Все треки

Rinka • Slow phonk R&B, male vocals, 73 BPM, E♭ minor. Half‑time rhythm, 808 slides with low‑end rumble and sub drop accents. Verses: light kick/snare combo, warped bell arpeggios, ambient reversed rain layers. Pre‑chorus: lush filtered pads build, handclaps with delay tail. Chorus: rich smoky vocals (doubled + octave layer), chanted hook, vocal stutters and ad‑libs. Transitions: metallic rimshot rolls, glitch cuts, rain swell swirls. Mix: dark and glossy, close‑mic vocals, wide sub bass, light plate reverb, airy highs. Mood: moody, rainy city at night, soulful tension.

Александр Зернов • Style: Russian art-punk, experimental rock, male deep powerful baritone, aggressive declamation, staccato rhythm, industrial drums, sharp guitar riffs, revolutionary energy, emotional transitions from whisper to scream, 140 BPM.

VKR • Chanson-blues with a slow swung groove and tender electronic pulse; verse rides sparse guitar, brushed percussion, and soft bass; pre-chorus opens with filtered pads and rising harmony tension; chorus lands on warm keys, muted trumpet phrases, and call-and-response male/female vocals with intimate doubles. Add reverse swells into each chorus, vinyl crackle under transitions, and a silky delay throw on the hook. Mix is warm, close-mic, and smoky, with a polished nocturnal glow., electronic

Граф • Russian pop ballad with male vocals, tender 6/8 sway, piano-led verses, brushed percussion, warm strings in the pre-chorus, and a chorus that opens wide with soaring harmonic lift. Verse stays intimate and close-mic; pre-chorus rises with suspended chords and breathy doubles; chorus blooms with stacked harmonies and gentle ad-lib echoes. Soft reverse swells, string glissandos, and a final felt-piano outro create a fragile, hopeful glow. Mix is warm, polished, and cinematic, with a soft top-end sheen. Warm Russian pop, intimate male & female vocals trading lines; soft keys and airy pads under a pulsing, heartbeat-like kick and deep bass. Verses stay close and confessional, almost whispered; chorus swells with lush harmonies, wide stereo guitars, and soaring strings. Subtle synth arps add cosmic shimmer; bridge strips back to piano and stacked vocals before a final, powerful chorus.

Елена Жванова • Electronic folk-pop with a slow swelling-and-fading pulse, 528 Hz-inspired shimmer, and Russian female vocals; verse starts sparse with airy drones and hand-percussion, pre-chorus widens with rising layered pads and a trembling folk motif, chorus blooms with a luminous chant and soft stacked harmonies. Breathy close-mic lead, gentle doubles on key lines, subtle delay throws on the hook, reversed swells and glinting chimes between phrases. Bright, intimate, and glowing in the mix., electronic

Владимир В • Мелодичный романс, акустическая гитара, скрипка, фортепиано

Олег 4 • chanson, 92 BPM, minor-key synth hooks, arp synth ostinato, sub-bass pulse, gated snare, brushed kick, sidechain pumping, tape saturation, plate reverb, mono accordion line, tremolo guitar, sparse piano chords, half-time groove, nocturnal solitude, cinematic lift

KriKri • [Style: Alternative Rock, Post-Hardcore, Pop-Punk, Energetic, Angsty, Euphoric] [Tempo: 140 BPM] [Instruments: Distorted Power Chords, Aggressive Drum Kit (Double Bass), Emotional Growling Saxophone (SunoAI), Clean but Shouted Vocals]

Елена Жванова • Electronic funk-folk with swaying mid-tempo groove, playful syncopated bass, hand percussion, and acoustic guitar pulses; verse-like passages thin to fret noise and soft kick, then swell into a wider refrain with claps, glockenspiel sparks, and airy female vocalise. Use rising “ааа” lifts, fading “мммм” tails, reverse swells, and a shimmering filter sweep before each return. Bright, warm, and cleanly mixed with a folk-organic edge., funk, electronic, folk

Yuki_Schtiel • Live concert performance of a rhythmic industrial hip‑hop banger, 90 BPM, D minor. Gritty Russian male vocals: half‑shouted and percussive in verses (with the crowd echoing key phrases), doubled and powerfully echoed in choruses (the crowd singing along in unison), whispered with heavy reverb in the bridge (crowd hushes to listen). Features: distorted bass growls; sharp turntable cuts and prominent vinyl crackle throughout; chopped vocal scratches (call‑and‑response between the artist and the crowd on key words in chorus); metallic percussions and glitch effects; melancholic accordion (nostalgic yet aggressive: staccato chords in verse 2, prominent driving chords in final chorus where the crowd claps in rhythm). Mix: aggressive but spacious; vocals upfront with crowd chants weaving in and out; kicks and subs punching through; accordion weaves between melody and texture; vinyl crackle adds gritty front‑layer texture. Crowd energy builds steadily, peaking in the final chorus.

Rinka • Electronic R&B with atmospheric mutation-funk groove, mid-tempo syncopation, rubbery bass pulses, and a tender half-time feel; verse rides sparse keys and muted percussion, pre-chorus opens with filtered pads and rising vocal stacks, chorus lands on a warmer beat with chopped harmony replies and short delay throws on the hook words; bridge strips to close-mic vocal and thin pulse before the final lift. Male vocals, intimate verses, powerful doubled chorus, subtle reverse swells and glossy sidechain shimmer, dark and polished mix with emotional low-end, male vocals, r&b, funk

Foxik_tm • Russian rap, aggressive boom bap, 94 BPM, swung drum loop, dusty vinyl crackle, punchy kick snare, distorted bass hits, chopped vocal samples, sparse piano stabs, call and response hooks, baritone delivery, dry mono mix, tape saturation, abrupt drops, fast-fire cadence, gritty street tone

Watanabe • Trap fusion with half-time bounce, skittering hi-hats, booming low end, and clipped hand percussion; verse rides sparse bass and dry snaps, pre-chorus opens with a chant and rising strings, chorus hits with a sticky call-and-response hook and doubled ad-libs. Bridge drops to hand drums and a lone vocal line, final chorus adds crowd stacks, bright bells, and punchy wide mix.

Watanabe • Trap fusion with half-time bounce, skittering hi-hats, booming low end, and clipped hand percussion; verse rides sparse bass and dry snaps, pre-chorus opens with a chant and rising strings, chorus hits with a sticky call-and-response hook and doubled ad-libs. Bridge drops to hand drums and a lone vocal line, final chorus adds crowd stacks, bright bells, and punchy wide mix.

Владимир Балахонов2 • trip-hop, downtempo, 84 BPM, swung half-time groove, sparse kick-snare, brushed percussion, sub bass pulse, muted Fender Rhodes, tabla accents, duduk phrases, analog tape saturation, spring reverb, wide stereo hush, ambient new age, cinematic melancholy

Rinka • Ethereal ambient pop, melancholic and introspective. Slow hypnotic pulse (85 BPM), deep sub bass, sparse tremolo violin motifs. Verses: whispered close‑mic vocals. Pre‑chorus: airy vocal stacks, rising synth pads. Chorus: powerful yet fragile vocal doubles, gang‑vocal echo on hook. Atmospheric transitions: reverse cymbal swells, distant wind chimes, subtle sidechain compression for breathing rhythm. Wide cinematic soundstage. Mood: quiet strength, bittersweet nostalgia.

Rinka • Ethereal ambient pop, melancholic and introspective. Slow hypnotic pulse (85 BPM), deep sub bass, sparse tremolo violin motifs. Verses: whispered close‑mic vocals. Pre‑chorus: airy vocal stacks, rising synth pads. Chorus: powerful yet fragile vocal doubles, gang‑vocal echo on hook. Atmospheric transitions: reverse cymbal swells, distant wind chimes, subtle sidechain compression for breathing rhythm. Wide cinematic soundstage. Mood: quiet strength, bittersweet nostalgia.

Олег 4 • Шансон

Олег 4 • Шансон

Олег 4 • Шансон

Олег 4 • Шансон

Олег 4 • Шансон

Смирнов Анатолий • Russian Chanson, Russian pop, male vocals

Ксения Вер • Handpan, experimental, emotional, atmospheric, synth, female singer, deep, piano

Юрий Афанасенко • folk

Lara • ambient new age, ethnic electronic, tribal percussion, meditative chant textures, spiritual choir, whispered phrases, male lead vocals, female harmony response, modal melody lines, frame drum grooves, hand percussion layers, duduk phrases, synth drones, analog saturation, plate reverb, wide stereo imaging, sparse intro, chorus lift, 72 BPM

Oceania • post-punk, new-wave, alternative-rock, melancholic, somber, introspective, emotionally raw, raspy male vocals (main, low-pitched, detached delivery), ethereal female vocals (subtle background layer in final chorus), cold vocal tone, electric guitar (clean in verses, distorted in choruses), minimalist guitar riffs with reverb/delay, bass guitar, deep bass, drums, restrained drums with strong backbeat (snare on 2 & 4), synthesizer, atmospheric synth pads, prominent reverb and delay effects, minimalist arrangement, cold sound, medium tempo (115 BPM), 4/4 beat, gradual build-up (minimal intro → full instrumentation in chorus), peak in final chorus with dual vocals, atmospheric outro with guitar reverb fade and synth pad dissolve into silence, subtle cymbal swells in pre-choruses, light hi-hat pulse throughout total duration: 5 minutes 45 seconds

Сергей Котков • Genre: indie rock (with elements of acoustic guitar and light synthesizers) Mood: bright, inspiring, with increasing energy; sincere, dreamy, but confident Tempo: 108 BPM Vocal Style: are gentle but strong; clear timbre, without hoarseness; emotional presentation. In the verses, there is an intimate, almost whispering sound; in the choruses, it is powerful and confident. backing vocals — soft, supportive; appears in the choruses and finale. Instrumentation: Verses: acoustic guitar (overdub), light synthesizer background (ethereal sound), barely noticeable percussion (shaker). Pre‑chorus: Light percussion (brushes) and bass guitar are added. The tension is building. Chorus: electric guitar (powerful chords), drums (full set), synthesizer pads. Bridge: piano, minimalistic percussion, — almost a whisper. The finale: a powerful climax — the whole group. The last chord. Outro: piano + whisper.

Yurec • Lightning-fast at 180 bpm, this hard punk rock track kicks off with distorted power chords and relentless, pounding drums. Bass drives tightly underneath, matching the aggression. Verses feature sharp, trebly guitars and shouted vocals in a high, raspy register. Choruses explode with gang backing vocals and double-time crashes, while the bridge features a gnarly guitar solo drenched in fuzz. The energy is unyielding up to the abrupt, chaotic ending.

ОННа • acoustic hip-hop, 152 BPM, emotional male vocals, male spoken word, beatbox percussion, slap bass groove, palm-muted guitar chops, staccato piano, live drum breaks, crowd chants, russian folk motif, anthem build

Allaalysik • pop

Daemryx • breakcore metal + industrial riddim + cybergrind + mechanical bass violence + chaotic hardcore energy + psychoacoustic metallic destruction

Allaalysik • pop,, disco

Allaalysik • pop, indie

Allaalysik • metal, soul, techno, pop

Daemryx • [Audio_Physics: High-Pressure] [Is_MAX_MODE: ON] Minatory Deathstep mixed with Riddim, 150 BPM. Heavy mechanical growls, [Bass: Sustained Sub-harmonic], sharp metallic snares, dark ominous atmosphere. [Soundstage: Wide Field], [Distortion: Analog Overdrive], aggressive rhythmic patterns, [Structure: Technical]. Produced by Daemryx.

Daemryx • riddim dubstep, heavy dubstep, epic dubstep, crushing sub-bass, aggressive bass design, reese bass, wobble bass, sine wave sub 20-80hz, distorted top-bass, sidechain kick-bass, two-step drum pattern, punishing kick drum, layered snare smash, glitchy stutter fx, orchestral strings, epic choir, operatic soprano counter-melody, powerful clean male vocals, screaming on drops, call-and-response vocal structure, parallel compression drums, wide stereo field mid-high, mono sub-bass, frequency-carved mix, half-time feel, massive drop energy, tension-release arrangement, [artist:daemryx]

Александр Зернов • dark folk rock, acoustic indie, atmospheric, 110 bpm, somber, haunting male vocals, acoustic guitar picking, cello, building tension, mystical, theatrical delivery, clean production

Дизель • Энергичный патриотический рок (driving patriotic rock)

Sergei Mind • disco, Dance style, electronic dance

Yurec • Kicking off with distorted power chords and aggressive drumming, the heavy hard punk rock track barrels forward with relentless speed. Bass locks in tightly, driving momentum. Shouted group vocals erupt in the chorus, while punchy guitars and sharp breakdowns fuel the high-energy feel throughout. The track opens with a moody electric piano and sparse drums, laying a raw alt-pop foundation. A high baritone, emotional and at times gravelly, weaves through the verse. Gritty guitars, ambient synths, and punchy bass build intensity into each chorus. Mid-song, dynamic shifts highlight the urgent, raspy edge of the vocals. The bridge strips back to minimal instrumentation, spotlighting the yearning timbre before a resounding full-band finale.

Yurec • [Genre: Alternative Rock, Post-Grunge, Punk Rock] [Mood: Dark, Melancholic, Desperate, Protest, Atmospheric] [Vocal style: Male, emotional, raspy, switching from whisper to scream, similar to Rustem Bulatov (Tem) from Lumen] [Tempo: Varies - slow verses, explosive choruses] [Instruments: Heavy distorted guitars, feedback guitar solos, powerful bass, dynamic drums with marching beats in bridge] [Structure: Verse 1 - slow and atmospheric, Pre-chorus - building tension, Chorus - explosive and loud, Verse 2 - similar to Verse 1, Chorus - even more powerful, Guitar Solo - dark with distortion and feedback, Bridge - slow marching rhythm with quiet intense vocals, Final Chorus - maximum intensity, Outro - abrupt cut with fading feedback] [Lyrics theme: Urban loneliness, social alienation, lost relationships, existential despair, critique of modern society, personal vs political], rock

Галина Тара • Грустная лирика с надрывом и бр Болью, pop, rock

Сергей Котков • Genre: Indie rock Mood: dreamy, driving, freedom-loving, inspiring Tempo: 130 BPM Key: E minor (emotional but energetic) Vocal Style: : clear, clear (18 years old), light falsetto in the choruses; : slightly husky , conversational manner in the verses, powerful sound in the choruses. Language: Russian Instrumentation Guitar: electric guitar with distortion (verses), clear sound (bridge), powerful chords (chorus). Drums: an energetic beat with an emphasis on strong beats, a crescendo in the choruses. Bass: A clear, rhythmic bass line that emphasizes drive. Synth: Light synthesizer pads in the verses, powerful layers in the choruses and finale. FX: The echo on the bridge vocals, the "wall of sound" effect in the final chorus. Dynamics: contrast between verses (energetic but compact) and choruses (powerful, "wide"). Vocal Harmonies: there are two voices in the choruses ( above, below), and layered vocals

MSIb860 • Electro hypnotic techno house vibe, 130 BPM, progressive and driving, distorted bassline, sharp synth stabs, heavy kicks, club energy, raw and punchy sound (Generate repetitive, robotic vocal, vocoder, autotune phrases suitable for a club track. Focus on words like “energy”, “pulse”, “move”, “feel the beat”)

NataliNa • dark indie pop, 85 BPM, pulsing sidechain bass, glitch piano, granular synth ambience, light electronic drums, folk percussion FX, delayed double vocals, whispered rasp vocals, glitch decay, pre-chorus build, chorus lift, fadeout ending, stereo widening, tape saturation, plate reverb, emotional burnout, trapped momentum

MSIb860 • Electro hypnotic techno house vibe, 130 BPM, progressive and driving, distorted bassline, sharp synth stabs, heavy kicks, club energy, raw and punchy sound (Generate repetitive, robotic vocal, vocoder, autotune phrases suitable for a club track. Focus on words like “energy”, “pulse”, “move”, “feel the beat”)

Миооп • Genre-blending alt-pop with trap drums, synthwave pads, lo-fi dust, and a disco-funk bounce; verse rides tight half-time 808s and clipped guitar stabs, pre-chorus opens with filtered arps and rising toms, chorus hits with a wide bass hook and chanty gang doubles, bridge strips to ambient keys and a whispered lead before the final lift. Close-mic male vocal, stacked doubles on the hook, short delay throws, vinyl crackle between lines, reverse swells into transitions, bright punchy mix with warm tape grit., metal, blues, country, dubstep, drum and bass, hip hop, ambient, r&b, jazz, funk, folk, soul, classical, disco, electronic, rock, pop, reggae, techno

Миооп • Genre-blending alt-pop with trap drums, synthwave pads, lo-fi dust, and a disco-funk bounce; verse rides tight half-time 808s and clipped guitar stabs, pre-chorus opens with filtered arps and rising toms, chorus hits with a wide bass hook and chanty gang doubles, bridge strips to ambient keys and a whispered lead before the final lift. Close-mic male vocal, stacked doubles on the hook, short delay throws, vinyl crackle between lines, reverse swells into transitions, bright punchy mix with warm tape grit., metal, blues, country, dubstep, drum and bass, hip hop, ambient, r&b, jazz, funk, folk, soul, classical, disco, electronic, rock, pop, reggae, techno

MSIb860 • Combine electro house in the style hypnotic techno vibe, 130 BPM, aggressive and driving, distorted bassline, sharp synth stabs, repetitive vocal samples, heavy kicks, club energy, raw and punchy sound (Generate repetitive, catchy vocal phrases suitable for a club track. Focus on words like “energy”, “pulse”, “move”, “feel the beat”)