Все треки
Последние публичные треки, созданные нашими пользователями
GURIN • Dark ambient gangsta house groove, deep subby bass and hollow kick, murky pads panning wide. Male rap verses laid back but menacing, tight short phrases. Chorus opens up with airy female vocals soaked in reverb and delay, sidechained to the beat. Occasional reversed FX swells and low choir stabs to heighten the déjà vu, arrangement built for a hypnotic 2:45 club cut., ambient
Анатоль • Bright pop production with punchy sidechained synth chords, clean electric guitar skanks, glossy layered vocals, and a tight four-on-the-floor drum pattern. Add crisp clap snaps, subby bass, ear-catching hook synths, and polished top-end with delay throws, wide harmonies, and radio-ready mix clarity.
Анатоль • Bright pop production with punchy sidechained synth chords, clean electric guitar skanks, glossy layered vocals, and a tight four-on-the-floor drum pattern. Add crisp clap snaps, subby bass, ear-catching hook synths, and polished top-end with delay throws, wide harmonies, and radio-ready mix clarity.
GURIN • Slow dark ambient trap with male vocals; subby 808s pulsing under airy pads and distant vocal chops. Verses stay hushed and close, almost whispered, with sparse percussion and wide reverb. Chorus swells with layered English hooks, detuned harmonies, and a slightly bigger drum pattern, then drops back into a minimal, echo-drenched outro., dark ambient
Анархист • rock, classical
ЛанаСвет • pop, rock, metal, horror, cinematic, epic, bass guitar, bit
RusMos • Russian ethno trip-hop at 140 BPM with male vocals; shamanic stomping groove, jaw harp twang, frame drum pulses, crowd claps and whistles. Verses ride a tight, percussive pocket; explosive drops open into chant-like hooks with call-and-response “Эй!” shouts. Organic flutes and drones circle around a deep, hypnotic bass, building a festival-ritual energy spiral that peaks in a fiery final chorus.
Себостьян • Aggressive French-style trap beat with sharp, dry drums and dark synth stabs; male vocals pushed upfront, half-sung half-spoken with intense grit. Verses stay tight and percussive; chorus explodes with gang-style shouts and doubled vocals. Occasional filtered drops then hard re-entry of the full beat to underline key lines.
Себостьян • Aggressive French-style trap beat with sharp, dry drums and dark synth stabs; male vocals pushed upfront, half-sung half-spoken with intense grit. Verses stay tight and percussive; chorus explodes with gang-style shouts and doubled vocals. Occasional filtered drops then hard re-entry of the full beat to underline key lines.
RusMos • Dark Russian folk-dubstep hybrid at 115 BPM, male vocals shifting between close-mic whisper and feral screams. Jaw harp and frame drum pulse in the verses over brooding sub bass and sparse percussive hits; choruses slam with half-time drops, layered war-cries, and distorted vocal chops. Modern sound design with granular textures and reversed impacts, building a ritualistic, cinematic arc from tense murmur to explosive ancestral catharsis.
RusMos • Dark Russian ethno trip-hop at 120 BPM, male vocals with rasp and strain over heavy 808 kick and dub-style sub bass. Hypnotic frame drum and jaw harp loops, distant throat-like backing chants, and warped echoes that swirl like smoke. Verses stay tight and incantatory, riding a head-nod groove; chorus explodes into a stomping shamanic dance with layered call-and-response hooks. Spacey delays and subtle distortion glue ancient folk timbres to a modern, club-ready low-end weight.
RusMos • Epic Russian heavy-metal power ballad at 120–140 BPM, male vocals. Opens intimate with clean guitars and distant folk flute, then huge drums and chesty kick slam in. Verses ride a marching groove, folk violin lines weaving under palm-muted riffs. Chorus explodes with wide power chords, stacked gang shouts on the title line. Tempo ramps to 140 after second chorus, double-time drive. Climactic, soaring guitar solo over modulated chorus chords to close, with thunderous toms and sustained final chord.
Себостьян • Mid‑tempo Arabic pop groove with tight hand‑drums, warm bass, airy synth pads and melancholic male vocals. Verses stay intimate over sparse percussion and oud-like plucks; chorus blooms with wide pads, stacked harmonies and a more driving beat. Subtle string lines lift the hook, last chorus adds ad‑libs and higher register for emotional climax.
Себостьян • Mid‑tempo Arabic pop groove with tight hand‑drums, warm bass, airy synth pads and melancholic male vocals. Verses stay intimate over sparse percussion and oud-like plucks; chorus blooms with wide pads, stacked harmonies and a more driving beat. Subtle string lines lift the hook, last chorus adds ad‑libs and higher register for emotional climax.
RusMos • Epic Russian hard rock at 130 BPM with male high clean vocals, starting from a hushed verse over low guitar drones and distant keys, building layered distortion, thundering kick/snare, and roaring bass. Folk-tinged lead guitar and keys weave in the breaks. Chorus explodes with stacked harmonies and soaring top notes, then drops back to tense, sparse textures before the final peak.
Норина Наталья • Beginning violin and flute, folk rock style, Celtic folk motifs, and ending violin and flute
Сергей Федорович • An experimental romantic mix of rap and emo,acoustic guitar, slow acoustic melody, male voice, aggressive, hoarse and emotional humanized, airy high-pitched female backing vocals in the choruses
RusMos • Epic Russian folk fusion with distorted gusli and balalaika over an accelerating rhythm bed (120→155 BPM). Male vocals start low and wise, almost spoken, then rise into a raw, shouted chorus with crowd-style group replies, claps, whistles, and layered boot-stomp percussion. Arrangement builds in intensity each section, peaking in a massive final drop with pounding drums, roaring strings, and widened gang vocals.
Осень .
Сергей Федорович • An experimental romantic mix of rap and emo,acoustic guitar, slow acoustic melody, male voice, aggressive, hoarse and emotional humanized, airy high-pitched female backing vocals in the choruses
TATY • Female vocals, emotional, deep alto voice, Russian chanson, dramatic orchestral pop, acoustic guitar, accordion, piano, theatrical performance, folk-rock elements, minor key, slow tempo, soul-stirring, cinematic strings.
Fireweed • Futurepop fused with driving techno at 132 BPM, featuring punchy 4-on-the-floor kick, crisp offbeat hi-hats, and a pulsating sidechained synth bass. Bright supersaw chords, arpeggiated analog leads, vocoder hooks, and glossy trance-style pads ride over metallic percussion, gated reverb, and polished club-ready compression. brutal baritone vocals
Mashinist 159 rus • rock, synthwave
RusMos • Epic Russian folk-trap hybrid at 120–155 BPM, male vocals. Intro opens sparse with solo gusli and distant wind FX, intimate baritone almost whispered. Gradual build as low drones and choirs swell, then massive halftime drums and deep, distorted bass slam in. Verses ride a marching groove with layered stomps and subtle horse-hoof percussion; chorus explodes into a shout-along hook with gang vocals and wide reverb. Final drop unleashes full-stack drums, roaring bass, and stacked harmonies for a triumphant climax, then cuts to raw vocal and gusli tail.
Граф • Dark seductive pop with male vocals; slow, pulsing low-end and distant tribal percussion, smoky pads and eerie bells. Intro is almost spoken, close-mic whisper, then a wider, heavier groove blooms in the chorus. Subtle choirs and reversed textures creep in on the bridge; final laugh dry and right in the listener’s ear.
RusMos • Blazing Russian folk-banger at 150 BPM, male vocals with rough, chesty projection and rowdy shouts. Heavy kick locks with stomps and wide, detuned claps; low floor toms and surdo build a thunderous groove. Jaleika slices through on the topline, answered by wheezing, ecstatic accordion chords. Verses stay tight and percussive, almost chanted; chorus explodes with gang vocals yelling “Эх!” and “Пошла!”, call-and-response style. Mid-song break strips to stomps, claps, and crowd chants before the full band slams back in for a final, over-the-top chorus.
RusMos • folk, Russian folk-infused electro house banger at 155 BPM, male vocals with a gritty edge, stomping kick and towering sub-bass driving an anthemic stadium groove. Verses keep a tight, percussive delivery over clapping textures, folk whistle and reedy leads; chorus explodes with rowdy gang shouts, layered male choir, accordion stabs, and crowd-style call-and-response. Huge festival-style drop hits after the first hook, with boots-stomp FX and whistle riffs doubling the topline for maximum dancefloor chaos.
Алекс 890 • metal, Dark pop-metal ballad with male vocals: raspy, strained top line over detuned guitars and a cold, close-mic’d violin. First verse rides a slow, stomping beat with distant toms and gritty bass; chorus widens with distorted power chords, wide string harmonies, and echoing backing shouts. Bridge drops to almost a whisper and single violin before a final, explosive chorus with dragged-out, anguished ad-libs and a sudden dead-stop ending., pop
Константин1986 • rock
Alex 86 • Melancholic Russian chanson ballad with warm male vocals, close-mic intimacy in the verses over nylon-string fingerpicking and soft accordion pads. First chorus brings in light brush drums, round bass, and gentle female “aaah” harmonies; second chorus adds tender string swells and a slightly wider, aching dynamic. Overall soft, emotional, slow sway perfect for late-night reflection., chanson, emotional, slow, harmony, ballad, accordion, warm, soft, light, male vocals
Alex 86 • Melancholic Russian chanson ballad with warm male vocals, close-mic intimacy in the verses over nylon-string fingerpicking and soft accordion pads. First chorus brings in light brush drums, round bass, and gentle female “aaah” harmonies; second chorus adds tender string swells and a slightly wider, aching dynamic. Overall soft, emotional, slow sway perfect for late-night reflection., chanson, emotional, slow, harmony, ballad, accordion, warm, soft, light, male vocals
Андрей_Ш • Mystical orchestral score in English-language prompt form, built on a low string drone, harp harmonics, French horn calls, and celesta motifs. Woodwinds trade delicate counterlines over timpani rolls, bowed cymbals, and distant choir pads. Wide hall reverb, soft tremolo strings, and evolving orchestration create an ancient, enchanted texture.
Игорь Лахов • Warm acoustic singer-songwriter track with fingerpicked steel-string guitar, gentle open chords, and a memorable original lead melody. Душевный close-mic vocal with airy doubles, soft room reverb, brushed percussion, and subtle upright bass. Bright major-key chorus, bittersweet bridge, intimate, nostalgic, and uplifting.
RusMos • folk, Folk-metal meets festival EDM: raw male vocals over galloping hardstyle kick and snarling distorted bass. Fiddle and tin whistle carry a fierce, modal hook; verses stay tight and percussive, pre-chorus climbs with claps and stomps. Chorus explodes into chant-style gang vocals, then drops into a breakdown with accordion and chugging guitar riff before a final, towering stadium reprise., folk metal, hardstyle, edm, accordion, male vocals, raw, electric
Огонек • Dark Slavic folk, folk rock, emotional fem voice, guitar
Я не хочу!
Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.
Я не хочу!
Tema can fly • Style: heavy rock / industrial — gloomy, aggressive atmosphere, emphasis on alienation and protest. Rhythm: hard, marching, with clear accents on strong parts. The tempo is average (≈90-100 BPM). The drums set a "walking" groove: a barrel on 1 and 3, a snare drum on 2 and 4. Guitars play powerful power chords with distortion, rhythmically and synchronously with the percussion. In the outro, the rhythm slows down, creating a fade-out effect. Vocals: low, assertive, almost recitative in the verses; in the chorus — more expressive, with increased dynamics. Dense diction and clear pronunciation of consonants are used for aggressive sounding. In the outro, the voice turns into an echo-effect whisper, emphasizing the desolation motif. Introduction (intro): 8 bars of heavy guitar chords with reverb and distortion. The drums begin on the 3rd beat, gradually increasing the density. The sound is gloomy and oppressive — it sets the tone for the whole composition.
Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.
vladzak57 • Вальс
Sergo777 • Pop rock , drum and bass, melodic, melancholic, progressive, country, experimental, pop rock hip hop, synthpop,
Альмира • Dark horror rock, epic and confident mood. Intro: loud ticking of a clock, creepy lullaby music box melody. Verse: male vocal, stern, confident, slightly eerie, low pitch. Instrumental break: choir singing ominous "Ah" or "Oh", background clock ticking continues. Bridge: use of "fear machine" sound design (industrial dread, deep mechanical breathing, creaking metal). Outro: clock ticking fades out with distorted lullaby notes. Slow tempo, heavy bass, cinematic percussion.
Я не хочу!
Tema can fly • Style: heavy industrial metal with elements of Neue Deutsche Härte (German heavy rock). Hard guitar riffs, synthesizer pads, and industrial sound effects are typical. Rhythm: clear, marching, with an emphasis on a strong share; The size is usually 4/4; the tempo is medium (about 90-110 BPM), creating a feeling of heaviness and pressure; The drums play a smooth, mechanical part (barrel for 1 and 3, snare drum for 2 and 4); The guitar riffs are syncopated, with pauses and accents that enhance the drama. Vocals: low, rough, almost recitative in verses; The choruses are more expressive, with enhanced delivery and emotional coloring.; a characteristic feature is monotony interspersed with sharp bursts of volume.; clear articulation, deliberately "chopped" phrases; Use of effects: echo, reverberation, sometimes distortion on the voice in the outro; multiple repetitions of short phrases in the finale (outro) with a gradual fading of sound and echo.
Дядя Витч • Whispered spoken-word intro over sparse felt piano, breathy close-mic vocal, and faint room tone, then gradually opening into rising strings, brushed drums, and warm acoustic guitar. Build to a soul-lifting chorus with fuller harmonies, uplifted dynamic arc, and lush reverb, all in a reflective Russian art-song / folk-ballad style.
Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion
Alex 86 • Melancholic Russian chanson ballad; intimate male vocal up close over nylon guitar and sighing accordion, warm upright bass and brushed snare in a slow sway. Verses spoken-sung in a low, confessional register; choruses open with longer vowels and soft female harmonies answering key phrases. Final chorus drops to near-spoken, smoky barroom tone, then gently swells on the last title line with a small accordion lift and tender stacked harmonies., low, warm, gentle, soft, chanson, ballad, vocal, harmony, accordion
СЕРРЕСС • folk, power metal, piano, male vocals, emotional
