Все треки
Последние публичные треки, созданные нашими пользователями
ILUHENCIY • heavy metal, distorted guitars, double bass drums, powerful vocals, sacred ambient, spiritual atmosphere, church organs, epic cinematic, orchestral power, dramatic build, film trailer music, heroic, transcendent, classical, ambient, synthwave
FairyTaleS • nu metal influences, industrial textures Dark alternative rock, post-grunge, cinematic atmosphere, heavy bass, emotional build-up Vocal: Male deep Russian vocals; Verses: low, gritty and melancholic delivery; Chorus: powerful, soaring with layered harmonies; Bridge: whispered to shouting crescendo; Finale: explosive, anthem-like energy; tempo ~80 BPM.
DKifa • rap, duet, electronic dance, 79 BPM, ethnic electronic, tribal percussion, modular bassline, arpeggiated synths, TR-808 drum machine, backbeat snare, chopped samples, tape saturation, plate reverb, layered vocal harmonies, female airy vocals, bittersweet farewell, restrained lift, four-on-the-floor kick
Искусственный свет • Epic Arab, melodic melisma vocals, oud plucks, qanun tremolo, darbouka breaks, riq accents, hand percussion groove, minor key strings, sparse verse arrangement, explosive chorus lift, call and response, wide mono center, 90 BPM, tape saturation, plate reverb, retro 90s polish, bittersweet longing, triumphant release.
Roman222 • Russian R&B and hip hop with laid-back swung drums, warm sub bass, Rhodes chords, sparse trap hats, and a slow head-nod groove; verse keeps it intimate and conversational, pre-chorus lifts with stacked harmonies and filtered synth swell, chorus opens with a sticky repeated anchor and doubled ad-libs. Breathy lead vocal, tight doubles on the hook, low crowd-style backing responses, vinyl crackle between sections, crisp bright mix with a velvet low end., r&b, hip hop
СЕРРЕСС • death-metal, power metal, industrial, epic style
Привереда • electronic, house, indie
Валентин Шипов • Italian disco
Николай Диденко • epic rock opera, symphonic metal, full archestra with strings and choir, electric guitars, powerful drums, dramatic male and female, storytelling about a fallen kingdom, multiple sections, cinematic transitions, choir and choruses , gregorian
kuprumserga • Style: Folk-pop with disco elements. The song combines pastoral lyrics in the verses with a modern dance bridge. The verses are played at a moderate tempo with a slow rhythm. The chorus is slightly faster for dynamics, and the bridge goes into a fast dance tempo with emphasis on the weak beat. The arrangement changes throughout the song: the verses are built on acoustic guitar, double bass and minimalistic percussion with a background of drawn-out violins; in the chorus, a dense rhythm section is added, and the strings duplicate the vocals. In the modern bridge, the acoustic is replaced by a synthesizer and an active bass line, the drums sound like in pop music, and the violins are played in a choppy manner. The finale is a fade-out on the theme of the introduction.
КАЛЕКА • Genre: Pagan Metal, Folk Metal, Slavic melodic metal BPM: 140 - 150 Instruments: distorted guitars, bass guitar, double bass drums, balalaika (folk), zhaleyka (folk wind), violins, synthesizer, mandolin, koto Vocals: male tenor (bright, clear) + female soprano (pure, ethereal) duet, no growl, only clean vocals Mood: summer, joyful, erotic, mysterious, spiritual, tragic then cathartic Production: epic, wide stereo, folk instruments prominent, powerful drums, melodic leads
Николай Диденко • rock, Symphonic metal ballad with Russian rock grit: strings and piano carry a solemn intro, then distorted guitars and double-kick build a towering chorus. Male vocals, starting confessional and intimate, rise into a powerful, gallant belt with gang-style backing on the hook. Orchestral hits and choirs underscore lines about duty and legacy; final chorus strips to voice and strings, then explodes full-band for a climactic farewell., classical, metal
kuprumserga • The style is industrial hip-hop/rap-rock with R&B, built on contrast: the heavy atmosphere of the workshop (distorted guitars, metal clanging, and footsteps) is replaced by a light hip-hop arrangement. The rhythm section features a dirty hybrid beat with a powerful groove, deep bass, and industrial samples (clanging, steam hissing, and beats). The arrangement is dynamic, moving from a heavy intro and rap verses to a melodic chorus with live drums and a relaxed bridge. Vocals: charismatic rap with a hint of huskiness in the verses and clean pop rap in the choruses.
Gene • Bitter satirical angry rap metal, drum and bass
ZUBR • Russian folk pop, spoken monologue, declamatory chorus, solo , frame drum pulse, low drone synth, dry room reverb, close mic capture, tape saturation, sparse verse, call-and-response accents, rising pre-chorus, abrupt drops, midtempo march, wrenching confession, confrontational questioning
ПАРАМОНОВА ЭЛИС • Russian folk fusion, 132 beats per minute, balalaika tremolo, accordion, tapan, ethnic electronic synthesizers, vargan pulsation, choir playing in the style of "question-and-answer", overlay, reverb, driving percussion in the rhythm, syncopated bass ostinato, folk hymn, kinetic impulse, folk pop ballad, modern analog sound, female vocals, with squeals, Russian folk dances and dances, with elements of rock
Николай Диденко • Symphonic metal rock with driving mid-tempo riffs, galloping toms, and a mournful string line doubling the guitar melody; verse rides on tight palm-muted guitars and low cello, pre-chorus opens with timpani rolls and rising choir pads, chorus hits with stacked gang vocals and a soaring lead. Russian male vocals, rough and intimate in verses, doubled and anthemic on the hook. Brass swells, sea-spray reverse effects, and a final bell toll into a wide, cinematic mix., classical, metal, rock
Алексей Митронин • Russian rock ballad, post-punk guitar arpeggios, picked electric bass, tight snare backbeat, dry room drums, tape saturation, spring reverb, mono lead guitar, minor key progression, 92 BPM, driving eighth notes, restrained build, bittersweet nostalgia, raw live take, wide tom fills
НейроспауН • [Create a hybrid style: Technical progressive metalcore,Djent, nu metal, melodic death, deep dub, fingerstyle, Atmospheric industrial production,synth, distorted guitar stabs, deep subs][solo guitar, Bends, vibrato, Flageolet, solo basses], [aggressive vocals, screaming, growling, intense] [guttural growl], [low-formant], [false cord growls], [diaphragmatic gutturals], [monotone], [atonal]. [double bass], [blast beats], [relentless downpicking], [breakdown]. [technical riffing], [down-tuned], [sctechnicalooped mids] [Atmospheric chorus, heavy groove driving rhythm, and breakdown at the end of the composition]
Привереда • lofi, ambient, electronic, classical
ПАРАМОНОВА ЭЛИС • Russian folk, 92 BPM, rubato accordion lead, balalaika fingerpicking, frame drum ostinato, handclap backbeat, bowed bass drone, male spoken chant, dry close-mic recording, tape saturation, spring reverb, call-and-response chorus, asymmetrical folk meter, bittersweet longing, road-worn resilience
Диласо • emotional patriotic pop hit, bass and powerful rhythm, low-frequency pulses, ostinato strings, electric guitar puffing, hand percussion, side drive, tape saturation, stereo width, driving force. Male expressive bright voice, baritone timbre. Powerful life hit
PЁTR and X • post-rock, metal, A powerful song
Mixanik • Style: epic dramatic folk rock, symphonic metal, heavy industrial beat, deep gritty male vocals, emotional, sorrowful violin, electric guitar, cinematic, powerful, russian rock
Владимир Дроздов • Russian rock, chanson ballad, 90s studio tone, acoustic guitar strumming, electric guitar slides, live drum kit, flute countermelody, tape saturation, plate reverb, intimate verse, swelling chorus, half-time bridge, bittersweet melancholy, confession mood, midtempo pulse,melodic rock ballad, acoustic guitar, strings, powerful vocal delivery
Светлана16 • pop, soul, house, techno, ambient, lofi, synthwave, trap
Светлана16 • pop, soul, house, techno, ambient, lofi, synthwave, trap
DJ MICHAEL • Tribal House, Latin House, DJ Hugl style, Vintage Culture, Fisher. 124 BPM, G minor. Deep kick punchy sidechained. Bassline: moog G-F-Eb-D. Percussion: darbuka, shaker, cabasa, clap, cowbell, timbales, agogo bell. Two percussion loops layered. Main hook: Turkish zurna 2-bar melody + synth pluck. Ney flourishes on breaks. White noise risers before drops. Female vocal aggressive staccato delivery. Phrase "Hey hey hey" shouted, "Move move move" with reverb tail. Backing vocals: male group "hey" and "le le le le" Romani style. Vocal chops pitched up on drop 2. Reverb large hall 35% wet. Delay ping-pong 1/4 on "feel". Filter automation opens 200Hz to full. Snare rolls before each drop. Drops: 18, 20, 10 bars. Structure: intro6, verse8, pre6, drop18, break8, verse6, build4, drop20, bridge6, drop10, outro4. Duration 3:30. Mood: sunset Ibiza beach party, Turkish nightclub. Energetic, aggressive, danceable. Sidechain compression on pad. Drop2 has +2dB low end. Outro vinyl stop. Tribal whoops,
ATWST • Create an energetic Afro House dance track driven by a deep, grooving kick and syncopated percussion with organic textures (congas, shakers, djembe, metallic hits). Tempo around 122–126 BPM. Emphasize warm, saturated low end and punchy midrange; use evolving pads and sampled ambient field recordings to build atmosphere. Include a charismatic male lead vocal with soulful, slightly raspy timbre, clear enunciation, and call-and-response phrases; lyrics in English with short African-inspired chants and positive dancefloor hooks. Arrange with long builds, percussive breakdowns, filtered stabs, and a melodic hook on a warm pluck or Rhodes; keep energy peaks for drops full of layered percussion, vocal chops, and ascending FX risers. Master for club playback with wide stereo, 3–4 dB of tasteful compression on the bus, and vinyl-style saturation for warmth.
Alarik311 • symphonic, ethnic music, pop-dance, folk, indie, classical, soul, synthwave, deep
Вася Вамп • Hard punk rock, emotional, aggressive, acoustic guitar, guitar overdrive, synthesizer
dioefremov • japanese rave, drum and bass, 174 BPM, distorted electric riffs, syncopated breakbeats, sub-bass drop, gated snare, chopped break edits, harsh vocal screams, extreme vocal fry, layered unison chants, razor synth stabs, analog delay throws, tape saturation, wide stereo mix, cathartic fury, unrequited love, instrumental breaks
ATWST • dream house, melodic house, atmospheric, ethereal, uplifting, child vocals, innocent, angelic choir, lush pads, shimmering arpeggios, deep rolling bassline, four-on-the-floor, 122 BPM, sidechain, spacious reverb, nostalgic, magical intro 16 → verse 16 → pre 8 → chorus 16 → verse 16 → pre 8 → chorus 16 → bridge 16 → final chorus 24 → outro 16 child vocal (girl 8-10), soft, breathy, double-tracked, harmonized, choir layers; keep natural breaths crystal-clear vocal, long reverb tails, delay throws, supersaw pads sidechained to kick, arpeggiated plucks, sub-bass felt not heard, gentle saturation, target LUFS -14 simple, repetitive, dreamy imagery, la-la/ah-ah for hooks.
Алексей Митронин • 90s rap rock, boom bap drums, distorted electric guitar stabs, live bass pickup, DJ scratch accents, sampled choir hits, analog synth pads, tape saturation, plate reverb, 94 BPM, swung backbeat, syncopated kick-snare, gritty uplift, defiant release
Veamolok • synthrock, electronic rock, 140 bpm, 170 bpm, heavy modern driving bassline, retro-futuristic synths, distortion guitars, cinematic punchy drums, powerful clean male vocals, high-energy, k-pop ballad rock, techno, evro dence, gibrit j-rock j-pop, EDM, arena rock, power ballad, 170 BPM, distorted rhythm guitars, chiming clean guitar, overdriven bass guitar, tom-heavy drums, tape echo lead, stereo plate reverb, analog console saturation, widescreen chorus, anthemic lift, bittersweet resolve, K-pop j-rock hybrid ballad
Привереда • classical, dubstep, electronic
Алекс 890 • Mystical dark pop with slow heavy pulse, low drones, ominous pads, subtle choral whispers, and eerie supernatural atmosphere; verse stays sparse and close, pre-chorus opens with rising tension and ghostly layers, chorus lands on a ծանր chant with doubled male vocals and soft echo throws; reversed swells, distant bell hits, and a cold reverb tail stitch the transitions; deep male vocals, gritty and intimate in the verses, wider and haunted on the hook, with a polished low-end mix and cinematic darkness, low, slow, male vocals, deep, choral
YohPilot • Genre: Italo Disco, Dance, 1980s, Energetic, Sports Anthem. Style reference: Radiorama - "Yeti" (fast tempo ~125 BPM, driving synth bass, staccato synth stabs, gated reverb drums, catchy melodic hook, upbeat and pumping). Mood: Triumphant, fiery, rhythmic, hype-building, break-time filler for karate tournament. Tempo: Fast, danceable, steady four-on-the-floor kick. Instruments: Layered synth brass, arpeggiated synth bass, electronic claps, snare rolls, cheerful children choir, call-and-response vocals. Production: Bright reverb, loud master, stadium feel, short instrumental breaks for crowd interaction.
Вася Вамп • Бодрый Hard punk rock, energetic, expressive, raspy voice, acoustic guitar, piano, guitar overdrive
Johnny D • underground metal, post-metal, downtuned baritone guitar, pick scrape riffs, fretless bass growl, tom-heavy tribal drums, distorted vocal chants, tape saturation, spring reverb, cavernous room mic, 1980s analog mix, slow burn build, crushing halftime groove, bleak catharsis, 84 BPM, minor key drone
Джаник • pop, funk
vladzak57 • Russian folk-pop ballad, 84 BPM, accordion ostinato, balalaika tremolo, nylon-string guitar, low tom pulse, hand percussion, choral drones, tape saturation, plate reverb, minor key chorus, whispered baritone, intimate dread, swelling refrain, staggered backbeat, modal melody
Алексей Митронин • Russian chanson, military ballad, acoustic guitar strums, picked nylon guitar, marching snare brush, low male chorus, chorus call-response, sparse verse intro, spoken bridge, crescendo layering, tape saturation, plate reverb, intimate room sound, bittersweet memorial, stoic resolve, 76 BPM, folk-pop ballad
КВНнк • Russian choral ballad with a cappella male bass focus, deep unison chants, and only contrabass plus cello supporting the voices. Verse rides spare low-register harmonies; pre-chorus tightens with rising bass pulses and bowed cello; chorus opens into stacked bass chords and a few restrained female answers. Breathy room tone, one bowed swell into each lift, intimate dark mix, cinematic and human.
dioefremov • speedcore, hardcore, drum and bass, hard rave, dark electronic, Turkish inflections, screamed vocals, split vocals, harsh vocal layers, sub bass distortion, heavy kick drums, syncopated percussion, chopped vocal hooks, stereo widening, tape saturation, plate reverb, relentless crescendo, violent catharsis, 200 BPM, machine gun hi-hats, ruined romance
