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Последние публичные треки, созданные нашими пользователями
Нит СИМФОНИЯ ХАОСА • Heavy guitar riffs, dynamic rhythm, energetic vocals, powerful rock opera voice, epic mezzo-soprano, epic atmosphere, alternative metal, symphonic metal, heavy metal, bass drums, studio quality, mixing, mastering, clear good sound.
Стрелецкий • Russian folk ballad, dark fairytale rock, bayan drone, fingerpicked acoustic guitar, bowed double bass, hammered dulcimer, cimbalom accents, tambourine backbeat, distorted baritone guitar, chorus vocals, tape saturation, plate reverb, roomy drum bleed, midtempo 92 BPM, lopsided march, brooding tenderness, menacing grace
Алексей Поздняков • rock, folk,salsa,Гитара, гармонь. Современная городская лирическая баллада в умеренном темпе.
Золтан • Gangsta Rap, Orchestral Rap, Symphony Orchestra, Siberian Throat Singing, Hungarian Folk, Chardash, Traditional Hungarian Instruments, violin, powerful heavy Shamanic percussion, lofi/vynyl scratches effects, 180 bpm, G/C/D Minor key, echoes/reverberation/glissando/portamento, male dramatic baritone MC vocals.
Золтан • Gangsta Rap, Orchestral Rap, Symphony Orchestra, Siberian Throat Singing, Hungarian Folk, Chardash, Traditional Hungarian Instruments, violin, powerful heavy Shamanic percussion, lofi/vynyl scratches effects, 180 bpm, G/C/D Minor key, echoes/reverberation/glissando/portamento, male dramatic baritone MC vocals.
Страна.m4a
ShevchenkoDenis • duet,male vocals (tenor voice)and female vocals(deep female voice), emotional, pianoNeo-Rockabilly, 80-90s retro rock, acoustic rhythm guitar, melodic walking bass, light jazz drumming with brushes, slow ballad tempo 60-80 BPM., romantic melancholic atmosphere, clean analog production.
Yurec • Genre: Horror Punk, Hardcore Punk, Post-Punk, Dark Cabaret. Tempo: 170 BPM (fast), then half-time bridge. Instruments: Dirty overdriven electric guitar (Les Paul through a crushed amp), acoustic fingerpicking for 2 seconds, then double bass drum, screaming feedback, one melancholic violin stroke in the outro. Vocals: Deep theatrical Russian baritone (like Mikhail Gorshenyov), shifting to black metal shriek in verse 3. Lyrics: Dark fairytale themes, rebellion, death as a joke, St. Petersburg asphalt, references to specific songs (Forester, Puppet, Fool and Lightning). Mood: Aggressive, theatrical, tragic but with punk irony. Structure: Intro (sound FX: waves, then static) -> Verse 1 -> Chorus -> Verse 2 -> Chorus -> Screaming Verse 3 -> Whispering Bridge -> Double-speed Final Chorus -> Outro (violin and "Ku-ku..." echo).
Я И МОЁ ДЕТСТВО
Алексей Поздняков • rock, folk,гитара, гармонь. Очень лиричная современная городской шансон-баллада, задумчиво.
ЛюМиСа-Hits • an airy new wave ballad with a male deep baritone; the verses feature an intimate acoustic guitar and a soft synthesizer, while the chorus features lush strings and distant drums. The chorus features delicate choral backing vocals and subtle reverb to create the impression of a spacious futuristic hall, with the arrangement gradually building up and then fading away in a slow-motion effect.
Алушта 70-80х (кавер на авторское)
Алексей Поздняков • быстрая Salsa, rock, гитары и медные духовые инструменты, перкуссия. современный городской шансон. Ритмичная танцевальная тема.
ЛюМиСа-Hits • an airy new wave ballad with a male deep baritone; the verses feature an intimate acoustic guitar and a soft synthesizer, while the chorus features lush strings and distant drums. The chorus features delicate choral backing vocals and subtle reverb to create the impression of a spacious futuristic hall, with the arrangement gradually building up and then fading away in a slow-motion effect.
Алексей Поздняков • rock, blues. вокал с хрипотой
Yurec • [Genre: Russian trash rap, breakcore, hardcore bass, experimental hip-hop, dark comedy, aggressive male vocal, rapid-fire delivery, chanting, distorted bass, lo-fi drums, 160 BPM] [Style: underground rap, absurdist horrorcore] [Structure: Intro (distorted, whispered) -> Chanting Chorus -> Verse 1 (ragged, fast) -> Bridge (echoed whisper) -> Chorus (more aggressive) -> Verse 2 (accelerating) -> Outro (beat breakdown with coughing and dog sounds)] Distorted 808 bass, breakbeat drums with metallic hits, sampled dog barks and leash sounds, sparse lo-fi piano, industrial noise, tempo 160-165 BPM, aggressive compression, vinyl crackle, sudden tempo shifts in outro. aggressive male rap, chanting, trash lyrics, 160 BPM, distorted bass, horrorcore comedy".
Алексей Поздняков • rock, blues, jive
НА КРЫМСКОМ БЕРЕГУ (кавер на авторское)
Алексей Поздняков • rock, pop, blues, jive
Сергей22рус • Metal ballad with driving mid-tempo double-kick, palm-muted verses, soaring chorus leads, and a half-time breakdown in the bridge; verse rides tight riff stabs and low snarls, pre-chorus opens into ringing power chords, chorus hits with stacked shouted doubles on the anchor phrase. Growled lead vocal in verses, layered clean gang shouts on the hook, wide harmonies on the last chorus. Tape hiss, page-flip samples, and a rising cymbal swell into the bridge; mix is dark, punchy, and cinematic with a sharp low-end crunch., metal
Расплескалось небо_415440
Дмитрий1365 • Poprock, guitar
Андрей_Ш • Russian ballad, folk rock, accordion pulses, scratchy violin lines, fingerpicked acoustic guitar, tambourine backbeat, male baritone lead, harmony hook lifts, plate reverb, tape saturation, dry close mix, 72 BPM, swung march feel, minor key, bruised melancholy, argument verses
Алексей Поздняков • samba, r&b, salsa, гитара, духовые, энергично, танцевальный темп. Немного с грустью.
Светик83 • indie folk, synth-pop, 92 BPM, fingerpicked acoustic guitar, tambourine backbeat, staccato synth lead, vocal harmonies, accordion chords, four-on-the-floor kick, dance-rock snare, tape saturation, plate reverb, sparse intro, full-band lift, bittersweet nostalgia, restless momentum
Светик83 • K-pop, late-90s synth-pop, four-on-the-floor kick, staccato synth lead, funk guitar scratches, bright tambourine backbeat, fingerpicked acoustic guitar, vocal chop hook, stacked synth brass, gated snare, tape saturation, plate reverb, stereo wideners, 128 BPM, dance-rock drive, breathless momentum
Ментоловый • aggressive vocals, melancholic, power metal and symphonic metal, epic atmosphere, Deep bass, Female aggressive vocals, slow hypnotic tempo. sparse production with moments of swell, cinematic,dubstep, Soft vocals.
kЪметЬ • The song has a melancholic, deeply personal, and heart-wrenching character. It should be performed with increasing emotional intensity, from a quiet, almost confessional tone in the verses to a powerful, raw sound in the choruses. Verses: These are performed in a more calm and contemplative manner, with a touch of sadness and regret. The vocals can be soft and almost whispering, conveying an internal monologue and reflection. Chorus: This is where the emotions come out. The vocals become stronger and more emotional, expressing pain, despair, and perhaps even anger. The sound should be more full-bodied and dramatic. Bridge: This section can be more instructive and callous, but still maintain a sense of sadness. It is important to convey a simple yet profound message. Final Chorus / Outro: Return to a powerful, emotional sound, but with a touch of questioning and a call for awareness. The outro may have a noticeable fade-out, leaving the listener with deep reflections. Rock
Стрелецкий • Хоррор, сказка.
ЗДРАВСТВУЙ РЕЧИЦА (кавер на авторское)
Алексей Поздняков • сделай песню прославляющую любимый город.rock,step,salsa,jive,духовые,умеренный темп,торжественно.
Светик83 • 1970s arena rock, 132 BPM, twin electric guitars, fingerpicked acoustic guitar, tambourine backbeat, Hammond organ stabs, tape saturation, plate reverb, mono drum kit, driving urgency, bittersweet nostalgia, four-on-the-floor kick, syncopated bassline, vocal harmonies on hook, staccato synth lead counterpoint, live room ambience
СветланыЧ • male male female trio emotional dramatic, dark, sad, house, drum and bass, trap, the ballad
max_39277214 • Классика
max_39277214 • Классическая, веселая, праздничная, детская
RinaSadry • Gothic Rock, Underground Jazz, Dark, Atmospheric, Sultry Female Vocal, Experimental, Melancholic, Dissonant, Haunting
Wjazow • acoustic rock ballad, 88 BPM, picked acoustic guitar, distorted power chords, melodic bassline, tom fills, floor tom march, stereo room mics, tape saturation, spring reverb, 70s live-room, call and response, instrumental build, cymbal crashes, autumnal melancholy, steady chorus lift, stumbling groove, Russian folk melody, acoustic rock ballad
Золтан • Modern Talking's style, Eurodisco of 80's, 120 bpm, A♭ Minor key, male beautiful tender lead vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
Золтан • Modern Talking's style, Eurodisco of 80's, 120 bpm, A♭ Minor key, male beautiful tender lead vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
DKifa • hip hop, trap, dubstep, drum and bass
DKifa • hip hop, trap
DKifa • hip hop, trap
vladzak57 • Russian alternative rock, live concert sound, emotional female
Alexey Pogulyay • Electro-hip hop with future bass impact, aggressive forward push and syncopated drums; verse rides tight half-spoken flows over clipped synth hits, pre-chorus strips to filtered pads and rising vocal chops, chorus slams with wide supersaw chords and doubled gang vocals. Raspy lead with sharp doubles, ad-lib throws on punch lines, chopped echoes on the hook. White-noise risers, reverse swells, and sub drops into each chorus. Bright, punishing, arena-wide mix., electro, hip hop
vladzak57 • Russian alternative rock, live concert sound, emotional female
Вадим 159 • блатной шансон, баян, мужской хрипловатый вокал, тюремная лирика,философский шансон, размышления о жизни, глубокий текст, зрелость
Sapulia928 • slow doom metal, 68 BPM, fingerstyle electric guitar, slide guitar fills, baritone guitar drones, Hammond organ sustain, upright bass pulse, heavy tom-led drums, laid-back swing groove, close-mic room sound, spring reverb, tape saturation, minor key, bleak melancholy
Махарани • [Style: modern indie alt-pop with warm reggae-rock groove and subtle jazzy chord colors, punchy driving bassline, crisp thin electric guitar, melodic clean solo with airy tone, young tender female vocals, soft playful voice, teasing, early vocal entry, very short intro, danceable feel, anthemic chorus, singalong energy, goosebumps, fresh production, no shouting, no chanson, no retro, no 80s, no 90s, no 2000s, no old estrada, massive bass moments, bright positive vibe]
vladzak57 • post punk, depression folks, acoustic guitar, bass, electric guitar, rock acoustic ballad symphonic контрабас, бас гитара , басовые
vladzak57 • post punk, depression folks, acoustic guitar, bass, electric guitar, rock acoustic ballad symphonic контрабас, бас гитара , басовые
ЗНАК • groove metal, raw live room recording, tube amp overdrive, natural drums, no click track, mid-tempo 100 bpm, downtuned guitar, aggressive Russian male vocal, depressive psychiatric theme, no polish, real instruments
Wjazow • Medium tempo, Airy new-wave ballad with deep baritone; verses rest on intimate acoustic guitar and soft synth pads, while choruses bloom with lush strings and distant drums. Gentle choral backing harmonies in the hook, subtle reverb for a spacious futuristic hall feel, and an arrangement that swells then falls back like slow motion. Close-mic verses, wide layered choruses, soft delay throws on key phrases, shimmering risers into lifts, polished cinematic mix
Я себе подарил бы тебя
ProstoKoloshko85 • Russian chanson, melancholic lyricism, low male voice, minor key accordion, nylon-string guitar arpeggios, fretless bass slides, brushed snare, sparse piano stabs, tape saturation, mono room reverb, 1990s recording character, stumbling groove, steady march, bittersweet resignation, urban dusk