Все треки

VKR • Ethnic folk ballad with a gentle swaying rhythm, hand percussion and breathy frame drum under bowed strings and soft acoustic picking; verse stays intimate and earthy, pre-chorus opens with higher harmony and a rising drone, chorus blooms with stacked voices and a simple chantable refrain. Warm close-mic lead vocal, tender doubles on the hook, little wind chimes and distant flute fills between lines, wide organic mix, folk

MC MON 62 • festival techno, 140 BPM, euphoric, soaring synth leads, big room sound, powerful kick, vocal stabs, uplifting mood, massive drop

MC MON 62 • festival techno, 140 BPM, euphoric, soaring synth leads, big room sound, powerful kick, vocal stabs, uplifting mood, massive drop

Ирис 70 • рок -арт-фолк, медленный темп, с пропевами

Ashes of the Covenant • Emotional hardcore with fast palm-muted guitars, urgent drum bursts, and explosive half-time chorus hits; verse runs tight and tense, pre-chorus rises on gang shouts and cleaner melody, chorus opens wide with layered screams and sung lead doubles. Breakdowns punch hard, then a final lift adds ringing leads, crowd-style gang vocals, and feedback swells. Gritty, emotional, chest-level mix with sharp drums and huge guitars., emotional, hardcore

Ashes of the Covenant • Metalcore, post-hardcore, groove metal with half-time stomps and syncopated chugging riffs; verses hit with screamed close-mic aggression, pre-chorus tightens into gang shouts, chorus opens into huge octave harmonies and shouted unison hooks. Use breakdown hits, reverse cymbal swells, and brief radio-noise transitions into the bridge. Mix is thick, gritty, and wide, with punchy low end and razor-edged guitars., metalcore, metal

Ashes of the Covenant • Emocore / alternative rock / alternative metal with a mid-tempo half-time pulse, acoustic guitar arpeggios and piano carrying the verses, then distorted rhythm guitars and tight tom fills opening into a soaring chorus. Verse stays intimate and breathy; pre-chorus lifts with stacked harmonies and rising snare; chorus hits wide with gang doubles on the hook word. Insert a rap solo over stripped drums and bass, then a final bridge with keys, rain texture, and a delayed vocal tail. Bright, emotional, cinematic mix with sharp guitars and warm low-end., alternative metal, alternative rock

Ashes of the Covenant • Metalcore and post-hardcore with alternative rock lift, mid-tempo half-time crush and driving syncopated guitars; verses ride tight palm-muted riffs and restless toms, pre-chorus opens with ringing chords and a rising snare build, chorus hits in huge gang-shouted unisons with clean male lead over harsh doubles. Bridge strips to lone guitar, distant toms, then final chorus returns with thicker harmonies, octave leads, and a last-line shout. Male vocals, aggressive and anthemic, bright punchy mix with gritty edge, reversed swells and impact hits into each drop., post-hardcore, metalcore, alternative rock

Жора Вашинтонов • melodic metal, alternative rock, 84 BPM, minor key, electric guitar arpeggios, palm-muted riffs, sustained power chords, octave bass, tom-heavy drums, half-time backbeat, chorus delay, plate reverb, wide stereo guitars, soft-loud dynamics, bittersweet nostalgia, restrained climax

Ashes of the Covenant • Metalcore / post-hardcore / alternative rock with mid-tempo double-kick drive, syncopated palm-muted riffs, and a huge half-time chorus; verse rides tense low-register guitars and clipped drums, pre-chorus strips to bass, toms, and rising clean melody, chorus slams with gang shouts and layered harmonies. Male vocals shift from harsh screams to gritty cleans. Searing risers, reversed cymbal swells, and a final breakdown with stop-start chugs. Bright, punishing, wide mix., post-hardcore, alternative rock, metalcore

Ashes of the Covenant • Alternative rock / post-hardcore / Christian rock with driving mid-tempo drums, syncopated palm-muted guitars, and a half-time lift in choruses; verses stay tense and gritty, pre-chorus opens with cleaner chords and rising gang shouts, chorus hits with massive stacked vocals and screamed doubles. Bridge drops to a lone guitar and intimate lead vocal, then final chorus explodes with harmony layers, cymbal crashes, and a short scream tag. Bright-but-aggressive mix, wide guitars, punchy drums, raw and spiritual., alternative rock, christian rock

ЛюМиСа-Hits • на 4 минуты звучания... стиль последних танцев печальной любви, созданный с помощью теплых гитарных мелодий, мрачных скрипичных партий и глубокого, пронзительного баритонового вокала. стиль состоит из баллады в стиле европейского фолк-попа 1980-х годов, затрагивающих темы прощаний, воспоминаний, последних объятий и угасающих мгновений любви. Это музыка, которая тихо оседает глубоко в вашем сердце. Стиль мрачных европейских фолк-поп баллад с теплыми акустическими гитарами, печальными скрипичными тембрами и очень низким, глубоким баритоновым вокалом. музыка передает ощущение последнего танца, трагической любви, прощания, воспоминаний и священной скорби. Не яркая, не джазовая, не современная поп-музыка. Просто медленная, интимная, винтажная грусть для тихого вечера.

ЛюМиСа-Hits • на 4 минуты звучания... стиль последних танцев печальной любви, созданный с помощью теплых гитарных мелодий, мрачных скрипичных партий и глубокого, пронзительного баритонового вокала. стиль состоит из баллады в стиле европейского фолк-попа 1980-х годов, затрагивающих темы прощаний, воспоминаний, последних объятий и угасающих мгновений любви. Это музыка, которая тихо оседает глубоко в вашем сердце. Стиль мрачных европейских фолк-поп баллад с теплыми акустическими гитарами, печальными скрипичными тембрами и очень низким, глубоким баритоновым вокалом. музыка передает ощущение последнего танца, трагической любви, прощания, воспоминаний и священной скорби. Не яркая, не джазовая, не современная поп-музыка. Просто медленная, интимная, винтажная грусть для тихого вечера.

Люсьена • Driving rock with tight palm-muted electric guitar riffs, punchy overdriven power chords, steady kick-snare backbeat, and a thick electric bass locked to the drums. Add tom fills, crash cymbals, and gritty lead guitar lines with slapback delay for a raw, forceful, arena-ready punch.

DDdddDD • Russian folk rock, Russian punk rock, ska brass section, symphonic rock, 110 BPM chorus, 130 BPM chorus, accordion lead, violin counterline, pick bass pulse, steel-string strumming, electric guitar chops, drumming offbeats, rapid-fire verses, anthemic choruses, danceable groove, gritty male vocal, overdriven vocal chain, stereo room reverb

Алекс 890 • Russian sentimental pop ballad with male and female vocals, slow 6/8 pulse, tender piano arpeggios, soft strings and restrained hand percussion; verse 1 intimate and reflective, pre-chorus opens with rising harmony and suspended chords, chorus blooms in duet with layered thirds and gentle backing vocals, bridge strips to piano and breathy call-and-response before final chorus swells. Warm close-mic mix, wide strings, emotional and luminous

Ashes of the Covenant • Metalcore and groove metal with post-hardcore tension, midtempo half-time chugs and syncopated palm-muted riffs; verse rides low and brutal, pre-chorus opens into soaring clean lines, chorus hits with gang shouts and layered harsh cleans, bridge turns into a rap-solo over stripped drums before a final breakdown. Male vocals with screamed doubles, clean choruses, whispered lifts, and shouted gang accents. Impact hits, reversed swells, and a pitch-riser into the last drop; mix is thick, punishing, and wide with a sharp modern punch., metalcore, post-hardcore, groove metal

MSIb860 • 1990s Russian indie-pop-rock, jangly clean Telecaster-style guitar with light chorus and bright pick attack, melodic fretless-style bass with prominent mid-range presence, layered synth pad chords underneath, punchy close-mic'd drum kit with rimshot snare and tight hi-hat pattern, 2-inch analog tape warmth with gentle stereo room reverb, vocal-forward mix with subtle doubling and short hall reverb tail, mid-range tenor with smooth legato Russian diction, breathy intimate delivery shifting to full-chest chorus projection, song structures built on sudden dynamic drops into sparse verse textures then bursting into wide-stereo chorus walls.

dj_falkler • rock, Big, heartfelt Russian rock ballad, mid‑tempo groove; male vocals with gritty warmth. Clean intro guitars build into wide, chorus‑friendly power chords, bass glued to a steady, driving kick. Verses stay intimate with lightly overdriven guitars; choruses open with soaring backing vocals and crashing cymbals. Short melodic solo after second chorus, then a gang‑vocal outro repeating the hook, everything drenched in open‑air campfire reverb.

The corpse of Charlotan • dark electro-industrial, industrial metal, cold oppressive atmosphere, spoken word, monotone robotic voice, no singing, no growl, mechanical drums, heavy distorted bass, sinister synthesizers, fog, abyss, minimal guitars, raw, harsh

Saylos • Реп, шансон

The corpse of Charlotan • symphonic dark metal, gothic metal, mostly clean vocals, growl only on final line of last chorus, tragic violin, soft piano, light organ, light choir, atmospheric, emotional, waltz, romantic but dark, smooth

Суша • Balkan Pop Music, traditional Bulgarian folk instruments, Digital Folk, Eurodisco, Eurobeat

Dj Favn • Neurofunk, techno, drum and bass,

Ashes of the Covenant • Emocore / Christian rock / alternative rock with driving mid-tempo drums, palm-muted guitars in verses, a wider open-chord lift in the chorus, and a half-time break before the final push. Verse rides tense and intimate; pre-chorus strips to toms and bass then blooms; chorus hits with stacked gang vocals and soaring lead. Breathy close-mic verses, gritty doubled chorus vocals, delay throws on key lines, reverse cymbal swells and a bright, anthemic mix., christian rock, alternative rock

gurf • Шансон

Олег_1985 • Russian chanson, dance chanson, turntablism intro, scratched vinyl cues, accordion stabs, balalaika plucks, domra tremolo, electric bass riff, brushed drum kit, hand percussion, plate reverb, tape saturation, dry close mix, gritty swagger, late-night bravado, 102 BPM, offbeat backbeat

ЛюМиСа-Hits • Stile: ballata lirica (può essere eseguita con chitarra acustica o pianoforte) Temp: moderato (circa 80-90 BPM) Umore: prima esaltato e grato, poi-pensoso e penitente, nel finale-invocato e fiducioso Accordi (per chitarra / pianoforte): una semplice sequenza nella tonalità Am o Em può essere utilizzata per dare uno stato d'animo lirico e un po ' meditabondo: verso: Am-F-C-G Coro: F-C-G-Am Ponte: Dm-G-C-E Finale: Am-F-C-G (dissolvenza) Ritmo: piatto, valzer (3/4) o semplice Quadrifoglio (4/4) con arpeggi morbidi o sballate. Introduzione strumentale e perdita: è possibile aggiungere un flauto o un violino per un suono «naturale» (imitazione di trilli di uccelli, fruscio di foglie).

Олег_1985 • russian chanson, driving beat, male vocals, heavy synth bass, clean electric guitar, drum machine

MC MON 62 • cheerful summer reggae, 90 BPM, bright , steel drums, off‑beat guitar, bouncy bassline, seagull sounds, ocean waves, sunny beach vibe, carefree mood

ASCHA WEI • electronic, rap

DKifa • duet, electronic dance, ethnic electronic, 128 BPM, tribal percussion, frame drum patterns, shamanic hand drums, analog synth bass, detuned pad layers, arpeggiated synth lead, sidechain pumping, tape saturation, plate reverb, wide stereo mix, four-on-the-floor kick, syncopated claps, bittersweet nostalgia, anthemic lift

Василий Прожерин • Russian hip-hop, kitchen-table rap, talk-rap cadence, boom bap drums, dry snare, chopped vocal samples, upright bass riff, finger-snapped backbeat, 92 BPM, halftime groove, tape saturation, mono drum bus, room mic ambience, intimate swagger, warm nostalgia

Василий Прожерин • Russian hip-hop, kitchen-table rap, talk-rap cadence, boom bap drums, dry snare, chopped vocal samples, upright bass riff, finger-snapped backbeat, 92 BPM, halftime groove, tape saturation, mono drum bus, room mic ambience, intimate swagger, warm nostalgia

DDdddDD • Rap, hip hop, Russian punk rock, horror rock, clean vocals, no short shouts, 125 bpm, rap reading with heavy guitar riffs, acoustic guitar, electric guitar, baritone bass, drum, electric violin, changing rhythm, rough male vocals, dark hymn, spring reverb

evgenia2 • pop, 2000s emo-pop meets Russian road-chanson: female vocals over thick sidechained bass and crisp four-on-the-floor kick, melancholic synth pads and bitcrushed arps. Verses stay intimate and smoky, almost spoken; choruses explode with layered hooks and doubled topline. Bridge drops to filtered drums and vocoder harmonies before a final, triumphant last hook., emo, electronic. Remiх. Bass Remix

Vantes1 • Mali vocals, trans,electronic, techno, drum and bass, bass 33 - 35 Hz, emotional, dramatic,, house, hip hop, melodic

Мечтатель Артур • [Style: Symphonic power metal, gothic metal, epic orchestral, dark fantasy, male tenor lead vocals, female operatic soprano, choir, double bass drums, heavy guitars, strings, church bells, cinematic, Dark Souls atmosphere, 6/8 time, key of D minor, BPM 140]

Алекс 890 • Russian prayerful ballad with slow bell strikes, solemn half-time pulse, sparse piano and low strings, verse restrained and spacious, pre-chorus rises with choral lift, chorus opens wider with tolling bells and mournful male lead, bridge drops to near silence before a final swelling refrain, close-mic baritone with doubled chorus lines, soft room reverb, warm dark mix with a distant cathedral tail

NataliNa • [bard ballad with orchestral touches] [male baritone vocal] [heartfelt, nostalgic feel] [82 BPM] [acoustic guitar foundation] [lyrical violin] [airy flute embellishments] [soft upright bass] [minimal percussion] [analog warmth] [instrumental balance with vocal forward] [final fade: flute + guitar]

DDdddDD • nu-metal, 68 beats per minute in the verses, 120 beats per minute in the choruses, clean vocals, no short shouts, male emotional rasping, fingerpicked acoustic guitar, beautiful slow acoustic guitar strumming, fake seven-string riff, slowed-down vocals, reverb in a closed room, tape saturation, lowering effects, pause, tempo changes, syncopated low-frequency accents, industrial percussion, anxious persistence, unstable momentum

Василий Прожерин • Russian synth-pop, hip-hop, 96 BPM, punchy kick-snare, 808 sub-bass, chopped vocal hook, piano stabs, syncopated hi-hats, distorted synth brass, wide plate reverb, parallel compression, saturated master bus, verse chorus drop, call and response, urgent devotion, celebratory drive

Вартан Бакинский • Armenian dance-pop, 120 BPM, duduk lead, davul hits, zurna countermelody, qanun plucks, frame drum groove, accordion riff, tambourine accents, mono bass pulse, slapback echo, tape saturation, wide stereo chorus, punchy drum bus, breakdown drop, call-and-response hooks, minor key, ecstatic drive

MC MON 62 • humorous reggae, 88 BPM, relaxed with light Jamaican accent, off‑beat guitar, bouncy bass, maracas, whistling melody, lazy Sunday vibe

Сергей Федорович • A modern hip-hop hit, humanized rap music, the humanized voice of a young guy with a slight hoarseness, a beautiful melody, female backing vocals in the background. cinematic composition. Original sound, cinematic, professional mastering

Елена 36 • pop, rock, r&b, electronic, metal, folk

Илья131 • Russian novelty pop with bouncy midtempo groove, playful syncopated percussion, rubbery bassline, verse stays sparse with claps and cheeky vocal asides, pre-chorus lifts with hand percussion and rising harmonies, chorus lands with bright synth stabs and gang-vocal chants on the hook, bridge drops to half-time and a teasing filtered vocal, crisp and glossy mix with cartoonish ear candy and quick delay throws

Yamert • Ballads, folk, guitar, Male and female vocals

Foxik_tm • rap, 92 BPM, drum machine loop, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, synth bass ostinato, funk guitar scratches, vocal chop accents, cassette saturation, gated snare, mono room reverb, sparse verses, lift chorus, dry punchy mix, retro modern tension, reflective grit

Илья131 • Клубняк частушка