Все треки
Последние публичные треки, созданные нашими пользователями
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Tema can fly • Style: a symbiosis of aggressive industrial metal (as in Doom Eternal), high‑speed electronic percussion (a reference to Quake 4) and absurd cartoon elements (Painkiller with exaggerated effects). Rhythm: fast, 160-180 BPM. Hard percussion parts with syncopations and broken beats, alternating with "bouncy" electronic loops. There are powerful guitar riffs with distortion in the choruses, sudden slowdowns with comical sound effects in the transitions. Atmosphere: A chaotic battle with ironic overtones. On the background are industrial synthesizers and the rasp of metal, superimposed on top: Cartoon laughter (high-pitched, distorted voices); funny sounds (farting bass, "boom" effects when hitting); hypertrophied screams of enemies in the style of old cartoons; sudden inserts of caricature brass or xylophone. The overall effect: the adrenaline of battle + a smile from the absurd.
Tema can fly • Style: a symbiosis of aggressive industrial metal (as in Doom Eternal), high‑speed electronic percussion (a reference to Quake 4) and absurd cartoon elements (Painkiller with exaggerated effects). Rhythm: fast, 160-180 BPM. Hard percussion parts with syncopations and broken beats, alternating with "bouncy" electronic loops. There are powerful guitar riffs with distortion in the choruses, sudden slowdowns with comical sound effects in the transitions. Atmosphere: A chaotic battle with ironic overtones. On the background are industrial synthesizers and the rasp of metal, superimposed on top: Cartoon laughter (high-pitched, distorted voices); funny sounds (farting bass, "boom" effects when hitting); hypertrophied screams of enemies in the style of old cartoons; sudden inserts of caricature brass or xylophone. The overall effect: the adrenaline of battle + a smile from the absurd.
Ivan007 • electronic, hip hop, country, club
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
TurubanOFF • [Style: Blues Rock, Hard Rock, Driving Shuffle, 120 BPM] [Male Vocals: raw, passionate, slightly gritty, Russian language] [Instrumentation: wailing harmonica, overdriven electric guitar, pounding drums, walking bassline] [Structure: Intro (harmonica wail + driving riff) -> Verse (explosive energy) -> Chorus (anthemic, full band) -> Verse 2 (steady groove) -> Chorus -> Harmonica Solo (raw, bluesy) -> Guitar Solo (wah-wah, screaming bends) -> Bridge (dynamic drop, intimate) -> Guitar Break (staccato, building) -> Chorus Outro -> Outro (harmonica/guitar duel, big rock ending)]
vladzak57 • pop
EvgenyBoom • chromatic button accordion, Vocal timbre: Baritone with tenor brightness, ~1.5‑octave range. Husky, hoarse, gritty tone; light nasal resonance adds speech‑like quality. Growling and grainy undertones on stressed syllables. Intentional lack of academic intonation precision. Technique & articulation: Sharp consonant articulation (‘r’, ‘k’, ‘t’), sometimes rolled or staccato. Syllable stress for dramatic effect; unstressed syllables occasionally elided. Micro‑intonation shifts: glissandi, portamenti, slight pitch deviations for spontaneity. Legato/staccato alternation. Dynamics & register: Wide range: near‑whisper to forceful, strained shouting. Sudden volume shifts within phrases. Phrasing & style: Speech‑like, narrative delivery with Not many call‑and‑response elements. Free rhythm, slight anticipations/delays, improvisational ad‑libs. Ironic, defiant, theatrical mood with folk/street‑song colour. Overall: charismatic, storytelling singing — raw, spontaneous, and bold.
Себостьян • Intimate piano ballad with gentle acoustic guitar fingerpicking, male vocals in a close, confessional tone; verses stay soft and conversational, chorus swells with richer chords and double-tracked harmonies, subtle swells of strings in the second chorus to heighten emotion and leave space at the end for a fragile, whispered tag line
Себостьян • Intimate piano ballad with gentle acoustic guitar fingerpicking, male vocals in a close, confessional tone; verses stay soft and conversational, chorus swells with richer chords and double-tracked harmonies, subtle swells of strings in the second chorus to heighten emotion and leave space at the end for a fragile, whispered tag line
Tema can fly • Style: a hybrid of industrial metal (Painkiller), aggressive electronica with percussion (Doom Eternal) and cyber‑industrial (Quake 4). Rhythm: 175 BPM tempo; hard barrel with distortion, techno rhythms, staccato guitar accents, arpeggio synthesizers. Atmosphere: gloomy, tense — the primitive aggression of Predators vs the biomechanical threat of Aliens. A combination of organics (choir, strings) and technology (synthesizers, noises). Effects: xenomorph hissing, Predator tongue clicking, blade sounds, hydraulics, servos, distortion, reverse, delay, sidechain compression. Beginning (0:00-0:30): low hum (sub-bass), rare percussion, samples of Predator hunting clicks. Middle (0:30-3:30): Full arrangement — guitars, barrel, arpeggios, chorus; build-up and climax with drops and brass accents. Ending (3:30-4:00): gradual fading — low frequencies and rare blows remain; the final accent is the sound of a blade + the fading hiss of Someone Else.
Tema can fly • Style: a hybrid of industrial metal (Painkiller), aggressive electronica with percussion (Doom Eternal) and cyber‑industrial (Quake 4). Rhythm: 175 BPM tempo; hard barrel with distortion, techno rhythms, staccato guitar accents, arpeggio synthesizers. Atmosphere: gloomy, tense — the primitive aggression of Predators vs the biomechanical threat of Aliens. A combination of organics (choir, strings) and technology (synthesizers, noises). Effects: xenomorph hissing, Predator tongue clicking, blade sounds, hydraulics, servos, distortion, reverse, delay, sidechain compression. Beginning (0:00-0:30): low hum (sub-bass), rare percussion, samples of Predator hunting clicks. Middle (0:30-3:30): Full arrangement — guitars, barrel, arpeggios, chorus; build-up and climax with drops and brass accents. Ending (3:30-4:00): gradual fading — low frequencies and rare blows remain; the final accent is the sound of a blade + the fading hiss of Someone Else.
Tema can fly • Style: a symbiosis of industrial metal, death metal and electronica — Painkiller aggression, groove and polyrhythm of Doom Eternal, futuristic Quake 4. Rhythm: tempo 150-160 BPM. The basis is the blast beats of drums (Painkiller) combined with syncopated groove and sharp changes of accents (Doom Eternal). In some sections, there is a mechanical clarity of percussion (Quake 4). Atmosphere: Unstoppable rage and fearlessness. Chaotic, demonic drive (Painkiller) is combined with technological, alien threat (Quake 4) and assertive power (Doom Eternal). The soundscape is dense and "dirty": distorted guitars, sub‑bass, glitch effects, futuristic synthesizers and interspersed orchestral brass/chorus for epicness. The track space is dynamic: the alternation of intense combat sections and intense ambient fragments creates a sense of increasing threat and triumphant overcoming.
Tema can fly • Style: a symbiosis of industrial metal, death metal and electronica — Painkiller aggression, groove and polyrhythm of Doom Eternal, futuristic Quake 4. Rhythm: tempo 150-160 BPM. The basis is the blast beats of drums (Painkiller) combined with syncopated groove and sharp changes of accents (Doom Eternal). In some sections, there is a mechanical clarity of percussion (Quake 4). Atmosphere: Unstoppable rage and fearlessness. Chaotic, demonic drive (Painkiller) is combined with technological, alien threat (Quake 4) and assertive power (Doom Eternal). The soundscape is dense and "dirty": distorted guitars, sub‑bass, glitch effects, futuristic synthesizers and interspersed orchestral brass/chorus for epicness. The track space is dynamic: the alternation of intense combat sections and intense ambient fragments creates a sense of increasing threat and triumphant overcoming.
vladzak57 • rock
Костянычь • Moody trap-rap beat with distant bells and airy pads, Russian male vocals in an urgent, conversational flow; verses ride a swung hi-hat groove with deep sub, hook opens wider with stacked chants and subtle choir pad for uplift, final refrain strips back to half-time drums and reverb for a triumphant fade
мс Хоттабыч • rock, Up-tempo drum & bass meets ravey techno with crunchy rock guitars, female vocals riding hyperactive drums; verses stay tight and bouncy, hook drops into big distorted chords and bright synth leads, with crowd-style gang shouts on key phrases and a playful energy spike in the final chorus, techno, drum and bass
vladzak57 • r&b
'По дороге с облаками
NeonVerse • Sovietwave, 1980s USSR nostalgia, analog synthesizers, Polivoks bass, vintage Soviet electronics, space exploration vibe, scientific documentary soundtrack, melodic and melancholic, lo-fi warm texture, mid-tempo, 1980s Russian pop aesthetics, retro-futurism
Виктор Быковский • Raging Russian chanson in the style of a tough street ballad: accordion leads, minor-key acoustic guitar strumming, balalaika accents, and driving tom-heavy drums. Raw baritone vocals with rough edge, gruff backing chants, and a chorus that opens into nostalgic choir pads, tape saturation, and a thick, defiant low end.
Костянычь • Dark, sultry club R&B with male vocals; slow swung groove, thick sub bass and airy pads. Verses stay intimate and close-mic’d; hook explodes with stacked harmonies and wide reverb. Subtle guitar swells and filtered synths build tension toward a final, breathy breakdown.
Себостьян • Modern Russian pop-rock power ballad with male vocals; clean electric guitar arpeggios in the verses, warm bass locked to a steady mid-tempo groove, and spacious drums that bloom into a wide, anthemic half-time chorus. Subtle overdrive and bending notes highlight the emotional peaks; final chorus adds stacked harmonies and cymbal swells for a cathartic, stadium-ready lift.
Себостьян • Modern Russian pop-rock power ballad with male vocals; clean electric guitar arpeggios in the verses, warm bass locked to a steady mid-tempo groove, and spacious drums that bloom into a wide, anthemic half-time chorus. Subtle overdrive and bending notes highlight the emotional peaks; final chorus adds stacked harmonies and cymbal swells for a cathartic, stadium-ready lift.
мс Хоттабыч • Fast drum & bass meets industrial techno: distorted reese bass, glitchy percs, chopped female ad-libs, male vocals deadpan in the verses, hook opens with bright detuned leads and crowd chants; tension rises with filter sweeps then drops hard each chorus, club mix energy built for looping in a chaotic stream window., techno, drum and bass
Tema can fly • Style: futuristic industrial metal with elements of 80's synthwave and epic orchestration. A hybrid of the aggression of game soundtracks and the nostalgic theme "Back to the Future". Rhythm: the tempo is fast (160-180 BPM, as in Painkiller); dynamic resizing and polyrhythmics (Doom Eternal); mechanical breakbeats and industrial grooves (Quake 4); Punctuated strikes with sharp transitions match the rhythm of the battle. Atmosphere: adrenaline and the pressure of Doom Eternal — for the feeling of a frenzied battle; The dark epicness of Painkiller (Gothic choruses, dissonant harmonies) is a hint of a "different time"; The cool technology of Quake 4 (synthesizers with futuristic sound, mechanical noises) is a reference to DeLorean and time travel; Alan Silvestri's recognizable melody in heavy processing is a link to the franchise, adding nostalgia and a spirit of adventure.
Tema can fly • Style: futuristic industrial metal with elements of 80's synthwave and epic orchestration. A hybrid of the aggression of game soundtracks and the nostalgic theme "Back to the Future". Rhythm: the tempo is fast (160-180 BPM, as in Painkiller); dynamic resizing and polyrhythmics (Doom Eternal); mechanical breakbeats and industrial grooves (Quake 4); Punctuated strikes with sharp transitions match the rhythm of the battle. Atmosphere: adrenaline and the pressure of Doom Eternal — for the feeling of a frenzied battle; The dark epicness of Painkiller (Gothic choruses, dissonant harmonies) is a hint of a "different time"; The cool technology of Quake 4 (synthesizers with futuristic sound, mechanical noises) is a reference to DeLorean and time travel; Alan Silvestri's recognizable melody in heavy processing is a link to the franchise, adding nostalgia and a spirit of adventure.
GURIN • Dark, driving bass house banger built around a snarling, detuned bassline and sharp percussion hits; male vocals in a low, hypnotic register for verses, opening into a chanty, crowd-ready hook with stacked shouts. Sparse, tense builds give way to chest-rattling drops; filtered risers, distorted FX swells, and chopped vocal stabs punctuate the arrangement for peak-club energy.
TurubanOFF • Russian rock, Bi-2 style, mid-tempo, 100 BPM, male baritone, restrained vocal, melodic, atmospheric
TurubanOFF • Acoustic folk, Russian bard, singer-songwriter, male vocals with gentle warmth, fingerpicked acoustic guitar, soft piano, light reverb, intimate, heartfelt, melancholic yet hopeful, mid-tempo 75 BPM, nature ambience, clear vocals.
Себостьян • Intimate piano ballad, male vocals; close, breathy verses over sparse, slow chords, then chorus blooms with wider voicings and subtle reverb. Dynamic arc from confessional whisper to aching, open-throated regret; occasional soft backing harmonies in the last chorus, gentle swell of strings in the bridge for emotional lift.
Игорь Лахов • A major key, upbeat pop anthem with a radiant, infectious orchestral backdrop. Sweeping strings, lively brass, and crisp percussion drive the rhythm. The star feature is a magical, expressive vocal—warm, soaring, and full of nuance. Each section bursts with memorable hooks and dynamic energy.
Sergilio • Cyberpunk2077, Dark cinematic, rolling bass, driving bass line, deep bass 808, dark full-on psytrance, dramatic build, film trailer music, heroic, powerful male vocals, choral epic folk , 160 BPM
Игорь Лахов • Красивая мелодия оркестр красивый голос сильный вокал эмоции выразительная музыка обида любовь эмоции чувства очень выразительно
Себостьян • Intimate piano ballad, male vocals; close, breathy verses over sparse, slow chords, then chorus blooms with wider voicings and subtle reverb. Dynamic arc from confessional whisper to aching, open-throated regret; occasional soft backing harmonies in the last chorus, gentle swell of strings in the bridge for emotional lift.
Игорь Лахов • k-pop, glossy synth-pop, dance-pop chorus, stacked kick-snare, punchy sub bass, arpeggiated synth hooks, bright chord stabs, chopped vocal layers, delay hook lifts, sidechain pumping, pre-chorus breakdown, full drop release, neon club energy, midnight longing, 128 BPM, syncopated four-on-the-floor, high gloss mix, wide stereo pads, anthem chorus
Игорь Лахов • orchestral pop, power ballad, 76 BPM, grand piano arpeggios, string section legato, celesta motifs, French horn swells, emotional vocal belts, stacked backing vocals, gated snare, plate reverb, analog bass sustain, cinematic breakdown, chorus lift, bittersweet nostalgia
мс Хоттабыч • High-energy drum and bass with skittering breaks, deep sub, and glitchy vocal chops on the “поко-пако” hook. Male vocals, urgent and playful; verses ride a half-whispered flow that snaps into a big, shout-along chorus. Bright distorted synth stabs answer the vocal lines, with a short filtered drop before the final hook for extra crowd lift., drum and bass
Игорь Лахов • Russian pop, synth-pop, 110 BPM, saxophone lead melody, saxophone verse fills, soaring female belt, stacked chorus harmonies, punchy live drums, syncopated bass guitar, warm electric piano, arpeggiated synth countermelody, gated snare reverb, analog tape saturation, wide stereo chorus, verse-hook build, bridge breakdown, bittersweet romance, radiant longing
Игорь Лахов • Russian synth-pop, orchestral pop, 92 BPM, staccato strings, concert piano arpeggios, French horn swells, pizzicato counterline, clean electric guitar harmonics, gated snare, deep 808 sub-bass, half-time chorus, sidechain pumping, wide stereo chorus, bittersweet nostalgia, uplifted ache
мс Хоттабыч • High-energy drum and bass with skittering breaks, deep sub, and glitchy vocal chops on the “поко-пако” hook. Male vocals, urgent and playful; verses ride a half-whispered flow that snaps into a big, shout-along chorus. Bright distorted synth stabs answer the vocal lines, with a short filtered drop before the final hook for extra crowd lift., drum and bass
Вася Вамп • Progressive rock, guitar distortion, organ, choir, emotional
Вася Вамп • Веселый бодрый панк рок, guitar overdrive, synth, energetic, happy
