Все треки
Последние публичные треки, созданные нашими пользователями
НаталиРост • pop, hip hop, electronic, folk
Leonid 08 • Красивая русская рок баллада, фольклор, техно, ремейк
Yanyuk Maksim • Поп. Ритмичная танцевальная, современная., pop, jazz
Leonid 08 • Поп ,рок баллада! Инструменты: electric guitar, drums, bass, piano, dynamic build-up.
Pravohor • country, blues, disco, ambient
Apophis • brutal death metal, black metal, 220 BPM, blast beat barrage, tremolo guitar walls, down-tuned chugs, double-kick drive, dissonant lead guitar, cavernous snare, raw room mics, tape saturation, high-gain bass grind, syncopated breakdowns, grim defiance, apocalyptic bleakness
ЛюМиСа-Hits • 43 (классический вальс)умеренный вальс, около 90–100 ударов в минуту. Инструментовка: фортепиано (основная партия), лёгкая струнная группа (скрипки, виолончель) на фоне, возможно добавление флейты или мягкой гитары в бридже. Динамика: мягкая, без резких акцентов; финальный припев — тише, воздушнее, с затуханием в конце.... Вокал classical, soul, меццо-сопрано
ТатьянКаА • chamber pop, orchestral indie pop, melancholic, lush, dramatic, building tension, strings, piano, drums, bass, flute, saxophone, female vocal, alto, deep, powerful, sultry, emotional, melismatic, soaring, mid-tempo, 90 BPM, minor key, atmospheric, 4†L27-L29]
ТатьянКаА • chamber pop, orchestral indie pop, melancholic, lush, dramatic, building tension, strings, piano, drums, bass, flute, saxophone, female vocal, alto, deep, powerful, sultry, emotional, melismatic, soaring, mid-tempo, 90 BPM, minor key, atmospheric
Михо Шторм • медленный речетатив вся музыка медленная: drums and bass, accustic guitar, в паузах между куплетами: флейта, виолончель. музыка в конце медленно затихает.,male vocal
Milla • Verses about the duel: ∼120–130 BPM (fast, energetic) Reconciliation and festive scenes: ∼100–110 BPM (more relaxed, joyful) Structure and Instrumentation Instruments: Acoustic guitar (flamenco style — rasgueado, picado, golpe) Cajón (for percussive backbone) Castanets (subtle accents in key moments) Violin or Spanish flute (for lyrical, romantic lines) Optional: double bass (for depth), handclaps (palmas) Structure (aligned with the poem): Intro (4 bars): Fast flamenco guitar arpeggios and cajón rhythm. Sets the scene: vibrant, sunny Spain, rising tension.
Михо Шторм • (.),male vocal
Эльбрус 5642 • Поп, рок, лирическая
Vadim01 • pop, rock
Денис Чебаков • Русский эстрадный шансон, синтезаторы, акустическая гитара, электрогитара
Горельцев Григорий • blues rock, 96 BPM, baritone sax lead, fingerpicked acoustic guitar, brushed snare backbeat, electric bass ostinato, Hammond organ swells, tape saturation, room reverb, mono horn mic, sparse verses, gritty resolve
Денис Чебаков • Русский эстрадный шансон, синтезаторы, акустическая гитара, электрогитара
Мишган • Акустическая гитара литавры арфа стиль французский XIV век людовия XIV.
Михо Шторм • Male vocals, groove, piano accordion, violin, drums,,male vocal
Мишган • Акустическая гитара литавры арфа стиль французский XIV век людовия XIV добавить немного рока и электрической гитары но можно ударные там по современности, rock
aristocrat • Russian hookah rap with laid-back swung boom-bap bounce, smoky bassline and jazzy sax phrases weaving around the pocket; verses ride sparse kick, snare, and sub while pre-chorus tightens with filtered sax stabs and doubled ad-libs; chorus opens wider with chantable gang vocals and a warm sax answer line. Close-mic male vocal, intimate and streetwise, with delay throws on the hook and a velvet, intimate mix.
Горельцев Григорий • blues , хриплый баритон медленный темп
aristocrat • Рэп в стиле jakone,под скрипку и саксофон
АрсенАпро • Dubstep, Techno, Hard Rock, Disco, Breakbeat, Funk, Saxophone, Solo Guitar, Dance, High Energy, Club Banger
индустриальная
Сергей Зак • Soft rock
ARS • Russian rap, emo trap, 140 BPM, spoken-word flow, sparse piano loop, detuned 808 slide bass, crisp closed hats, halftime snare grid, minor-key strings, dry close-mic percussion, tape saturation, wide stereo hook stack, verse-drop arrangement, gut-punch chorus, bleak resolve
Totem music • drum and bass,Dancehall-meets-dubstep at 140 BPM with skittering half-time drums, rattling snares, and a heavy 808 sub-bass that lunges forward with sidechain pump. Bright synth stabs, warped Reese bass, filtered risers, and chopped vocal hits create a tense, fast-moving texture with sharp delay throws and aggressive low-end pressure.Dapstep with wobbling dubstep basslines
Яшкина гора • pop, rock
Доктор Аня • "Atmospheric melodic hip-hop, deep boom-bap beat, emotional piano and melancholic violin samples, slow to mid-tempo, 90 BPM. The mood is nostalgic, introspective, and slightly dark. Cinematic sound design, clean lo-fi drums, crisp hi-hats, echoing wind sound effects in the background. High-quality production, professional rap vocal style with an emotional, storytelling flow.", hip hop
K-Z • alternative rock, recitative, acoustic guitar, piano, guitar flanger, accordion, drums, bass, double bass, solo guitar,
spik • punk, post-punk, 168 BPM, overdriven baritone guitar, fingerpicked acoustic guitar, tambourine backbeat, syncopated synth-bass, gang chant hooks, octave bassline, floor tom march, spring reverb, tape saturation, mono room mics, cathartic defiance, ragged urgency, rock
vazdar • Art-Folk-rock,Ethno Fusion,Bard Song,indie, reggae,the accordion.
Яшкина гора • pop, rock, hip hop
Rinka • **Title:** «Coloured Doors» **Genre:** driving electro‑rock **Tempo:** 105 BPM, mid‑tempo with a driving push **Mood:** energetic, immersive, with elements of mystery **Sound:** tight sidechained synths, gritty lead guitar riff in verses, distorted power chords in choruses. Pulsing bass and clipped drums create a tight rhythm. Short synth arps respond to the guitar between lines. **Vocals:** male, half‑spoken in verses with a slight hoarseness, doubled vocals in the chorus, bridge features a low register / falsetto contrast. **Dynamics:** * Verses — minimalism (bass, drums, muted guitar riff); * Chorus — energy burst (wide synth pads, powerful chords); * Bridge — density reduction with crescendo; * Outro — instruments pull out, final vocal hook + filtered guitar stab. **Mix:** bright, crisp, with slight reverb.
spik • punk rock, 168 BPM, distorted baritone guitar, power-chord downstrokes, syncopated synth-bass, fingerpicked acoustic guitar, tambourine backbeat, stacked hook harmonies, room mic drums, analog tape saturation, slapback delay, wide stereo chorus, anthemic defiance, trapped momentum, driving 16th-note hi-hats
АрсенАпро • Dubstep, Techno, Hard Rock, Disco, Breakbeat, Funk, Saxophone, Solo Guitar, Dance, High Energy, Club Banger
Vedma_Viktory • rock, pop, metal
Vedma_Viktory • witch fantasy, cinematic dark pop, 92 BPM, tom-heavy backbeat, syncopated synth-bass, detuned saw lead, octave bass guitar, chiming electric guitar, fingerpicked acoustic guitar, trance pad layers, tape saturation, plate reverb, punchy bus compression, ritual chorus, brooding menace, anthemic refrain
С НАМИ БОГ • Блатной, дерзкий, взрывной, русский шансон! Спетый грубым блатным мужским голосом!
Rinka • Style: Cabaret pop, 110 BPM, theatrical, ironic style, female vocal. Prominent vintage piano, light brass (trumpet, trombone), subtle upright bass. Dramatic dynamics: soft verses, big chorus with full instrumentation. Coquettish, playful vocal performance — dramatic pauses, sudden changes in volume. Structure with piano solos, vocal flourishes, and a mock‑grandiose outro. Russian lyrics.
DesMk • Russian post-punk, cold wave, melancholic, nostalgic, introspective, driving bassline, reverb-drenched guitar, simple punchy drums, male vocals, baritone, monotone, detached, lo-fi, cold sound, reverberant production, slow tempo
А я люблю сильнее
Zvetok • Добавить больше космоса, фэнтези
DesMk • Russian post-punk, cold wave, melancholic, nostalgic, introspective, driving bassline, reverb-drenched guitar, simple punchy drums, male vocals, baritone, monotone, detached, lo-fi, cold sound, reverberant production, slow tempo
spik • indie folk, folk-pop crossover, fingerpicked acoustic guitar, tambourine backbeat, muted electric guitar accents, syncopated synth-bass, analog pad bed, room mic drums, tape saturation, plate reverb, stereo widening, spoken cadence, chant-like hooks, march rhythm, driving 104 BPM, bittersweet defiance, country
