Все треки

Последние публичные треки, созданные нашими пользователями

Архангел Михаил

InnaWav Pure deep male voice Instrumental, gothic, Dark cinematic hip-hop hymn with Russian male vocals; eerie choirs and distant church bells over a slow, grimy beat and deep subs. Verses spoken-sung in a cold, steady cadence; chorus lifts with soaring choral pads and distorted backing chants. Sparse piano stabs and reverse FX build tension, then drop to near-silence on key lines for maximum impact.

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День дурака — наш праздник (Edit)

InnaWav Bouncy indie pop duet with male and female vocals trading playful lines; tight live drums, jangly guitars, and a bright bass groove. Verses stay light and conversational, chorus jumps with gang shouts and claps. Middle section drops to just guitar and voices before a last, big singalong hook.

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Мама Таня

Себостьян pop, Warm acoustic pop ballad with female vocals, gentle piano leading the harmony, soft pads and subtle bass. First verse intimate and close-mic, chorus lifts with stacked harmonies and a simple drum groove, then drops back to almost solo piano for the bridge. Final chorus adds ad-libbed top lines and a slight tempo push to feel like a loving family singalong.

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Мама Таня

Себостьян pop, Warm acoustic pop ballad with female vocals, gentle piano leading the harmony, soft pads and subtle bass. First verse intimate and close-mic, chorus lifts with stacked harmonies and a simple drum groove, then drops back to almost solo piano for the bridge. Final chorus adds ad-libbed top lines and a slight tempo push to feel like a loving family singalong.

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ДРГ

Ратибор Ясный post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии double bass, bass guitar, bass parts, male vocal, male vocal

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Привет, я в сети.(2007г.)

Влад Мигаль Russian chanson, pop ballad, medium tempo, energetic swing, accordions and strings, saxophone lead, orchestral interludes, brushed snare kit, warm upright bass, piano chords, electric guitar fills, cinematic crescendo, direct-address lyrics, bittersweet nostalgia,, jazz

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Лунная ночь

Альберт Миракян Romantic neoclassical ballad with solo piano and lush string ensemble, male vocals. Quiet, spacious intro blooming into a lyrical, soaring chorus; delicate arpeggios under verses, legato strings rising on refrains. Subtle woodwinds and harp color the bridge, then a soft, luminous outro that lets the vocal linger in the air., classical

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04. Где-то капли стучат...

Сергей Фролов classic rock, power ballad, electric guitar harmonics, reverb guitar solo, gated snare, analog bass, stacked synth pads, soft piano accents, wide stereo mix, tape saturation, live room drums, verse chorus lift, slow build climax, nostalgic longing, emotional intensity, 72 BPM

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Тихие мечты...

Влад Мигаль pop, synth-pop, wide chorus harmonie, bittersweet nostalgia

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Я схожу по тебе с ума

Себостьян Smoky small‑club jazz combo with upright bass, brushed drums, and warm piano; male vocals crooning up close to the mic. Horn section answers vocal phrases, then swells into a lush mini‑orchestra in the chorus. Easy swing on the verses, chorus blooms with wider chords and a soaring brass pad; intimate, late‑night mix that lets the vocal wink and ache at the same time.

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Я схожу по тебе с ума

Себостьян Smoky small‑club jazz combo with upright bass, brushed drums, and warm piano; male vocals crooning up close to the mic. Horn section answers vocal phrases, then swells into a lush mini‑orchestra in the chorus. Easy swing on the verses, chorus blooms with wider chords and a soaring brass pad; intimate, late‑night mix that lets the vocal wink and ache at the same time.

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мне грустно на тебя смотреть( муз. Евгений Медведев,ст.Есенин)

моральная агрессия Opera male vocals, heavy metal, classic, acoustic guitar, electric guitar solo, bass guitar solo, drums, psychedelic, symphony Orchestra

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Союз вселенных.

К-1 rock, electronic, folk, classical, soul

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Я долго

VOLV hip-hop, club trap, 92 BPM, minor key, kick-snare pocket, swung hi-hats triplet rolls, deep 808 slides, syncopated sub bass, chopped brass stabs, call-and-response hooks, sparse verse drops, riser build-ups, sidechain pumping, plate reverb snare, Moscow night grit, streetwise energy

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Полёт

Себостьян Darkstep horror with male vocals: detuned reese bass grinding beneath stuttering half-time drums and metallic percussive hits. Whispered verses over eerie, stretched choirs and distant industrial clanks; chorus explodes with distorted lead synths, layered growl screams, and a wide, cold reverb. Mid-song break pulls everything down to a heartbeat pulse and filtered bass before a final, crushing drop with glitchy vocal chops and rising noise swells., darkstep

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Полёт

Себостьян Darkstep horror with male vocals: detuned reese bass grinding beneath stuttering half-time drums and metallic percussive hits. Whispered verses over eerie, stretched choirs and distant industrial clanks; chorus explodes with distorted lead synths, layered growl screams, and a wide, cold reverb. Mid-song break pulls everything down to a heartbeat pulse and filtered bass before a final, crushing drop with glitchy vocal chops and rising noise swells., darkstep

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Иду к тебе (Walking to You)

Oceania dark cinematic blues rock, mythic spoken word edges, solemn and dangerous mood, spiritually fierce, quiet tension to thunderous catharsis; Cain and Abel themes, Jungian shadow work, wounded healer narrative; 72 BPM slowburn → 90 BPM in choruses, D minor key; instrumentation: slow burning electric guitar (heavy reverb), haunted cello (low register), low sub‑bass synth drones, deep tom rolls; vocals: male deep baritone (spoken word → raw singing), female ethereal backing (harmonies); sound design: church bells tolling 3 times, wind howling, thunder rumbles, rain (light → heavy), footsteps passing by, door creaking, fire crackling, bird wings flapping, echoing whispers, dripping water, faint chanting

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Deep in

VOLV Russian hip-hop, club trap, 92 BPM, 808 sub-bass slides, crisp rimshot snare, triplet hi-hat rolls, detuned brass stabs, analog synth lead, minor-key piano loop, gated reverb, tape saturation, Moscow night grit, cold-start intensity, triumphant drop, live-room bounce

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Приди ко мне в гости

Анатолич Rock-folk storytelling track with acoustic strummed guitar, tin whistle, fiddle, and bodhrán woven into a steady rock drum kit and electric bass. Verses hit harder with overdriven guitars and tom-driven groove, while the chorus turns softer with layered vocal harmonies, mandolin, and warm room reverb.

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BLACK SMOKE

VOLV hardcore drift phonk, slav phonk rap, distorted 808 bass, memphis phonk vocals, aggressive cowbells melody, fast trap hi-hats, dark underground street vibe, viral TikTok phonk energy

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Ожидания ( использован стих В. Гелетайтис)

kuprumserga Style: ironic urban chanson with elements of author's song and pop lyrics. - **Genre basis - chanson:** - Simple, memorable melody and harmony. - Emphasis on the text and its presentation (storytelling manner). - Use of an acoustic guitar as a leading instrument. - A slight hoarseness in the voice, "yard" aesthetics. - **Mood and theme - ironic realism:** - The song mocks stereotypes about passionate love and male feats. - The plot focuses on a everyday, life-like situation, presented with self-irony. - The humor is based on the contrast between expectations ("tank", "storm") and reality ("sheets have cooled", "joints ached"). - **The musical character is light and dance-like:** - Despite the "military" metaphors in the lyrics, the music should not be heavy or dramatic. - The rhythm is rather cheerful, dance-like or marching, which emphasizes the comicality of the situation. - The arrangement is light, without pathos, with a warm sound of a guitar or accordion.

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Dark Symphony

Sergilio Cyberpunk 2077 , bass guitar, Bass cello, symphonic metal, rolling bass, driving bass line, deep bass 808, hard bass, gothic metal , mystery atmospheric, epic full-on psytrance, dark cinematic, epic folk choral

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Тайна песка

Вася Вамп Hard rock, guitar overdrive, bass overdrive, emotional, mysterious

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Моя девчонка Оля

Alex 86 Melancholic Russian chanson ballad, male lead with soft female harmonies; close nylon-string guitar and sighing accordion over warm upright bass and brushed snare. Intimate, talk-like verses in the low register; choruses bloom with longer vowels and gentle female call-and-response. Final chorus dips to a near-spoken barroom murmur, then swells tenderly on the last title line, with a small accordion and vocal harmony lift., accordion, gentle, ballad, chanson, male vocals, soft, light, slow, harmony, dynamic, warm

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Мама, Татьяна Николаевна

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies; close‑miked nylon guitar arpeggios, sighing accordion lines, warm upright bass and brushed snare in a slow sway. Intimate storyteller verses in a narrow range; choruses open up with longer held vowels and gentle female call‑and‑response. Final chorus dips into a near‑spoken barroom murmur, then swells tenderly on the last title line., ballad, gentle, warm, soft, slow, dynamic, harmony, accordion, male vocals, chanson

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Мама, ты одна моя

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies. Close-miked nylon guitar carries the pulse; sighing accordion weaves countermelodies over warm upright bass and brushed snare. Verses stay intimate and low, almost spoken; choruses bloom with longer held vowels and gentle call-and-response from female backing. Final chorus drops to a hushed barroom murmur, then swells tenderly on the last title line for a lingering outro., dynamic, ballad, male vocals, light, harmony, slow, accordion, gentle, warm, soft, chanson

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Компас в пути

Вася Вамп Медленный панк рок, guitar overdrive, choir, emotional

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Пузо

Вася Вамп Бодрый весёлый ska punk rock, guitar overdrive, synth, energetic, happy

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клёны мои

Анатолич romance chanson, Russian pop ballad, nylon-string guitar arpeggios, violin counter-melody, brushed snare, accordion pads, upright bass, intimate room reverb, slow build chorus, string section lift, bittersweet nostalgia, 72 BPM, rubato intro, half-time refrain, dynamic breakdown

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ТРЯПКА

Вася Вамп Punk rock, guitar overdrive, bass, pure voice, calm

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Пельмешки без спешки

sps rap, High-energy trap-dubstep hybrid with distorted bass swells, stuttering hi-hats, and glitchy vocal chops; male vocals bouncing between playful rap and chant-style hook. Verses ride a minimal, rubbery low-end groove; chorus explodes with layered shouts and detuned synth leads. Occasional half-time drops and riser sweeps for festival-style impact, keeping the hook insanely sticky., dubstep, electronic

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Рассыпалось всё

Вася Вамп Медленный лирический рок, rock ballad ,guitar overdrive, bass overdrive, emotional

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С Днём рождения, класс!

maxmegabass pop, Bright pop groove with acoustic guitar strums, claps, and playful synth bells; verses bounce lightly then chorus hits wider with stacked gang vocals from the class and a steady kick. Short bridge strips to handclaps and lead vocal before a final big-hook chorus, kid-friendly energy, mixed-gender group vocals.

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С Днём рождения, класс!

maxmegabass pop, Bright pop groove with acoustic guitar strums, claps, and playful synth bells; verses bounce lightly then chorus hits wider with stacked gang vocals from the class and a steady kick. Short bridge strips to handclaps and lead vocal before a final big-hook chorus, kid-friendly energy, mixed-gender group vocals.

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Лёгкость

Лес drum and bass, 174 BPM, breakbeat drums, reese bass, sub-bass glide, neon synth stabs, atmospheric pads, chopped vocal samples, ping-pong delay, tape saturation, wide stereo mix, gated reverb snare, summer night, urban drive, half-time breakdown, four-bar lift, club energy

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Golden Hour Whispers

VOLV Female vocals, Indie Folk, Ambient Pop, Ethereal, Dreamy, Atmospheric, Acoustic guitar, Soft Piano, 70 BPM, Cinematic, Nature vibes, Peaceful, High quality.

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Мама, Татьяна Николаевна

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies; close‑miked nylon guitar arpeggios, sighing accordion lines, warm upright bass and brushed snare in a slow sway. Intimate storyteller verses in a narrow range; choruses open up with longer held vowels and gentle female call‑and‑response. Final chorus dips into a near‑spoken barroom murmur, then swells tenderly on the last title line., ballad, gentle, warm, soft, slow, dynamic, harmony, accordion, male vocals, chanson

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Мама, ты одна моя

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies. Close-miked nylon guitar carries the pulse; sighing accordion weaves countermelodies over warm upright bass and brushed snare. Verses stay intimate and low, almost spoken; choruses bloom with longer held vowels and gentle call-and-response from female backing. Final chorus drops to a hushed barroom murmur, then swells tenderly on the last title line for a lingering outro., dynamic, ballad, male vocals, light, harmony, slow, accordion, gentle, warm, soft, chanson

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Моя девчонка Оля

Alex 86 Melancholic Russian chanson ballad, male lead with soft female harmonies; close nylon-string guitar and sighing accordion over warm upright bass and brushed snare. Intimate, talk-like verses in the low register; choruses bloom with longer vowels and gentle female call-and-response. Final chorus dips to a near-spoken barroom murmur, then swells tenderly on the last title line, with a small accordion and vocal harmony lift., accordion, gentle, ballad, chanson, male vocals, soft, light, slow, harmony, dynamic, warm

67
Мой сон.

Ветер Russian indie pop, 86 BPM, baritone talk-sung vocals, smoke-toned close mic, nylon string guitar arpeggios, dry drum kit, concertina accordion swells, alto flute countermelody, tape saturation, spring reverb, autumn regret, city dusk, half-time groove, verse-hook structure, minor key, intimate build, bittersweet nostalgia, metal

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Я иду к тебе ты держись...

Михо Шторм Female vocals, второй куплет исполняется так же, как и первый куплет.

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Дама и багаж (использован стих В Гелетайтис)

kuprumserga Style: a real humorous chanson, it is important to pay attention to several aspects: - **Intonation and manner of performance**: the vocals should be a little nasal, with a slight hoarseness, but without excessive dramatization. It is worth performing with irony and self-irony, without overplaying the tragedy. - **Arrangement**: accordion, guitar (often with a "criminal" overtone), double bass or bass guitar, light percussion. You can add the sounds of the bus door creaking or a cat meowing for a comic effect. - **Rhythm**: 2/4 or 4/4, marching, but not too fast. It is important to maintain a "road" mood - as if the song is playing directly in the cabin. - **The delivery of the chorus**: the chorus should stand out - a little louder, more cheerful, perhaps with the support of a choir or backing vocalists. Here is appropriate overdrive, but comic.

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Музыка у нас в крови®

DIMONI Russian Club Trap, Urban EDM. Aggressive, danceable, street‑energetic. Punchy 808 bass, fast hi‑hat rolls, distorted synths, powerful drops.

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Шаман и Шторм!

ШЭРХАН Percussive Epic, Ritual Drum Battle ‎ ‎Genre: tribal drum ritual, ethnic percussive epic. ‎Mood: powerful, mysterious, driving — ancient ritual invoking elemental forces. ‎Keywords: powerful, mysterious, driving, tribal, ritual, storm, thunder, epic, intense. ‎ ‎Instrumentation: 33 drums, no background sounds: ‎*8 large bass drums — deep thunder‑like strikes; ‎10 medium toms — polyrhythm foundation; ‎12 small drums — fast rolls and syncopations; ‎3 high toms — sharp accents; ‎5 bongos/djembes — mid‑range «whispering» texture. ‎ ‎Parameters: ‎Tempo: dynamic 60–140 BPM; ‎Dynamics: pp to fff; ‎Reverb: medium canyon/cave space; ‎Sound: natural, strong attack. ‎ Structure: ~5 minutes Intro «Harbingers» → Development «Gathering Clouds» → Build‑up «First Gusts» → Climax «Storm» → Outro «Waves Recede».

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