Все треки

Фириника • pop, folk, reggae

DDdddDD • nu metal, acoustic guitar intro, detuned seven-string riff, baritone bass, broken rhythm, 64 BPM verses, 78 BPM chorus, male emotional vocals, rough shouted chorus, distressed mood, cinematic world fusion, tribal percussion accents, tape saturation, plate reverb, wide stereo mix, late 90s production, tense release arc

TAG311 • gothic horror, darkwave, Russian lyrics, piano ostinato, cathedral choir, distorted string tremolo, sub-bass drone, tape saturation, plate reverb, slapback delay, sparse verse arrangement, silence drops, 70 BPM intro, tempo ramp build, frantic 140 BPM climax, soft lullaby verses, explosive chorus, unhinged scream bridge, tragic dread

FogZVON • aurora churchyard style, dark nordic pop, slow tempo, 74 bpm, heavy tribal percussion, cinematic dark synth bass, haunting atmospheric pads, ethereal layered female vocals, whisper pop, mysterious ritualistic slow ballad, 432 Hz

Евгения Грозд • Sweet vocal, witch voice, epic orchestral cinematic, witch's mystical phonk, modern folk percussion, witch's laugh, opera voice, lullaby rock

DPP • rock, drum and bass, aggressive vocals, soulful, pop, male baritone voice

dioefremov • spiritual extreme rap, Aramaic chant hooks, Galilean Syriac transliteration, militant drum programming, martial taiko hits, distorted 808 sub, overdriven kick punch, chopped battle samples, whispers, monks choir layers, call and response choruses, tape saturation, plate reverb, narrow verse mono, explosive stereo chorus, defiant faith, prayerful intensity, halftime march, 88 BPM, drum and bass, industrial rap, aramaic chant, spoken flow, shouted adlibs, children's choir stabs, distorted sub-bass, syncopated breakbeats, halftime drops, metallic percussion, tape saturation, plate reverb, wide stereo drums, abrupt breakdowns, 174 BPM, militant fervor, devotional intensity, tribal percussion, instrumental interludes

dioefremov • Hardcore rap and old-school drum and bass with a fast breakbeat drive, phonk-colored bass stabs, pounding kicks, and aggressive half-shouted extreme male vocals; verses hit in dense rat-a-tat cadence, pre-choruses tighten with filtered drums and rising noise, choruses slam open with gang shouts and a short chantable hook, then a bridge drops to bare bass and raw voice before the final burst. Add sharp turntable cuts, reversed swells, and sub drops; mix should feel harsh, punchy, and street-close, with a gritty low-end and bright snare crack.

Oceania • Style: Dark Cinematic Synth‑Pop / Aggressive Electro‑Rock Vocal: deep male voice (low‑mid range): restrained verses (breathy, chamber reverb), intense choruses (light distortion on «scars», «torture»), layered backing vocals (3–4 layers), whispered outro. Instruments: synths (cold pads, metallic arpeggios, aggressive leads), sub‑bass + distorted mid‑bass, electronic drums (tight snare, punchy kick, crisp hi‑hats), distorted guitar stabs, SFX (ice cracks, reverse cymbal, wind ambience). Tempo: 105 BPM (steady 4/4, danceable). Mood: cold, intense, cinematic — vulnerability vs. aggression. Key Techniques: chamber reverb (1,8–2,2 s decay), slap‑back delay (120–150 ms), sidechain compression (bass/synths duck 3–4 dB on kick), panning (arps L/R, vocals center), automation (filter cutoff, reverb send, volume swells).

Мистер ИИ • A blank input—let’s fill the silence! Imagine a song that starts with a sparse piano motif, layering in dynamic strings and subtle electronic textures as it builds. Percussion enters, gradually intensifying, leading to a lush, cinematic swell before gently fading out, male singer, male voice

Petitpapillon82 • Joyful pop, 120 BPM, string section staccato, violin chorus hook, piano arpeggios, tambourine backbeat, brushed snare, sidechain pumping, tape saturation, plate reverb, mono intro, stereo chorus

Свет2 • Slavic folk, pagan folk, dark folklore, ethereal, female vocals with folk ornamentation, ancient Russian modes, zhaleyka, gusli, gudok, rattles, field recordings, ritual chanting elements, slow hypnotic tempo, melancholic, modal harmony, natural reverb, weeping strings Tempo: 65 BPM Key: D Phrygian Vocal: female, mournful, folk ornamentation (melismas, slides), breathy head voice, occasional polyphonic echo (podgoloski) Production: raw, spacious, like field recording near water, distant bells, rustling leaves

Sergilio • Epic Hybrid Orchestral, Industrial Metal, Cinematic Action Soundtrack Energetic, Driving, Emotional, Intense Fast Tempo (150-170 BPM) Powerful Drums, Deep Bass Synth, Distorted Guitars, Orchestral Strings Vocals: Female powerful operatic Voice John Wick Movie Atmosphere, Combat Scene in a Nightclub

Romantik • [Medium Tempo, Airy New-Wave Ballad, Male Deep Baritone, Verses: intimate close-mic acoustic guitar and soft synth pads, Choruses: bloom with lush strings and distant drums, Gentle choral backing harmonies, Subtle reverb for a spacious futuristic hall feel, Arrangement swells then falls back like slow motion, Wide layered choruses, Soft delay throws on key phrases, Shimmering risers, Polished cinematic mix, Lead Vocal: Чарующий голос, crisp and clear deep baritone with tender springtime passion] ‎[Title: Весенний сон (Сотворено с любовью. Да будет так.)]

DDdddDD • Punk rock, symphonic rock, horror rock, 130 beats per minute, jagged riffs, electric violin, electric guitar harmonics, solo guitar solos, distorted baritone guitar, sharp little backbeat, 16th note, syncopated downward beats, male tenor vocals, raspy emotional tenor delivery, plate reverb, dry mix, ominous threat

Romantik • Medium tempo, Airy new-wave ballad with male deep baritone; verses rest on intimate acoustic guitar and soft synth pads, while choruses bloom with lush strings and distant drums. Gentle choral backing harmonies in the hook, subtle reverb for a spacious futuristic hall feel, and an arrangement that swells then falls back like slow motion. Close-mic verses, wide layered choruses, soft delay throws on key phrases, shimmering risers into lifts, polished cinematic mix.

dioefremov • Upbeat pop punk ska with offbeat guitar chops, driving drums, jumping basslines, and bright brass stabs; verse keeps it tight and kinetic, pre-chorus lifts with gang shouts and snare builds, chorus hits faster with wide harmonies and singalong hooks. Lead vocal is playful and breathy in verses, doubled on the hook, with ad-lib echoes and handclap accents. Add trumpet hits between lines, a quick fill before each chorus, and a final key change feel. Bright, punchy, sweaty club mix.

tom19 • rock, drum and bass, dubstep

tom19 • rock, drum and bass, dubstep

Сергей Хабаза • neo soul, 84 BPM, fingerstyle electric piano, muted jazz guitar chops, subby Moog bass, tight kick snare backbeat, ghost-note snare, brushed percussion, chopped vocal samples, layered harmonies, tape saturation, plate reverb, stereo delay, intimate verses, chorus lift, call and response, bittersweet longing, late night groove

Настенька Ф • modern pop folk, Russian folk pop, upbeat dance pop, traditional Slavic vocals, catchy synth hooks, heavy electronic bass, 120 BPM, energetic, ironic lyrics, female lead

Настенька Ф • modern pop folk, Russian folk pop, upbeat dance pop, traditional Slavic vocals, catchy synth hooks, heavy electronic bass, 120 BPM, energetic, ironic lyrics, female lead

Сергей Хабаза • sludge metal, doom tempo, distorted bass guitar, downpicked guitar riffs, palm muted chugs, tom heavy drums, guttural shouts, gang chant hooks, analog saturation, plate reverb, mono punch, sparse breakdowns, tribal percussion, ritual atmosphere, angry satire, midtempo march

TAG311 • Slavic folk metal, darkwave, Russian folk melody, melancholic accordion intro, frantic violin bowing, distorted chorus guitars, tribal frame drums, simple kick-snare pulse, female folk vocals, screamed chorus, haunting bridge, ritual chant backing, plate reverb, tape saturation, 4/4 march, chaotic climax, tragic mania, 90s gothic mix

Faezard • K-pop girl group with dark trap and EDM crossover, minimal hip-hop beat, 808 bass bounce, fierce rap verses, melodic female chorus, massive festival synth drops, sassy ad-libs, stacked harmonies, chanty group hook, and sharp ear candy risers and laser zaps. Confident, aggressive, stadium-sized, bright and punchy mix., edm, minimal, girl group, hip-hop, rap, k-pop

Faezard • K-pop girl group with dark trap and EDM crossover, minimal hip-hop beat, 808 bass bounce, fierce rap verses, melodic female chorus, massive festival synth drops, sassy ad-libs, stacked harmonies, chanty group hook, and sharp ear candy risers and laser zaps. Confident, aggressive, stadium-sized, bright and punchy mix., edm, minimal, girl group, hip-hop, rap, k-pop

Сергей Хабаза • metal, classical, folk

Sergilio • Genre/Style: Epic Hybrid Orchestral / Dark Synthwave / Cinematic Action Vocals: Male Vocals Low-pitched, metallic, robotic voice (like a Reaper or Terminator) Aggressive and commanding tone Mood & Atmosphere: High-energy, driving rhythm Battle atmosphere, intense combat scene Dramatic, emotional tension Fast tempo, relentless pace Dark, gritty, high-stakes mood Instruments/Sounds: Pounding drums and percussion Heavy bassline Distorted synths and industrial sounds Orchestral stabs (brass, strings for epic feel) Sound design elements: gunshots, reloading, metal clashing

Сергей Хабаза • Deep house, electronic, indie

DPP • rock, drum and bass, pank, pank rock, baritone male voice, three male voice, duet males, aggressive voice

ПростоБах • Reggae, soul male vocals,,

Настенька Ф • Slavic slap house, electro folk pop, Russian club pop, bright female vocals, folk ornaments, driving dance beat, modern producion, witty, playful, high energy

Настенька Ф • Slavic slap house, electro folk pop, Russian club pop, bright female vocals, folk ornaments, driving dance beat, modern producion, witty, playful, high energy

Scorpion83 • Russian folk-pop, 84 BPM, balalaika tremolo, bayan chords, frame drum pulses, hand percussion ensemble, harp harmonics, choir whispers, male baritone lead, layered unison chorus, plate reverb, tape saturation, soft liminal glow, swaying 6/8, chant-like refrain, dawn-lit nostalgia

DDdddDD • punk rock, verses 120 beats per minute, choruses 130 beats per minute, clean vocals, no chants or short shouts, dissonant power chords, overdriven guitar riffs, unison chants, sharp accents, dynamic small backbeats, transitions from Tom to fill, sharp bass lines, low record reverb, tape saturation, live room dousing, late 70s punk mix, rough, monotonous beat, reckless challenge

dioefremov • Slavic myth rock opera with male and female vocals, high-tempo driven by galloping heavy guitars, khomus-like tension, balalaika and gusli accents, fierce duet verses that alternate, a soaring unison chorus with stacked harmonies and shouted doubles, battle-break transitions with drum rolls and folk flute flickers, final verse a cappella and intimate, wide epic mix with gritty distortion and theatrical drama

dioefremov • Slavic myth rock opera with male and female vocals, high-tempo driven by galloping heavy guitars, khomus-like tension, balalaika and gusli accents, fierce duet verses that alternate, a soaring unison chorus with stacked harmonies and shouted doubles, battle-break transitions with drum rolls and folk flute flickers, final verse a cappella and intimate, wide epic mix with gritty distortion and theatrical drama

Галина Тара • playful sarcastic pop — жанр + настроение: игривая, саркастическая поп‑песня; female vocals with mocking tone — женский вокал с насмешливой интонацией; light piano and ukulele — лёгкие инструменты для «несерьёзного» звучания; bouncy rhythm — прыгучий, весёлый ритм; 110 BPM — темп (умеренно быстрый, подходит для разговорно‑песенной подачи); occasional feminine laughter after chorus — ключевой элемент: женский смех после припева; whimsical and teasing mood — причудливое и поддразнивающее настроение.

Сергей Хабаза • drum and bass, 174 BPM, chopped samples, sub-bass reese, breakbeat drums, ghost snare fills, filtered pad beds, tape saturation, plate reverb, tribal percussion accents, ambient world fusion, meditative build, defiant release, clipped vocal shouts, call and response, halftime breakdown, syncopated hi-hats

ЛюМиСа-Hits • Hypnotic Trance-Folktronica-New Wave hybrid, steady pulsating rhythms and groovy 5/4 beat for ADHD focus, layered warm synth pads and arpeggiated melodies for autistic comfort, sparkling chimes, deep resonant bass, soft textured percussion, immersive atmospheric textures, harmonious uplifting flow, rich sound design with gentle dynamic shifts, no harsh drops or chaos, dopamine-boosting yet soothing and predictable structure.

Сергей Хабаза • rap, 88 BPM, half-time groove, syncopated kick pattern, sub-bass slides, chopped sample loops, distorted 808 snare, vinyl crackle texture, stereo delay throws, tape saturation, cinematic brass stabs, tribal hand drums, modal synth bed, call and response hooks, anxious momentum, brooding resolve

ЛюМиСа-Hits • Hypnotic Trance-Folktronica-New Wave hybrid, steady pulsating rhythms and groovy 5/4 beat for ADHD focus, layered warm synth pads and arpeggiated melodies for autistic comfort, sparkling chimes, deep resonant bass, soft textured percussion, immersive atmospheric textures, harmonious uplifting flow, rich sound design with gentle dynamic shifts, no harsh drops or chaos, dopamine-boosting yet soothing and predictable structure.

Сергей Хабаза • folk, meditative world fusion, ethnic electronic, tribal percussion, 79 BPM, frame drum groove, hand percussion ensemble, male whispers, monk choir pads, wordless vocal drones, steel-string fingerpicking, kora plucks, bamboo flute phrases, tape saturation, plate reverb, wide stereo field, bittersweet longing, dawn ritual

Галина Тара • Style: Pop‑Rock/Alt‑Rock, 125 BPM, powerful female vocals with slight hoarseness, electric guitar with distortion, bass, electronic drums, synth arpeggios, bold and defiant mood, Russian lyrics. Lyrics: [Verse 1] Вы думаете, я как Ева… [Chorus] И как там слышала однажды… (полный текст песни с разметкой куплетов и припевов).

Stempith • love metal, gothic metal, alternative rock

Юрий Голубнича • Русская народная фольклорная

Дмитрий_Н_24 • Indie folk with Russian male mezzo-soprano voice, a minor, arpeggio, play a saxophone

NEORADA • Russian emotional pop ballad with half-time pulse, sparse piano verse and rising string swells; verse stays intimate and close-mic, pre-chorus opens with filtered pads and breathy doubles, chorus lands with stacked harmonies and a steady kick, bridge drops to solo piano then final chorus blooms with wide strings, delay throws on key phrases, and a warm polished mix with glossy low end and emotional top-end sparkle

Johnny D • black metal, 2000s black metal, drum intro, rhythm guitars, dual lead guitars, acoustic piano, fretless bass, blast beat, tremolo picking, wide stereo guitars, cold room reverb, tape saturation, false climax, cathartic defiance, bleak triumph

Johnny D • nu metal, metalcore, maritime metal, 210 BPM, downtuned seven-string riffs, palm muted chugs, turntable scratches, gang shouts, halftime breakdowns, clipped snare crack, sub-bass distortion, industrial compression, tape saturation, late 90s mix, bathroom room tone, aggressive catharsis, mosh groove