Все треки

Артём2016 • Russian punk rock, 160 BPM, power chords, distorted guitar downstrokes, honky-tonk harmonica bridge, gang vocals, punchy kick snare, room mic drums, tape saturation, mono bass, live-off-the-floor, festival singalong, defiant humor, anthemic release, 90s alt-rock, lo-fi rehearsal room, breakneck tempo, chorus gang shouts, gritty edge

NEORADA • эмоциональная, исповедь.В песне — смесь обиды, усталости иIndie pop / indie rock with atmospheric guitars. A more intimate and "raw" version: muted drums, reverb, and melancholic guitar strumming. The vocals have a slight huskiness, as if they are being told through tears. Мужской баритон

Лес • 2010s pop-R&B production, layered synthesizer pads with sidechain compression pumping against four-on-the-floor kick, plucked pizzicato string samples, dry staccato electric guitar chops, 808 sub-bass slides reinforcing quantized trap-influenced hi-hat patterns, crisp digital mixing with heavy multi-band compression and bright high-shelf boost on master bus, pitched vocal chops used as rhythmic texture, mezzo-soprano with Caribbean-inflected English diction, breathy chest-to-head register transitions, lightly auto-tuned sustained notes, sparse verse dynamics exploding into wall-of-synth hook, stuttered vocal drop edits on pre-chorus.

Oceania • Style: Dark Cinematic Synth‑Pop / Aggressive Electro‑Rock Vocal: deep male voice (low‑mid range): restrained verses (breathy, chamber reverb), intense choruses (light distortion on «scars», «torture»), layered backing vocals (3–4 layers), whispered outro. Instruments: synths (cold pads, metallic arpeggios, aggressive leads), sub‑bass + distorted mid‑bass, electronic drums (tight snare, punchy kick, crisp hi‑hats), distorted guitar stabs, SFX (ice cracks, reverse cymbal, wind ambience). Tempo: 105 BPM (steady 4/4, danceable). Mood: cold, intense, cinematic — vulnerability vs. aggression. Key Techniques: chamber reverb (1,8–2,2 s decay), slap‑back delay (120–150 ms), sidechain compression (bass/synths duck 3–4 dB on kick), panning (arps L/R, vocals center), automation (filter cutoff, reverb send, volume swells).

DJ ALEXANDER • Russian synth-pop, nocturnal pop, Armenian duduk lead, pulsing pop drums, sidechained synth bass, detuned pad chords, glockenspiel counterline, tight clap stack, vocal hush delivery, octave doubled chorus, slapback delay, wide stereo synths, minor key lift, 126 BPM, bittersweet longing, dusk-to-dawn arc

Денис Чебаков • **Genere:** Eurodance / Italo Disco **Tono:** Romantico, energetico, con un tocco malinconico **BPM suggerito:** 125 BPM **Mood:** Un mix di sintetizzatori scintillanti, un beat pulsante, e una melodia di tastiera che sale e scende come un respiro.

Денис Чебаков • **Genere:** Eurodance / Italo Disco **Tono:** Romantico, energetico, con un tocco malinconico **BPM suggerito:** 125 BPM **Mood:** Un mix di sintetizzatori scintillanti, un beat pulsante, e una melodia di tastiera che sale e scende come un respiro.

Денис Чебаков • Ecco una canzone in stile **Italodance / Eurodance** — romantica, malinconica ma danzereccia, perfetta per un'estate sudata in discoteca o un tramonto sulla riviera adriatica. **Genere:** Eurodance / Italian Disco **BPM:** 128 – 132 **Tonalità:** La minore (dolce, con un tocco di nostalgia)

Денис Чебаков • Ecco una canzone in stile **Italodance / Eurodance** — romantica, malinconica ma danzereccia, perfetta per un'estate sudata in discoteca o un tramonto sulla riviera adriatica. **Genere:** Eurodance / Italian Disco **BPM:** 128 – 132 **Tonalità:** La minore (dolce, con un tocco di nostalgia)

NITOFID • [ambient dub, hypnotic rhythm, deep sub-bass, atmospheric pads, slow tempo 80-90 BPM, cinematic soundscape, subtle drum & bass elements, ethereal spoken word, whispering textures, space-themed ambience, layered drones, gentle swells, dreamlike mood, evolving textures, fading echoes, immersive atmosphere]

AhraVv И Iris • Style: thrash metal, aggressive, high energy, fast tempo (160 BPM), raw production. Mood: apocalyptic, furious, desperate, dark. Instruments: distorted guitar riffs (down‑tuned to Drop C), double bass drums, aggressive snare hits, occasional blast beats, screaming guitar solos. Vocals: male vocal, harsh screaming and growling, mid‑range aggressive shouting, occasional death‑metal growls

Светлана Корн • Dark Russian chanson with a slow dragged groove, minor-key accordion and brushed percussion; verse stays sparse with close-mic female vocals and dry room tone, pre-chorus opens on held organ chords and filtered backing murmurs, chorus lands with doubled lead and a mournful hook chant. Vinyl crackle, rising reverse cymbal into each chorus, glass-hit accents on transitions. Warm, smoky, intimate mix

AlDA • Dark, trash metal,dark metal, death metal.sped metal.хорор, хор на фоне , крики хрипы .

VKR • Blues-tinged Russian chanson with a slow swinging pulse, brushed drums and mournful accordion; verse stays intimate and close-mic, pre-chorus opens with hanging sustain and a rising violin line, chorus lands on a singable chant with doubled vocals and soft gang harmonies. Add rainstick swells, a brief harmonica turn between lines, and a final lift with warm room reverb, dusty but tender mix., blues

Лес • drum and bass, anime opening, fantasy adventure, 174 BPM, breakbeat drums, sub bass stabs, plucked string ostinato, epic brass hits, electric guitar riffs, taiko percussion, chiptune accents, gated snare, tape saturation, compressed drums, wide stereo mix, high energy, heroic resolve, pre-chorus lift, chorus drop

Михо Шторм • Expressive reading of a poem accompanied by a slow piano performance

Галина Тара • Style: Ethereal female vocals, dreamy pop, atmospheric synth pads, piano, gentle strings, mystical, slow tempo, 80 BPM, reverb.

Лес • Pop-electronic dance-pop with a buoyant four-on-the-floor pulse, glossy synth arps, sidechained bass, and shimmering clap stacks; verse stays intimate with filtered keys and tight kick, pre-chorus lifts with rising noise and vocal layers, chorus opens into a bright hook with soft female lead doubles and airy “ла-ла-ла” ad-libs. Bridge drops to a half-time haze with a filtered pulse, then final chorus returns bigger with sparkling ear-candy chimes, wide harmonies, and a clean punchy mix., pop, electronic

КВНнк • Russian a cappella ballad with deep male lead vocals, resonant bass voice, and female backing harmonies; slow pulsing swing guided by a lone double bass. Verse stays intimate and bare, pre-chorus lifts with stacked choir-like harmonies, chorus opens wide with unison refrains and low bass answers. Breath pops, room tone, gentle counterlines, warm close-mic mix.

Денис Чебаков • Ecco una canzone romantica in italiano, a 128 BPM, pensata per un genere pop-dance elettronico con influenze house. **Genere:** Pop dance / Electropop romantico **BPM:** 128 **Tono:** La minore (con passaggi in Do maggiore per il ritornello) **Melodia suggerita:** Una linea vocale morbida e ascendente nelle strofe, che esplode in un ritornello largo e aperto, con un beat sincopato e un synth pad caldo in sottof

Светлана Корн • Russian pop ballad with a slow swaying pulse, piano-led verses, soft brushed percussion, and a lifted chorus that opens into strings; verse stays intimate and close-mic, pre-chorus strips back to voice and piano, chorus blooms with stacked harmonies and a hook repeated like a quiet confession. Add gentle reverse swells into the chorus, rainstick textures between lines, and a final lift with airy backing vocals. Bright but tender mix, polished and emotional.

Freel • upbeat RnB, sassy, energetic, groovy bass, catchy hook, 2000s vibes, confident woman anthem, smooth and bouncy. . no autotune», «no pitch correction», «natural/raw vocals

Лес • House with fast original four-on-the-floor drive, syncopated percussion, rubbery bass pulses, and bright synth stabs; verse keeps it lean with clipped vocal phrasing and handclap accents, pre-chorus lifts through filtered risers and a repeating chant, chorus opens wide with stacked doubles and a punchy hook. Add vinyl tick textures, reverse sweeps into drops, and glossy sidechain movement. Bright, punchy, club-ready mix with crisp top end and a deep low-end bounce., electronic

MSIb860 • 2010s pop-R&B production, layered synthesizer pads with sidechain compression pumping against four-on-the-floor kick, plucked pizzicato string samples, dry staccato electric guitar chops, 808 sub-bass slides reinforcing quantized trap-influenced hi-hat patterns, crisp digital mixing with heavy multi-band compression and bright high-shelf boost on master bus, pitched vocal chops used as rhythmic texture, mezzo-soprano with Caribbean-inflected English diction, breathy chest-to-head register transitions, lightly auto-tuned sustained notes, sparse verse dynamics exploding into wall-of-synth hook, stuttered vocal drop edits on pre-chorus.

ZUBR • Russian pop rock, ballad, 120 BPM, clean guitar arpeggios, grand piano ostinato, dual bass guitars, orchestral string swell, tom-heavy drums, tape

MSIb860 • 2010s American pop-dance with maximalist club production, heavily distorted electro-house synth basslines alongside stuttering sidechain-pumped pads, four-on-the-floor kick with snappy clap-layered snare and gated reverb tails, bright pitched vocal chops used as melodic hooks, radio-ready multiband compression with hyper-limited loudness ceiling, mid-range female chest voice with deliberate raspy edge and half-spoken rap phrasing alternating with belted chorus hooks, intentional pitch imperfections left in verses for gritty texture, explosive drop-based arrangement with two-bar breakdown before full-frequency wall-of-sound release.

MSIb860 • 2020s European-American electropop, layered synth arpeggios with bright sawtooth lead patches, punchy sub-reinforced kick over tight programmed 808 snare, sidechained pad compression creating pumping quarter-note breath, crisp DI-recorded bass with mid-cut clarity, studio-polished 32-bit digital mixing chain with heavy multiband limiting, mezzo-soprano with wide four-octave belting range, breathy chest-to-head-register breaks on pre-chorus, pitch-corrected to grid with deliberate manual vibrato on sustained notes, dramatic build-drop structure with half-time breakdown before final chorus swell.

Rus Дед Саке • EDM Trance Динамика: медленное начало> постепенное нарастание> ритмичная середина (кульминация)> плавное затухание. Настроение: задушевное, трогательное, вызывающее эмоциональный отклик. Структура: Интро (атмосферное, звуки природы, нарастание); Два куплета с предприпевами и припевами (с развитием аранжировки); Третий куплет (подведение итога); Два брейкдауна (инструментальные проигрыши с нарастанием энергии); Кульминация (максимальный драйв); Финальный припев (в более мягком звучании); Аутро (постепенное затухание, возвращение звуков природы). Ключевые элементы аранжировки: изменение темпа (90- 132- 90 ВРМ), эффекты (реверберация, дилэй, хорус, гейп, сайд чейн), смена синтезаторных патчей (от атмосферных пэдов до мощных super saw), эмоциональная динамика вокала

Илья131 • Russian folk-pop ballad with mid-tempo 6/8 sway, acoustic guitar, balalaika accents, soft taiko-like toms and warm bass; verse stays intimate with solo voice and picked strings, pre-chorus opens into harmonies, chorus blooms with stacked choir and handclaps. Add wind chimes between lines, a short accordion lift into the hook, and a final lift with wide reverb. Bright, heartfelt, and cinematic with close-mic lead vocals and gentle double-tracking on the chorus.

MSIb860 • 2020s European-American electropop, layered synth arpeggios with bright sawtooth lead patches, punchy sub-reinforced kick over tight programmed 808 snare, sidechained pad compression creating pumping quarter-note breath, crisp DI-recorded bass with mid-cut clarity, studio-polished 32-bit digital mixing chain with heavy multiband limiting, mezzo-soprano with wide four-octave belting range, breathy chest-to-head-register breaks on pre-chorus, pitch-corrected to grid with deliberate manual vibrato on sustained notes, dramatic build-drop structure with half-time breakdown before final chorus swell.

Илья131 • Russian folk-pop with a steady mid-tempo pulse, strummed acoustic guitar, balalaika phrases, and warm hand percussion; verse stays intimate with close-mic male vocal and sparse drone, pre-chorus opens with rising harmonies and tambourine, chorus blooms with stacked gang vocals and a soaring fiddle line. Add a short bayan fill between lines, a wind-chime lift into the chorus, and a final lift with claps and open harmonies. Bright, earthy, and wide in the mix.

Лёхинс • doom metal, gothic metal

Светлана Корн • Russian pop ballad with slow half-time pulse, intimate piano-led verses, a pre-chorus that thins to voice and sustained chords, and a chorus that blooms with wide strings and soft tom hits; close-mic female vocal with breathy doubles, a few echoed backing lines in the hook, gentle risers into each lift, and a warm, glossy mix with clear low end and shimmering top

Антон Васьков • Nu metal with syncopated chugging guitars, half-time grooves, and a punishing breakdown feel; verses ride low-tuned riffs and tight tom hits, pre-chorus narrows to bass and tense snare rolls, chorus slams open with shouted gang doubles and female shriek accents. Male growling lead, female scraping counter-vocals, gritty call-and-response, a jagged guitar solo before the final drop, metallic hits and reverse swells for transitions, thick modern mix with raw midrange bite., nu metal

Falcon13 • ​Classic Heavy Metal, Russian Metal, NWOBHM style, fast paced, melodic, galloping bass guitar, powerful operatic male vocals, soaring high notes, twin guitar harmonies, aggressive drum fills, distorted driving riffs, epic atmosphere, 1980s metal production.

Romantik • [Russian Folk-Pop, Dance-Pop, 128 BPM. Heavy synth bass, punchy kick, electronic accordion, balalaika riffs, modern percussion. Sound: Rich, wide, studio-grade. Male Vocals: Чарующий голос, crisp and energetic baritone. How to sing: With a touch of sarcasm and a big smile! In the verses, use a "spoken" style, almost a recitative, speeding up towards the end of the line. Sing the chorus with full force, using an open sound, so that every listener wants to sing along. In the bridge, make your voice a little more cunning and softer, and then burst back into the dance finale. Energy and positivity!] ‎[Title: Амур проказник (Сотворено с любовью. Да будет так.)]

Dj Airoosh • Big Room House, Festival Anthem, Euphoric Drop, Male/Female Vocal Chops, 128 BPM

Dj Airoosh • Big Room House, Festival Anthem, Euphoric Drop, Male/Female Vocal Chops, 128 BPM

Дмитрий1365 • alt-pop, pop rock, 92 BPM, half-time groove, syncopated kick, twin bass guitars, overdriven lead guitar, chorus-soaked rhythm guitar, electronic drum kit, gated snare, tape saturation, wide stereo mix, plate reverb, bittersweet defiance, nocturnal momentum

Anton Zdonov • Military march, male baritone with natural rasp, declamatory delivery, sharp clear diction, every word like a hammer strike. Heavy brass section with trumpets and trombones, snare drum with rimshots, bass drum on downbeats, pipe organ drone, deep strings. Male choir joins only in final chorus. Tempo 85 BPM, straight march rhythm. Epic, triumphant, stern, solemn. No pop elements, no electric guitars, no synthesizers, no breathy vocals, no melodic runs, no lalalala.

Светлана Корн • Dark pop ballad in Russian with a slow 6/8 pulse, sparse piano in verses, low strings and brushed percussion that open up in the pre-chorus, then a wide emotional chorus with layered harmonies and a lifted second vocal line; bridge drops to intimate close-mic delivery before the final chorus blooms with swelling pads, reverse swells, and a soft cymbal rise. Intimate and glossy mix, vocal doubles on key lines, delayed ad-libs on the hook.

Scorpion83 • electronic dance, ethnic electronic, tribal percussion, hand drum polyrhythm, frame drum accents, processed kora plucks, duduk lead, mono synth bass, chopped sample stabs, tape saturation, plate reverb, wide stereo delay, syncopated kick pattern, offbeat snare, 112 BPM, meditative pulse, ecstatic lift

MSIb860 • 2010s psychedelic pop with dense studio layering, detuned Jazzmaster-style electric guitar drenched in phaser and tremolo, thick analog synthesizer pads with slow LFO filter sweeps, punchy compressed bass guitar doubling melodic lines, Ludwig-style kick-forward drum kit with gated reverb snare and tambourine on backbeat, 24-track analog tape saturation with heavy stereo widening and mid-side compression, falsetto tenor with close-mic'd intimate delivery, lush ADT doubling and long plate reverb tail, hypnotic locked-groove 4/4 pulse with syncopated hi-hat ghost notes, gradual psychedelic breakdowns dissolving into filtered tape-delay feedback loops.

Мария Власова • Russian folk pop, modern ballad, bayan melody, domra tremolo, balalaika strum, kalyuka flute, frame drum pulse, hand percussion taps, choir pad drones, tape saturation, plate reverb, intimate mono verse, wide chorus lift, gradual crescendo, 79 BPM, swung backbeat, bittersweet reunion, homebound warmth

Светлана Корн • Russian pop ballad with restrained mid-tempo pulse, мягкая синкопа and a steady drum heartbeat; verse stays intimate with sparse piano and low strings, pre-chorus opens into wider harmonies and a lifted bass line, chorus lands on a chantable repeated anchor with doubled female vocal and short delay throws. Transitional reversed swell before each chorus, glassy chime accents between phrases, bright polished mix with warm close-mic lead and wide emotional stack on the hook.

MSIb860 • 2010s European deep house EDM crossover, warm plucked acoustic guitar loop sampled and pitched over sustained analog pad chords, four-on-the-floor kick with punchy transient on a clean digital drum machine, shuffled closed hi-hats with slight swing offset, sidechain compression pumping pads against kick in 4/4, filtered house bassline with slow low-pass sweep, bright festival-ready lead synth stabs on offbeats, airy mid-range male vocal with light reverb tail and subtle pitch correction, breathy relaxed English delivery with unhurried phrasing, drop-to-build arrangement with filtered breakdown and full-frequency release.

MSIb860 • 2010s mainstream EDM, side-chained supersaw lead synth with wide stereo detune layered over punchy plucked electro-bass stabs, driving four-on-the-floor kick with transient-shaped attack and clicky low-mid punch, snappy gated clap on the two and four, white-noise riser sweeps into hard-compressed drop, sidechain-pumped pad chords ducking rhythmically against kick, 32-bar build-drop-breakdown structure, bright vocal chops pitched and time-stretched into melodic hooks, mix-bus limiting at near-zero headroom for maximum loudness, male alto lead vocal with heavy pitch correction and parallel reverb wash.

Светлана Корн • Russian dark pop ballad with a slow driving pulse, half-time drums, mournful piano, and swelling strings; verse stays sparse and intimate, pre-chorus lifts with rising pads and breathy doubles, chorus opens wide with stacked harmonies on the anchor phrase, a brief bridge strips to piano and close-mic vocal, then final chorus returns with fuller drums and a shimmering synth tail; intimate close-mic lead, soft backing echoes on key lines, emotional and cinematic mix

моральная агрессия • Gospel music,rock, drums, low baritone voice, bass guitar solo

MSIb860 • 2020s Bollywood pop production, nylon-string acoustic guitar fingerpicked arpeggios layered with lush orchestral string pads and sustained bansuri flute, electric piano Rhodes-style chords, programmed tabla-pattern percussion blended with live brushed snare, 32-bit digital mixing with heavy parallel compression on strings, subtle sidechain pumping on pads, close-mic'd breathy tenor with chest-to-falsetto transitions, melismatic English-language phrasing with micro-pitch ornamentation, intimate confessional delivery, swelling dynamic builds from sparse verse to dense orchestral chorus drop.