Все треки
Последние публичные треки, созданные нашими пользователями
Alfiya • gitar, pop
Lex music • downtempo EDM, trip-hop groove, 92 BPM, melancholic narrative rap, Russian rap, analog warm pads, sidechained sub-bass, dusty drum machine, brushed snares, violin, cello, deep male vocalist with raspy, husky tone, basso profundo style deliver, female contralto, delayed piano chords, granular synth layers, tape saturation, spring reverb, stereo widening, half-time pulse, syncopated kick pattern, sparse-to-dense arrangement, breakdown lift, aching uplift, choir
Антон Васьков • Slavic dark folk with female vocals, slow swaying pulse and hand drum throb; verse rides sparse frame drum, bowed drone, and brittle plucked strings; pre-chorus narrows to voice and low bass hum; chorus opens with layered unison chant, tambourine shake, and a rough choir answer. Whispered doubles and earthy throat harmonies on key lines, with reed flute flickers and branch-crack transitions. Dark, intimate, raw mix with a damp forest-floor feel., female vocals, folk
АГК games • Metal rock with a crushing mid-tempo march, galloping double-kick bursts, chugging riffs, and an anthemic war-chorus; verse rides tense palm-muted guitars and tom-heavy drums, pre-chorus strips to snare, bass, and a rising choir of shouts, chorus hits with layered gang vocals and sharp unison leads. Aggressive male vocals with snarled doubles, shouted backing chants on the hook, a filtered radio-like line before each drop, an alarm riser into the final chorus, and a wide, gritty, bronze-toned mix, metal, rock
Max-Mix • Club Italo-Disco,EuroBeat,HI-NRG
Max-Mix • Club Italo-Disco,EuroBeat,HI-NRG
MSIb860 • Funk-soul with a clipped pocket groove, syncopated bassline, wah guitar flicks, and tight drum breaks; verse rides sparse drums and rubbery bass, pre-chorus opens with stacked handclaps and rising horns, chorus hits with call-and-response gang vocals and bright brass stabs. Lead vocal stays smoky and close-mic with ad-lib doubles, delay throws on key phrases, and a few shouted group replies. Vinyl crackle, short horn falls, and a snare pickup into each chorus. Crisp, warm, and greasy-clean in the mix., soul, funk
HollyMan163 • Russian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension Russian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bassRussian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bass pulse, hand drum groove, dark piano chords, tape saturation, plate reverb, sidechain compression, street grit, trance allureRussian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension
Kenig Cat • Russian rock with elements of post-punk and alternative rock. A bright virtuoso bass guitar part with slap. Acoustic, ethnic and electronic drums. The atmospheric sound has a characteristic melancholic atmosphere, which is achieved through a combination of guitar parts and vocals.
max_28767663 • Genre: slow melancholic ballad, sad piano, emotional cello, soft strings, acoustic. Mood: heartbreaking, poignant, lyrical, nostalgic, rainy autumn evening. Tempo: very slow (65 BPM), rubato. Vocals: emotional male baritone with breathy delivery, slight reverb, intimate. Instrumentation: gentle piano arpeggios, sustained cello lines, subtle ambient pad. Production: warm analog sound, close mic'ed, room reverb, no drums.
Александр Чехлов ТРиЯ • **Стиль и музыка для песни «Мудрость времён»** **Общий стиль:** Эпический, вдохновляющий, с элементами мировой (world) музыки и оркестровой аранжировки. Сочетает классическую глубину, современные электронные нюансы и культурные мотивы разных эпох. **Ключевые музыкальные характеристики:** 1. **Темп:** умеренный (90–110 BPM) — создаёт атмосферу размышлений, не отвлекает от смысла текста. 2. **Тональность:** мажорные тональности с глубокими аккордовыми последовательностями, чтобы подчеркнуть величие и свет мудрости. 3. **Инструментовка:** - **Основа:** струнные (скрипки, виолончели) и фортепиано — создают благородную, классическую основу. - **Дополнения:** - этнические инструменты (ситар, флейта, арабские перкуссии) — отсылки к упомянутым культурам (Индия, арабский мир); - лёгкие электронные слои — добавляют современности и объёмности; - хоровые вставки в припевах — усиливают ощущение единства и всеобщности.
Kenig Cat • Russian rock with elements of post-punk and alternative rock. A bright virtuoso bass guitar part with slap. Acoustic, ethnic and electronic drums. The atmospheric sound has a characteristic melancholic atmosphere, which is achieved through a combination of guitar parts and vocals.
HollyMan163 • Russian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension Russian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bassRussian hip-hop, hip-hop noir, 92 BPM, male spoken flow, female hypnotic hook, dzhudek lead, violin stabs, sub bass pulse, hand drum groove, dark piano chords, tape saturation, plate reverb, sidechain compression, street grit, trance allureRussian hip-hop, dark street ballad, male spoken verse, female hypnotic chorus, violin ostinato, duduk lead, deep sub-bass, sparse drum loop, analog tape saturation, mono room reverb, slapback delay, halftime groove, 82 BPM, gritty realism, hard-hitting, nocturnal tension
Александр Чехлов ТРиЯ • - **Темп:** медитативный (70–80 BPM) — создаёт атмосферу внутреннего покоя и пробуждения. - **Тональность:** мажор с мягкими минорными оттенками — баланс между светом и глубиной переживаний. - **Инструментовка:** - струнные (скрипка, виолончель) — благородство и возвышенность; - синтезаторы с тёплыми падами — ощущение бескрайнего пространства; - лёгкие перкуссии (ритм, напоминающий биение сердца) — связь с жизненной силой; - хоровые вставки в припевах — усиление чувства единства с миром. - **Вокал:** чистый, возвышенный, с плавными переходами — передаёт искренность и силу безусловной любви. - **Динамика:** - куплеты — сдержанные, нарастающие к ключевым фразам; - припев — мощное, гармоничное звучание с хором; - аутро — постепенное затухание, оставляющее ощущение бесконечного света. Музыка должна звучать как гимн принятия и любви — мост между внутренним миром и вселенной, где каждая нота отражает гармонию высоких вибраций.
Александр Чехлов ТРиЯ • хор (на 8–12 голосов, смешанный) — появляется в кульминации припева и в финале, поёт без слов (вокализами) или отдельные ключевые слова («любовь», «прощение», «благодарность»); арфа — лёгкие глиссандо между куплетами, создаёт ощущение «небесного» звучания; колокола — редкие удары в начале бриджа и в финале (символика пробуждения, озарения); лёгкие перкуссии (тамбурин, шейкер) — в третьем куплете для придания движению энергии.
Александр Чехлов ТРиЯ • Cinematic Pop,men,girl, kids
Александр Чехлов ТРиЯ • Cinematic Pop,men,girl, kids
Александр Чехлов ТРиЯ • reggae, r&b, drum and bass
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Суетолог • R&B hip hop phonk with a slow head-nodding trap pulse, minor-key violin lead, dry kick-snare pocket and deep sub weight; verse rides sparse drums and muttered lows, pre-chorus opens with bowed violin and stacked harmonies, chorus hits with a cold chant and doubled hook lines. Russian male vocals, close-mic and gritty in verses, layered unison on the hook, short delay throws on the last word of each chorus. Vinyl crackle, reverse violin swells, and a riser into each chorus. Dark,
Александр Чехлов ТРиЯ • reggae, r&b, drum and bass
Александр Чехлов ТРиЯ • Musical style for the song Genre: modern folk‑pop with folk‑rock elements. A cheerful, upbeat and motivating track that blends traditional Russian folk motifs with a contemporary sound. The result is a vibrant, energetic piece with a strong sense of national identity and a universal uplifting vibe. **Key characteristics:** * lively tempo ($\approx 120–130$ BPM) — keeps the energy high and the mood festive; * strong, steady rhythm with emphasis on the downbeats — makes it easy to move and sing along; * fusion of traditional folk instruments with a modern rhythm section — creates a bridge between heritage and today’s sound; * catchy, memorable melodies with sing‑along potential — especially in the chorus; * dynamic structure — builds from intimate verses to powerful, full‑ensemble choruses; * positive, unifying emotional tone — evokes pride, joy and connection to home. **Instrumentation:** * **bass** — provides a thick, punchy foundation and drives the
Евгения Сергеевна • Russian folk pop, playful children song, lively 132 BPM, bayan melody, balalaika tremolo, spoon percussion, bell chimes, ratchet rhythm, frame drum hits, handclap chorus, call and response, bright mix, dry room reverb, folk ensemble, singalong refrain, upbeat bustle
ВикаЕслиЧё • pop, soul
АГК games • Pop rock with driving mid-tempo drums, crunchy electric guitars, and a rising pre-chorus that opens into a wide, singable chorus; verses stay tense and tight, pre-chorus strips to bass and toms, chorus hits with layered gang harmonies and a soaring lead double. Use delayed vocal throws on key words, a brief guitar break before the final chorus, and bright but slightly overdriven mix polish with cinematic lift., pop, rock
Без тебя.....
Лев Вальков • Punk
Искусственный свет • modern heavy rock, dubstep, future bass, midtempo, 92 BPM, downbeat chug riffs, drop-tuned rhythm guitar, synth lead stabs, wobble sub-bass, distorted bass growls, punchy snare, halftime drum groove, sidechain pumping, wide stereo chorus, tape saturation, cinematic riser, breakdown drops, anthemic
Пиво-Раки
Лев Вальков • Punk
ВикаЕслиЧё • pop, soul
Mixanik • Symphonic Russian rock ballad, Powerful, hoarse, emotional Male vocals, dramatic, soulful, dramatic, building intensity, heavy guitars, cinematic strings, tragic, Slow to Mid-tempo (65-85 BPM), powerful climax, , For workout playlist, For cinematic trailer, Premium sound.
Леди дождя • Drum and bass with a fast, syncopated breakbeat, driving sub-bass and crisp top loops; verse stays lean with tight drum hits and a pulsing bassline, pre-chorus lifts with filtered percussion and rising synth shimmer, chorus opens wide with stacked gang vocals and bright melodic chops. Lead vocal is close-mic and urgent in verses, doubled and lifted on the hook, with short delay throws on the key phrase. Vinyl crackle, reverse swells, and snare fills bridge the sections; mix is punchy, clean, and forward, drum and bass
Николай С • cinematic composition. Original sound, cinematic, post rock, Spanish guitar, synth, bass, pad, layered, professional mastering.
Антон Васьков • Folk metal, female growl vocals
Ярило
Антон Васьков • Slavic folk metal, female vocals leading over tremolo guitars and pounding toms, big war-drums and group shouts; verses start with earthy acoustic strings and low flutes, then explode into double-time riffs. Chorus is anthemic with stacked choirs and hammered dulcimer; bridge drops to ritual drums and drone before a final, massive reprise., female vocals
MEDjik • Rap, drum and bass, 90 BPM deep male voice, bass vocals, low male voice, basso profundoraspy voice, husky vocals, gravelly, rough voicerap vocals, spoken word, flow, rhythmic speechtrap gangsta rap A slow, swinging instrumental that underlines the melancholic mood
Starper • Rock anthem with a stomping double-foot intro and single clap, then a gritty guitar riff enters and drives the verses; pre-chorus lifts with gang shouts and a snare push, chorus opens wide with big gang vocals and a sharp lead-guitar hook, bridge drops to half-time for a brief solo before the final chorus returns bigger. Male vocals, rough-edged doubles on key lines, short delay throws on the chant. Ear candy: stomp-clap intro, rising feedback into the riff, screaming guitar solo turn. Bright, punchy, arena-sized mix., rock
Станислав Граховский • русский авторский рок
Кто. автор Станислав Граховский
Станислав Граховский • неошансон, Инструменты: фортепиано с лёгкой «разболтанностью», аккордеон, контрабас, щелчки пальцев, немного духовых.Темп: средний, с лёгким покачиванием, как в кабаре. Вокал: чуть хриплый, с театральной иронией, будто рассказываешь абсурдную историю в полутёмном баре. Мелодия: Куплет — аккорды Am – E7 – Dm – Am, вокал «разговаривает» с музыкой, местами сбивается в речитатив. Припев — аккорды F – E7 – Am – Dm, мелодия становится шире, появляется лёгкая гротескность.
Вячеслав Солдатов • Melodic rock, electric guitar, drums, the saxophon, piano chords, baritone, powerful vocal, raspy , andante, nostalgia,
Вячеслав Солдатов • Melodic rock, electric guitar, drums, piano chords, baritone, powerful vocal, andante, nostalgia
Я — Баба Яга
Антон Васьков • Dark folk metal with female vocals; low-tuned guitars in unison with fiddle and bouzouki drones, tom-heavy tribal drums and stomps. Verses stay brooding and narrative with sparse riffing and frame drum hits; chorus erupts with soaring gang shouts, doubled lead vocal and bowed strings. Mid-song breakdown sinks into whispered incantations over droning bass before a half-time finale with thunderous crashes and sustained guitar bends., female vocals