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Последние публичные треки, созданные нашими пользователями

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Taty Cher rock, metal, country, folk

91
Привет мама!

vladzak57 Relaxing calm , low female vocals, indie folk, piano, flute 110ВРМ

90
Мой социум Бог

Alena7 Deep, atmospheric Alternative Rock with Hip-Hop and Soul influences. Mid-tempo, hypnotic and driving groove, deep sub-bass, crisp acoustic/electronic drum beats, atmospheric pads, melancholic yet hopeful guitar textures, psychedelic guitar melodies. Lush, wide stereo field. Pristine High-fidelity (Hi-Fi), Professional Studio Mix and Mastered. Expensive, polished sound. 4K audio quality. Vocal Description: Natural, warm, Strong, charismatic, and self-assured Female Vocal. The voice is ightly husky resonance, conveying deep wisdom and profound calm. Delivery is relaxed, almost nonchalant, yet undeniably powerful and magnetic. Sings about complex truths with effortless grace, making it sound beautiful and easy. Includes subtle breathing for realism. Capable of controlled, powerful high notes with a sharp, knowing, slightly sarcastic edge, but always grounded in beauty and self-possession. Absolutely no artificial, overly "smoked" or metallic vocal qualities. Authentic, human

127
Про неё красивую

iga Russian romance, acoustic guitar with strumming, percussion, drums, chamber folk, tavern, slow, thoughtful performance, female chest vocals, backing vocals

92
Unrequited love

Taty Cher Genre: rock, jazz, folk In the breaks and verses, there are choral y-y-y vocals, a tempo of 125 BPM, rhythmic bass drums, 2 bass guitars, one leading the main rhythm, and the other blending into the overall rhythm of the composition, with a climax and coda

96
Привет мама!

vladzak57 Relaxing calm , low female vocals, indie folk, piano, flute 110ВРМ

67
Глобал Не Звание

Silvery Crow Hip-hop with drill edge, mid-tempo swing and rattling hi-hat rolls; verses ride tense minor-key bass and snare snaps, pre-chorus narrows to clipped kick and filtered vocal chops, chorus opens with stacked gang doubles on the anchor phrase. Add reverse swells into each drop, tape-stop accents on the hook turn, and a dry, punchy mix with close-mic lead vocals and gritty ad-libs., hip hop

102
Сказки Шахерезады (Edit) (Edit) (Edit)

Milla меццо-сопрано,[indie pop, oriental, duet, female contralto, low deep voices, bass guitar, low bass, mid tempo, 100-120 BPM, minor key, darbuka, strings, dance breaks, playful, no

132
Капризная

Виктор Быковский boogie disco, 124 BPM, electric bass octave run, syncopated synth bass, staccato analog synth stabs, gated drum kit, four-on-the-floor kick, palm-muted electric guitar, tambourine backbeat, handclap accents, layered hook harmonies, tape saturation, sidechain pumping, short plate reverb, urgent exhilaration

80
Эй, хулиганка!!! (Экстрим трек) (Edit)

Velvet Rain glitch-pop, cartoon-punk, 168 BPM, breathy doubles, stacked gang vocals, jagged guitar riffs, palm-muted power chords, punchy snare, syncopated toms, fuzz bass, slapback delay, tape saturation, mono drum bus, octave synth hooks, stereo pan-delay, four-on-the-floor kick, singalong chorus, cheeky irreverence

104
Последний взлет

aristocrat Шансон в стиле шуфутинского под саксофон и духовые инструменты

97
ТВОЙ ПУТЬ!

Alena Varshavskaia Современное христианское поклонение, поп - рок

77
Поговорим  о простом

Подна7 Relaxing calm , low female vocals, indie folk, piano, flute

199
Lava Whisper_-_

Свет2 Tribal house, afro house, ethnic tech house, fiery, dancefloor peak time, driving percussion, conga, djembe, bongo, kalimba, Polynesian drums, female sensual powerful vocals, DJ spoken word, hypnotic, rhythmic, pulsating bassline, 126 BPM, big room, tropical tribal, energetic, pounding kick drum, shaker, fire samples, ocean atmosphere

91
Не ищи ярких красок (Live Concert Edit)

Yuki_Schtiel Russian post‑punk live concert performance, dark melancholic atmospheric longing, 85 BPM, C minor. Male spoken‑word vocal delivery (low, detached tone) — occasionally pausing to let the crowd sing key lines back to him. Ethereal , harmonies (high, airy, wordless “ooh/aah”) echoing in the background. Instrumentation: accordion with dark dissonant chords, pulsating synth bass, cold glassy synth melody, minimal drums (sparse snare and cymbal). The audience joins in during the chorus — a collective, resonant hum of low male voices and high female voices blending into the harmonies. Production: heavy reverb and delay on all elements (including crowd vocals), wide stereo field, mood of quiet hope amidst darkness, cinematic atmosphere, emotional crescendo in the chorus where the entire venue sings together.

84
Очищение (Live Concert Edit)

Yuki_Schtiel Industrial dark electronic track (128 BPM, C# minor) reimagined as a live concert with the crowd as a core part of the performance. The singer acts as a conductor, cueing the audience with gestures. Sound design: pulsing 808 bass, industrial drums, metallic percussion, cold synth arpeggios, noise layers. Lead vocal is intense and low (moderate reverb/delay); crowd vocal is raw and slightly delayed (prominent in choruses and call‑and‑response). Whispered parts (singer + crowd, heavy reverb) in intro/outro. Structure: Intro: whispered crowd section (tense atmosphere). Verse 1: crowd listens. Chorus: crowd sings loudly. Bridge: call‑and‑response (singer → crowd). Verse 2: crowd hums melody. Chorus 2: peak crowd participation. Outro: crowd continues singing, fades with reverb.

149
Сфинкс

Gene Walk Like an Egyptian, Egyptian style, ambient trance, acid house, dance style

180
На расстоянии вдоха

Gene Italodisco 80 years, electropop 80 years, dance style, arpeggio, twang with belting vocal

191
ДВА ВЕЛИКАНА (Ремикс)

АрсенАпро Russian Rock, Russian Symphony, Russian Folk, Guitar, Violin, Flute, Duduk, Rock, Metal, Classical

197
Сумерки Богов

Владимир Кочетов dark ambient · post-rock · spoken word · male vocals · slow · minimal · silence · distant bell · clean guitar · no drums · reverb · fade to black

80
Иссык-Куль — жемчужина (микс 1)

ТатьянКаА folk pop, indie folk, female vocal, contralto, very low deep voice, sultry, languid, melodic runs, acoustic guitar, light percussion, flute, warm strings, mid-tempo, 115 BPM, major key, rhythmic, atmospheric, nostalgic, no sad, no slow

102
Иссык-Куль — жемчужина (трек 2)

ТатьянКаА folk pop, indie folk, female vocal, contralto, very low deep voice, sultry, languid, melodic runs, acoustic guitar, light percussion, flute, warm strings, mid-tempo, 115 BPM, major key, rhythmic, atmospheric, nostalgic, no sad, no slow

100
Загадочный май  ( микс 1)

ТатьянКаА indie pop, female vocal, contralto, deep, sultry, husky, raw, dynamic, melodic, acoustic guitar, electric bass, light drums, warm pads, mid-tempo, 122 BPM, major key, atmospheric, rhythmic, passionate, no whisper, no ethereal

101
Загадочный май (микс 2)

ТатьянКаА indie pop, female vocal, contralto, low deep voice, smoky, languid, acoustic guitar, light percussion, warm synth pads, mid-tempo, 115 BPM, major key, dreamy, tender, atmospheric, rhythmic, dynamic vocals, no electronic drums

89
Колоколец

DDdddDD Russian folk rock, 105 BPM, kazachy chant, fingerpicked guitar, accordion drone, bass guitar pulse, dry snare backbeat, spoons percussion, tom-led march, call-and-response hooks, stacked tenor harmonies, plate reverb, tape saturation, mono intro, wide chorus, half-volume climax, solemn defiance

108
Навсегда в небеса

Лисичка 777 Rock ballad with driving drums, distorted guitars, soaring violin lines, and a half-time chorus lift; verses stay tense and stripped with voice, low guitar, and mournful fiddle, pre-chorus rises with toms and harmony stacks, chorus opens wide with doubled lead vocals and gang echoes on the plea line. Add reverse swells into each downbeat, a bowed-violin scream before the hook, and a final lift with dense guitars and bright, emotional mix., rock

71
Навсегда в небеса

Лисичка 777 Rock ballad with driving drums, distorted guitars, soaring violin lines, and a half-time chorus lift; verses stay tense and stripped with voice, low guitar, and mournful fiddle, pre-chorus rises with toms and harmony stacks, chorus opens wide with doubled lead vocals and gang echoes on the plea line. Add reverse swells into each downbeat, a bowed-violin scream before the hook, and a final lift with dense guitars and bright, emotional mix., rock

73
White Noise Rising

Свет2 [Instrumental Club Music, Melodic Techno, Eurotrance Revival, 138 BPM, four-on-the-floor kick, punchy clap, off-beat hi-hats, breakbeat shuffle in bridges, rolling Moog bass, supersaw pads, detuned saw leads, Roland TB-303 acid squelch, plucky arpeggios, euphoric breakdowns, tension builds with snare rolls and filter sweeps, hands-in-the-air drops, summer beach energy, driving rhythmic, hypnotic, no Latin percussion, no dem bow, no reggaeton]

77
Breath Above 4000

Свет2 [Deep House, Ethnic Downtempo, 118 BPM, rolling sub-bass, four-on-the-floor kick, soft clap, off-beat hi-hats, Tibetan singing bowls, guzheng plucks, bamboo flute melody, throat singing samples, female vocals, ethereal, breathy verses, chest voice in choruses, overtone singing elements, mantra-like delivery, unpredictable phrasing, call-and-response, atmospheric pads, spiritual dancefloor, mountain journey, no Latin, no supersaw]

76
Deux Billets

Свет2 [French touch deep house] [filtered house] [groovy bassline] [Parisian electronic vibe] [rhythmic] [danceable] [warm pads] [disco samples] [humorous] [playful] [soft tender vocal delivery] [smiling while singing] [gentle irony] [cute whisper] [intimate bedroom vibe] [BPM 122] [vinyl crackle] [filter sweep] [piano breakdown] [spoken bridge with a wink] [warm bass] [disco strings] [airy sweet vocal] [mischievous tone] [neutral vocalist] [anonymous vocal] [no named artist] [original composition]

89
Босота звучит

HomeTunes Electronic angry Rap hip hop with driving syncopated drums, dark piano chords in the chorus, aggressive emotional rap verses, verse stays gritty and close-mic over sparse kick and bass, pre-chorus builds with filtered claps and rising tension, chorus hits harder with stacked shouted lines and a mournful piano motif, final hook adds ad-libs and crowd-style responses. Bright punchy low end, tense cinematic mix, rap, angry, hip hop, electronic

94
Big Business

Touch Rock, Prog

102
Мамина пора(Edit) (Edit)

КВНнк Blues-rock with a slow swung pocket and a dusty backbeat; verse rides classical guitar, upright bass, brushed drums, and piano, pre-chorus opens with rising synth pads and tighter snare tension, chorus hits with gritty electric strums and gang shouts on the anchor phrase. Vocal is close-mic and weathered in verses, doubled and rough on hooks, with short delay throws on key words. Ear candy: tape hiss, reverse piano swells into choruses, and a bright synth lift before the final refrain. Mix is warm, punchy, and intimate, with a vintage bar-band edge., rock, blues

65
Про дружбу

Евгения Сергеевна positive pop rock: light, bright melody, energetic rhythm, bright synthesizers and acoustic guitar. Mood - joy, kindness, inspiration. Vocal ringing, the chorus memorable. Children's choir on backing vocals.

82
Колыбельная (Ремикс)

АрсенАпро Ambient, Space Music, Minimal Techno, Lullaby, Ethereal, Saxophone, New Age

218
05.Звёзды нельзя не любить (Диско-опера Космолок)

divey space disco, electronic, synth, synthesizer, drum machine, theremin, sampler, arpeggiator, vocoder, space voices, male and female vocals, duet

99
ДВА ВЕЛИКАНА

АрсенАпро Russian Rock, Russian Symphony, Russian Folk, Guitar, Violin, Flute, Duduk, Rock, Metal, Classical

208
Будет всё.

Aler S-ey electronic, synthwave, bluegrass

109
Феникс спит

Дмитрий Горяйнов witch house, dark synth-pop, 120 BPM, detuned analog pad chords, syncopated synth-bass, hand drum pulse, bell arpeggios, distorted electric guitar swells, tribal tom fills, layered crowd chants, plate reverb, tape saturation, minor key, ritualistic, defiant catharsis

109
Мы приходим

Piligrim country rock, 92 BPM, acoustic-electric interplay, fingerpicked acoustic guitar, slide electric guitar, tambourine backbeat, brushed snare, pedal steel swells, stacked tenor harmonies, spring reverb, tape saturation, wide stereo mix, laid-back groove, bittersweet resolve, arena lift

207
Ты моя девчонка

Piligrim synth-pop, dance-rock, 132 BPM, four-on-the-floor kick, syncopated synth-bass, gated snare, juno chords, arpeggiated synth lead, fingerpicked acoustic guitar, tambourine backbeat, electric guitar stabs, melodic tenor lead, stacked hook harmonies, chorus plate reverb, analog tape saturation, driving uplift, bittersweet nostalgia

79
Океан любви

Piligrim indie folk, synth-pop, 96 BPM, fingerpicked acoustic guitar, syncopated synth-bass, muted kick-snare, tambourine backbeat, glockenspiel hooks, soft felt piano, brushed cymbals, sidechain pumping, tape saturation, stereo delay, open-space rests, bittersweet romance

100
Сказки Шахерезады (Edit)

Milla Персидские мотивы ,меццо-сопрано

128
Это не песня #

Gene Hip hop, spoken word, neoclassic, ironic, duty bass

230
Музыка  и вечность

Sergui Valamo heavy rock, classical strings, sustained guitar solo, distorted rhythm guitars, fingerpicked acoustic guitar, tambourine backbeat, four-on-the-floor kick, staccato synth lead, layered vocal harmonies, projected tenor vocals, punchy snare, tape saturation, hall reverb, dynamic build-ups, breakdown bridge, bittersweet nostalgia

76
Мамина пора(Edit) (Edit)

КВНнк Blues-rock with a slow swung pocket and a dusty backbeat; verse rides classical guitar, upright bass, brushed drums, and piano, pre-chorus opens with rising synth pads and tighter snare tension, chorus hits with gritty electric strums and gang shouts on the anchor phrase. Vocal is close-mic and weathered in verses, doubled and rough on hooks, with short delay throws on key words. Ear candy: tape hiss, reverse piano swells into choruses, and a bright synth lift before the final refrain. Mix is warm, punchy, and intimate, with a vintage bar-band edge., rock, blues

86