, classical rock, electric guitar, soft piano, soft

АрсенАпро • Ambient, Space Music, Minimal Techno, Lullaby, Ethereal, Saxophone, New Age

Людмила Дементьева • blues, slow shuffle blues, electric blues trio, call and response guitar, bent note guitar, walking bass, brushed snare, Hammond B3, tube amp breakup, room mic bleed, tape saturation, mono drum mix, sparse breakdowns, live club acoustics, bittersweet nostalgia, late-night groove, 72 BPM

HomeTunes • Rap hip hop electronic, agressive, screaming, mysterious, drums in chorus, angry chorus, whisper vocals in verse, upbeat, dynamic, emotional

Яшкина гора • pop, rock

Р С И И • slow dark rock, gothic metal, distorted male vocal with heavy reverb and megaphone effect, sexy and dirty atmosphere, slow heavy bass line, atmospheric synth pads, melodic guitar solo, 75 bpm, russian lyrics, sensual and aggressive

spik • alt-rock, 92 BPM, distorted baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, syncopated synth-bass, dry snare, room mic drums, spring reverb, tape saturation, rough mix, intimate defiance, weathered resolve, offbeat hi-hats, instrumental intro, repeated chorus

Oceania • Style: Dramatic theatrical electropop — powerful, cinematic, with a bold pop edge. Tempo: 116 BPM — driving yet atmospheric. Vocal: Emotive female lead (breathy whispers in verses → soaring high notes in choruses), layered harmonies, vocal effects (reverb, delay, subtle autotune). Instrumentation: Shimmering piano, deep sub‑bass, bold synth leads, atmospheric pads, sharp percussive stabs. Minimal drums (verses) → driving four‑on‑the‑floor (choruses). Dynamics: Strong contrast: intimate verses vs. explosive choruses; tension builds to climax. Mood: Haunting yet uplifting — frozen beauty breaking into light.

YohPilot • darkwave, ethereal wave, resigned atmosphere, weary melancholic male lead vocal, female Latin choir, desert drone textures, tremolo electric guitar, analog synth pads, sub bass pulse, sparse tom hits, gated snare, tape echo delay, room reverb, minor key repeating bass ostinato, half-time drum feel, widening chorus, faded out ending. Intro: drone + tape hiss. Verses: male vocal + tremolo guitar. Chorus: female Latin choir + widening. Bridge: half-time, The sound of the footsteps of the Roman Legion in armor sparse. Outro: child female vocals, dying distant whispers, martial industrial, 92 BPM, heavy marching drums, powerful bass drum, anthemic, epic, instrumental, footsteps rhythm. The sound of the footsteps of the Roman Legion in armor

ARS • 140 BPM, rap, trap,west coast hip hop

vazdar • 'Cabaret-Rock' or 'Gypsy Jazz' . bouncy piano, bouncing bass and ironic, slightly theatrical vocals. Irony and humor

Махарани • Mystical natural minor scale meditation, powerful driving ritualistic shamanic drum rhythm, tribal bongo intensity, pure clear lead vocal, smooth centered mix, transition to warm radiant joy, crying violin, soaring flute cascades, 42 BPM, emotionally stirring, [no choir, no multi-vocals, no vocal echoes, no shouting, no organ]

Прекрасный мостр • electronic, rock, hip hop, indie

Смирнов Анатолий • Russian Children's Pop, Modern Production, Child Lead Vocals, Children's Backing Vocals, Light Beats, 100 BPM, Acoustic Guitar, Piano, Strings, Clear Melody, Emotional, Philosophical, Uplifting, Family Theme