Все треки

Последние публичные треки, созданные нашими пользователями

Работа Штурмавика

aleksande midwest hip hop, hardcore rap, 92 BPM, chopped soul sample, gritty boom bap drums, distorted 808 bass, tense snare snaps, syncopated hi-hats, filtered vinyl crackle, room mic brass stabs, call-and-response chants, aggressive baritone delivery, dry vocal chain, doubled chorus hook, defiant remorse

108
Tratata Tata

Мистер ИИ Pop chant with bouncy syncopated drums, rubbery bass, handclap accents, and playful synth stabs; verse stays sparse and percussive, pre-chorus tightens with rising vocal stacks, chorus pops wide with gang echoes and a short call-and-response hook. Doubled lead vocals, little delay throws on chant words, tiny risers between lines. Bright, punchy, mischievous, and glossy., electronic, playful, bright, pop, vocal

119
Прости меня

Denis Marakan Z Chanson, rap, voluminous dupstep, metal reverberation.

184
Штурмовик

aleksande hardcore hip hop, midwest hip hop, spoken cadence, talk-sung delivery, dry close-mic, punchy snare cracks, distorted 808 sub-bass, chopped piano stabs, boom bap drums, syncopated hi-hat rolls, room mic grit, parallel compression, tape saturation, short slap delay, driving defiance, streetwise urgency

117
Bala Bele

Мистер ИИ Afrobeats pop with a bouncy mid-tempo swung groove, tight percussion and warm bass; verse rides sparse drums and handclaps, pre-chorus lifts with rising vocal stacks, chorus hits with a chanty call-and-response hook. Lead vocal stays playful and close-mic with doubled lines on the hook, ad-lib shouts and little echo throws on the anchor phrase. Ear candy comes from quick risers, reversed shimmers, and a percussive stop before each chorus. Bright, glossy mix with a big pocket and crisp top end.

91
Слово

Андрей_Ш dark synth, slow tempo, sharp stabs, abrupt drops, concise phrasing, dry kick, analog bass pulse, detuned synth brass, gated snare, sparse verse arrangement, sudden full-band lift, tape saturation, mono intro, wide chorus synths, brooding intensity, cold resolve

114
Как мне жить без тебя....

Romantik slow piano ballad, sparse rubato, 58 BPM, intimate chamber pop, prepared piano, felted piano notes, sub-bass drones, bowed bass harmonics, close-mic room tone, tape saturation, cold room reverb, staggered dropouts, fragile bittersweet, late-night grief

109
C'est une belle journée 2

MSIb860 Combine Future Bass with Synthwave for a cosmic adventure. Energetic synth leads and futuristic bass drops create a sense of exploring uncharted galaxies, with electronic drums driving the journey. (Genres: Future Bass, Synthwave; Vibe: Energetic, Uplifting, Mysterious; Instruments: Synth Leads, Bass, Electronic Drums)

190
Не привыкай (Live Concert Edit) V2

Yuki_Schtiel Live Russian post‑punk / indie rock gig: moody, mid‑tempo with dry drums and a crowd fully invested. Chorus‑soaked bass thumps, angular guitars cut through. Vocalist starts with talk‑singing — the crowd listens. On the hook, he belts a ragged shout, and the whole room sings back in a massive, raw chorus. Reverb blooms on guitars during the refrain, then tightens to palm‑mutes; the crowd keeps the groove with chants. Synth pad subtly builds tension in the bridge. Final drop: just the singer and the audience locked in a mantra‑like, chanted refrain.

86
Нарисуй весна Михан - нахиМ
114
И вот он...

AlexVG Симфонический хард рок металл опера инструментал

160
C'est une belle journée

MSIb860 Combine Future Bass with Synthwave for a cosmic adventure. Energetic synth leads and futuristic bass drops create a sense of exploring uncharted galaxies, with electronic drums driving the journey. (Genres: Future Bass, Synthwave; Vibe: Energetic, Uplifting, Mysterious; Instruments: Synth Leads, Bass, Electronic Drums)

169
Луна (Edit)

Pravohor Russian folk, ambient, deep house, chill out, dark techno

110
Любовь в свечах

VKR Blues with ethno-jazz sway and a slow, seductive late-night groove; verse one leans on sparse hand percussion, brushed drums, upright bass, and oud-like plucks, verse two adds smoky piano turns and soft reed accents, chorus blooms with call-and-response male and female vocal doubles, whispered backing lines, and sensual melismatic holds; ear candy includes candle crackle, reversed chimes into the chorus, and a velvet sax swell before the final lift. Intimate close-mic mix, warm, smoky, and glossy., blues

117
Доброе утро, королева

yasna Pop-soul, midtempo and swaying with a warm brushed-drum groove, soft electric piano, subtle bass walk, and tender acoustic accents. Verse stays intimate and lightly syncopated; pre-chorus lifts with stacked harmonies and a rising pad; chorus blooms with fuller backing vocals and a singable melodic hook. Close-mic lead, airy doubles, gentle ad-lib echoes, harp-like chimes, and a bright, polished mix with a cozy sheen., pop, soul

90
Для папы на Юбилей (Edit)

Наташа Новикова Modern Russian Rap-Lyric, Soulful Hip-Hop, deep rich male baritone, slightly hoarse intimate whisper-rap, brooding atmospheric pads, rumbling sub-bass, slow hypnotic beat 80 BPM, lounge hookah rap vibe, soulful storytelling, raw emotion, family celebration, warm yet brutal, climax with soaring vocals, fade-out outro with deep bass, исполнитель брутальный бородатый мужчина кальян реп

87
Каким пришёл...
90
Позволь себе слабой стать (Live Concert Edit) V2

Yuki_Schtiel Live concert performance of moody Russian post‑punk pop: a charismatic male vocalist leads the song, while the crowd passionately joins in on the choruses, creating a powerful communal sing‑along. The cold, mechanical pulse of the drum machine and the chorus‑soaked bass drive the energy, complemented by sharp, reverb‑heavy guitars. In the verses, the singer drops to a tight, spoken‑sung near‑whisper, and the audience listens in rapt silence, hanging on every word. As the chorus hits, the crowd erupts, singing the melody in unison with the frontman. Wider synth pads and a driving four‑on‑the‑floor kick propel the track forward. Subtle backing ad‑libs in the hooks are now echoed by the crowd’s chants. The final chorus reaches a cathartic peak: the singer adds an extra octave vocal, the guitars burst into bright arpeggios, and the entire audience sings at the top of their lungs, turning the song into a shared, triumphant moment.

90
He About to Lose Me 2

MSIb860 Synthwave pop-electronic with midtempo four-on-the-floor pulse, glossy sidechained bass, neon arpeggios, and tight kick-snare drive; verse rides pulsing pads and clipped synth plucks, pre-chorus opens with rising filter sweeps and stacked vocal lifts, chorus hits with wide saw chords and a memorable chant hook. Male vocals stay close-mic in verses, doubled and slightly distorted on the hook, with delay throws on key words. Ear candy includes reversed synth swells, tape-stop accents before the chorus, and shimmering octave chimes between lines. Bright, punchy, radio-ready mix with glossy low end., electronic, vocal, pop

149
Спешите вернуться

Sergui Valamo Russian folk-pop, 72 BPM, fingerpicked nylon guitar, brushed snare, muted trumpet, alto sax countermelody, soft kick drum, chamber piano, close room mics, tape saturation, intimate hush, wistful nostalgia, 6/8 sway, sparse arrangement, choir pads

99
Ангел любви

Veamolok K-pop Rock Ballad, Emotional, Male lead vocals, Female backing vocals, Grand Piano, Powerful Cinematic Drums, Electronic EDM bridge, Epic, Orchestral slap house, dance-pop, deep house, energetic bassline, rhythmic synth, emotional , melancholic melody, driving beat, 124 bpm, 140 bpm, K-pop Rock Ballad, Emotional, lead vocals, backing vocals, Grand Piano, Powerful Cinematic Drums, Electronic EDM bridge, Epic, Orchestral, electronic, metal, techno, drum and bass

108
Ради Вас

Донжон hard rock, distorted electric guitar, palm muted riffs, power chords, driving bassline, thunderous snare, tom fills, live drum room, analog saturation, plate reverb, gang vocals, 128 BPM, halftime bridge, explosive chorus, rebellious energy, gritty anthem

84
Здесь не спят

Алексей85 club electronic, 126 BPM, deep house groove, tribal percussion, ethnic flute motifs, pulsing synth bass, filtered piano stabs, hand drum breaks, vocal chop hooks, spatial delay, sidechain pumping, wide stereo pads, breakdown build, drop re-entry, nocturnal euphoria, dancefloor lift

198
Ночь зовёт

Суетолог 2010s Russian EDM house, four-on-the-floor kick with punchy sidechain compression pumping against sustained synth pads, bright supersaw lead synthesizer with subtle detune spread, plucked staccato synth arp layered over filtered chord stabs, polished digital mix with heavy limiting and wide stereo imaging, snappy clap on beats two and four with gated reverb tail, male mid-range tenor delivering smooth Russian syllables with light pitch correction and doubled harmonies, gradual filter-sweep buildups releasing into drop with full low-end sub bass, breakdown sections stripping to minimal pad and vocal before full arrangement returns.

185
Ты мне

Суетолог 2000s Russian pop-dance, bright DX7-style digital piano chords layered with punchy synth bass stabs, four-on-the-floor kick pattern on a Roland TR-style drum machine, shimmering gated hi-hats at 128 BPM, close-mic'd dry snare with gated reverb tail, heavily compressed mastered mixdown with 2-bus brick-wall limiting, warm tenor with clean mid-range articulation delivering syllabically precise Russian lyrics, doubled lead vocal with tight pitch-corrected unison, call-and-response hook structure with crowd-chant unison chorus drops.

165
Hey Lets

Суетолог 2010s mainstream EDM, side-chained supersaw lead synth with wide stereo detune layered over punchy plucked electro-bass stabs, driving four-on-the-floor kick with transient-shaped attack and clicky low-mid punch, snappy gated clap on the two and four, white-noise riser sweeps into hard-compressed drop, sidechain-pumped pad chords ducking rhythmically against kick, 32-bar build-drop-breakdown structure, bright vocal chops pitched and time-stretched into melodic hooks, mix-bus limiting at near-zero headroom for maximum loudness, male mid-tenor lead vocal with heavy pitch correction and parallel reverb wash.

149
Благословение Духа Медведя(стихи@Золтана)

Oceania Ethno‑Shamanic Bear Ceremony, female shamanic vocals (low guttural singing in verses, high ecstatic chants in choruses, whispers and breath sounds throughout, layered choir in final chorus), 80–100 BPM with dynamic changes (verses steady 85 BPM, pre‑chorus accelerates to 95 BPM, chorus powerful 100 BPM tribal rhythms, bridge slows to 75 BPM then builds up, final chorus 100 BPM + crescendo), deep shaman drum dominant with shifting tribal beats, buzzing jaw harp drone background, plucked string instrument melodies and arpeggios, bone rattles and stone clappers percussions, hand slaps (knees/chest) ritual percussion, low bass flute tones, processed bear roars as ritual effects, sacred mystical mood, connection to nature and ancestral spirits, ritualistic atmosphere with dynamic crescendos.

237
милое дитя

милое дитя

Кавер-версия

Анатолич pop, rock звучание виолончели

113
Давайте в этот раз без нас v1 (И.Черемушкина)

Petitpapillon82 progressive rock, 118 BPM, syncopated odd-meter groove, electric guitar riffs, delay-slap guitar lead, saxophone countermelody, Hammond organ stabs, fingerstyle bass, dry snare punch, room mic drums, live-club bleed, tape saturation, breakdown builds, call-and-response hooks, restless defiance,pop, soul, pop rock with piano, emotional songwriting, dynamic arrangement, heartfelt, baroque pop, classical influences, harpsichord, strings, elegant

216
Проснулся./Пьяный роман. - Rinka (06.2026г.)

Rinka *Genre:** Indie Pop, Acoustic, Humorous **Title:** My Drunk Romance **Style:** Quirky, Melancholic, Storytelling

136
Put Your Hands Up

MSIb860 Drum and bass, aggressive high-energy at 170 BPM with a heavy bassline, punchy breakbeats, distorted synth stabs, and sharp club tension; verse rides tense and minimal with filtered bass and tight vocal space, pre-chorus strips to kick-snare pressure and rising noise, chorus hits with full sub, reese layers, and shouted hook repeats. Male robotic autotune/vocoder vocal, stacked doubles on the hook, glitch cuts, risers and reverse swells into drops, bright punchy mix with hard low-end impact., vocal, drum and bass, bassline, clean, hands up

119
Мама (Edit)

Суетолог 2020s Russian rap-R&B fusion, muted Rhodes electric piano with soft low-pass filter, sub-heavy 808 bass slides, layered trap hi-hat rolls with triplet subdivisions, atmospheric pad chords processed through light convolution reverb, half-time trap drum programming with punchy parallel-compressed kick, lo-fi vinyl crackle underlayer, warm mid-range mix with sidechain pumping on pads, melodic mid-tenor Russian vocal with relaxed mumble-rap phrasing, AutoTune pitch correction set to natural transparent mode, doubled whispered harmonies, verses that dissolve into sung hook sections with reverb tail swells.

192
Сердце двора

Суетолог Underground rap with gritty male vocals, dark trap energy, half-time bounce, lo-fi drum grit, sparse verses, a stripped pre-chorus, and a hard-hook chorus with stacked ad-libs; occasional tape-stop transitions, sub drops, and dusty room texture; raw, close-mic, and menacing in the mix, beats, underground rap, vocal, raw

192
Город в

Суетолог Energetic club house track, 126 BPM, female vocal with breathy ad‑libs, catchy synth hooks, male vocal, four‑on‑the‑floor beat, heavy bass drops, laser synth effects, neon club atmosphere, Russian lyrics, high energy dancefloor vibe, violin, string

152
Середина ноября

Gosha May Blues background, quiet music, calm, quiet voice

100
Женщина

Gosha May Blues background, quiet music, calm, emotional, female, beautiful voice

116
ЛЮДИ

ЛЮДИ

Кавер-версия

Gosha May deep male voice, bass vocals, low male voice, basso profundo, powerful vocals, strong voice, Blues

124
Борокко при свечах!

Смирнов Анатолий Baroque Fusion, Modern Bach Style, Solo Violin, Electronic Beats, Cinematic Strings, Synth Bass, Instrumental, 105 BPM, Epic, Atmospheric, Reverb, Counterpoint

95
ЛЮДИ

ЛЮДИ

Кавер-версия

Gosha May blues

102
Ritratto di un uomo(Мужской портрет) Эхо на "Ritratto di donna" Женский портрет

Gosha May A raw blues track opens with gritty electric guitar riffs and a walking bass line, anchored by steady, swinging drums. Verses highlight expressive guitar licks and soulful organ fills, while the bridge features a harmonica solo. The arrangement stays tight, moody, and groove-driven.

110
Святоши Исповедь Богу Отцу

HollyMan163 Russian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension Russian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bassRussian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bass pulse, hand drum groove, dark piano chords, tape saturation, plate reverb, sidechain compression, street grit, trance allureRussian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension

100