Все треки

Max-Mix • pop,детский голос,диско

Max-Mix • pop,детский голос,диско

Волга • rock, pop, инсту, blues rock, 72 BPM, electric guitar call-response, bottleneck slide guitar, Hammond B3 swells, upright bass walk, brushed snare shuffle, room mic bleed, tube amp saturation, spring reverb, live club ambience, sparse trio arrangement, laid-back groove, punchline breaks, vintage 1960s recording, warm tape compression

ОННа • Female soft breathy vocals, a cappella intro, gentle acoustic guitar fingerpicking, folk ballad, ethereal, cinematic, vocalise outro, humming, russian lyrics, no drums, 70 bpm

Alen • Cinematic Slavic ballad with intimate piano and distant strings, female vocals close to the mic; verses almost whispered, chorus swells with chamber choir harmonies and deep cello, soft percussion rising only in the last hook to underline the grief turning into fragile strength

Alen • Cinematic Slavic ballad with intimate piano and distant strings, female vocals close to the mic; verses almost whispered, chorus swells with chamber choir harmonies and deep cello, soft percussion rising only in the last hook to underline the grief turning into fragile strength

Фёдор Фёдорович • blues rock ballad, 72 BPM, laid-back electric blues trio, walking bassline, fingerpicked bass guitar, chopped rhythm guitar, call and response guitar, brushed snare backbeat, ride cymbal pulse, tambourine backbeat, Hammond organ pads, theremin accents, accordion fills, tube saturation, room mic bleed, minor key, bittersweet nostalgia

Андрей65 • hip hop Припев рок, оркестр

Александр 34 • electric blues, slow shuffle blues, 72 BPM, duet male female, call response guitar, harmonica phrases, tremolo guitar, upright bass, brushed snare, tube amp grit, room mic bleed, spring reverb, bittersweet swagger, late-night groove, pop, rock, hip hop, techno

Дмитрий1365 • Pop, folk

Костянычь • Aggressive Russian trap-metal vibe, halftime stomp groove with distorted 808s and jagged guitar stabs. Male vocals swing between low, muttered venom and explosive, shouted hooks; ad-libs drenched in slapback. Chorus hits like a gang chant with layered doubles; verses stay tight and percussive. Mix leans gritty and blown-out, snare cracking through a wall of fuzzed bass.

Антон Васьков • rap, Aggressive nu metal with male vocals; detuned guitars locked to a stomping half-time groove, punchy live drums, gritty bass in drop tuning. Verses ride a tight rap flow with staccato palm-muted chugs, hook explodes into shouted gang vocals and wide power chords. Middle section opens for a screaming, wah-drenched guitar solo before a final, louder chorus and sudden cut-out ending., nu metal, male vocals

Max-Mix • DeepDance,DiscoRap,

Max-Mix • DeepDance,DiscoRap,

Наталия П • slow shuffle blues, 70s live club, bent-note stratocaster, call and response guitar, deep bassline, sparse kit, cymbal wash, room mic bleed, tape saturation, spring reverb.

TATY • 120bpm, afrohouse, electronic, indie

TATY • 120bpm, afrohouse, electronic, indie

TATY • 110 bpm, electronic, rock indastrial, classical

TATY • 110 bpm, electronic, rock indastrial, classical

Антон Васьков • rap, Aggressive nu metal with male rap vocals, palm-muted seven-string riffs, punchy double-kick groove, scratchy turntable accents, and a ripping middle-eight guitar solo that lifts into a shouted hook, nu metal, male vocals

Антон Васьков • metal, Explosive nu-metal with male growl and harsh screams, double-time drums exploding into an extended drum solo, then a searing guitar shred section. Guitars are downtuned and chug-heavy, bass snarls under the riffs. Verses sprint with tight palm mutes and syncopated kicks; chorus opens into wide, shout-along gang vocals. Final breakdown drops to half-time before a last feral scream., nu metal

КАЛЕКА • [Style: Russian folk ballad, neofolk, acoustic, mystical spring atmosphere, male baritone vocals, warm, wise, philosophical, slow overdoing of an acoustic guitar, clarinet solo, xylophone accents, nature recording ambience, 130 BPM, clean production, wooden instruments, village meditation] [Structure: Intro clarinet | Verse 1 fingerpicking guitar + xylophone | Clarinet solo strumming guitar | Verse 2 fingerpicking guitar + xylophone | Xylophone solo strumming guitar | Outro fade with nature sounds] [No choruses] [Vocal: Russian language, deep pure baritone, calm, storytelling manner, no aggression, slightly nasal folk intonation, like a village sage]

Михаил 43 • rap, Bouncy East-European hip-hop beat, swung drums and warm sub-bass. Playful male vocals with clear storytelling, short hooky chorus. Verses ride a mid-tempo pocket, sprinkled with talkbox-style ad-libs and filtered backing chants on the title line. Simple synth keys and plucky guitar accents fill the gaps, energy rising into a catchy singalong hook each time., hip hop

Костянычь • Warm, heartfelt Russian hip-hop ballad with male vocals; mellow boom-bap groove on soft drums, deep round bass, and soulful piano loop. Verses stay intimate and conversational, almost whispered confessions; chorus opens up with wider harmonies and subtle strings, lifting the emotion. Occasional distant ad-libs and vinyl-style ambiance to underline the story of struggle, loyalty, and gratitude.

Sergilio • Electro house track 150 BPM, powerful and punchy bassline, aggressive synth stabs, catchy vocal hook with a party vibe, energetic buildup and massive drop, club-ready sound, modern production, vocals: female, [Structure: Intro → Build-up → Drop → Breakdown → Final Drop → Outro]

юрий19 • techno breakbeat

Sergilio • Electro house track 150 BPM, powerful and punchy bassline, aggressive synth stabs, catchy vocal hook with a party vibe, energetic buildup and massive drop, club-ready sound, modern production, [Structure: Intro → Build-up → Drop → Breakdown → Final Drop → Outro]

Tema can fly • Style: epic pop‑rock with powerful electronic backing and orchestral inserts — a futuristic mix of 90s and heroic symphonics. Synthesizers are combined with bold guitar riffs, chorale fragments are added for scale. Rhythm: fast-paced (130 BPM), marching, with heavy barrel beats and sharp accents on strong parts. The countdown at the beginning (10, 9, 8...) sets the start like a rocket launch, and the repeated shouts of "Go!" work like a battle cry — they energize and mobilize. Vocals: loud, assertive, with heroic delivery. The multi-layered chorus in the choruses enhances the feeling of power and unity of the team, individual shouts sound like orders to action. Atmosphere: A grandiose space adventure. Powerful guitar parts, epic synth pads, chorale inserts and dense rhythm create the effect of an epic battle for the universe — the heroes stand shoulder to shoulder to save the galaxy. There is pressure, determination and a triumphant spirit of victory.

Tema can fly • Style: epic pop‑rock with powerful electronic backing and orchestral inserts — a futuristic mix of 90s and heroic symphonics. Synthesizers are combined with bold guitar riffs, chorale fragments are added for scale. Rhythm: fast-paced (130 BPM), marching, with heavy barrel beats and sharp accents on strong parts. The countdown at the beginning (10, 9, 8...) sets the start like a rocket launch, and the repeated shouts of "Go!" work like a battle cry — they energize and mobilize. Vocals: loud, assertive, with heroic delivery. The multi-layered chorus in the choruses enhances the feeling of power and unity of the team, individual shouts sound like orders to action. Atmosphere: A grandiose space adventure. Powerful guitar parts, epic synth pads, chorale inserts and dense rhythm create the effect of an epic battle for the universe — the heroes stand shoulder to shoulder to save the galaxy. There is pressure, determination and a triumphant spirit of victory.

Tema can fly • Style: futuristic hyperpop with elements of cyber rock and EDM ‑ hybrid sound of synthesizers and live instruments, glitch effects, digital distortion. Rhythm: accelerated (140-150 BPM), with polyrhythmia and syncopation. The drums are a mix of live drums and electronic beats; the choruses feature powerful drops with sub—bass and sharp transitions. Vocals: autotune with the "voice of AI" effect; multi-layered choir with robotic harmonies; glitch‑distortion of individual phrases (imitation of speed interference); short shouts with echo and reverberation. Atmosphere: race in the megalopolis of 2030 — neon tracks, holographic tunnels, hypercars with jet boosters. It combines the heroics of the original with cyberpunk aesthetics: the feeling of supersonic flight, digital power and technological excitement. The sounds of engines, turbines, and aerodynamics enhance the effect of speed.

Tema can fly • Style: futuristic hyperpop with elements of cyber rock and EDM ‑ hybrid sound of synthesizers and live instruments, glitch effects, digital distortion. Rhythm: accelerated (140-150 BPM), with polyrhythmia and syncopation. The drums are a mix of live drums and electronic beats; the choruses feature powerful drops with sub—bass and sharp transitions. Vocals: autotune with the "voice of AI" effect; multi-layered choir with robotic harmonies; glitch‑distortion of individual phrases (imitation of speed interference); short shouts with echo and reverberation. Atmosphere: race in the megalopolis of 2030 — neon tracks, holographic tunnels, hypercars with jet boosters. It combines the heroics of the original with cyberpunk aesthetics: the feeling of supersonic flight, digital power and technological excitement. The sounds of engines, turbines, and aerodynamics enhance the effect of speed.

Tema can fly • Style: industrial rock with elements of electronic music and Gothic aesthetics (in the spirit of BloodRayne). Heavy synthesizer parts and distorted guitar riffs are combined with orchestral inserts (chorus, strings), gloomy ambient noises and horror effects (rasping, whispering, drops of blood). The sound is aggressive, tense, with a dark atmosphere and dissonant harmonies. Rhythm: size 4/4, tempo 120-130 BPM with occasional acceleration up to 140 BPM. The hard electronic beat on strong beats is complemented by syncopated snare drums and metal percussion. Characteristic: polyrhythmia and breakbeat inserts; dynamic changes (from minimalistic sections to dense climaxes); disruptions before transitions; Layering is an overlap of industrial and electronic rhythmic patterns.

Tema can fly • Style: industrial rock with elements of electronic music and Gothic aesthetics (in the spirit of BloodRayne). Heavy synthesizer parts and distorted guitar riffs are combined with orchestral inserts (chorus, strings), gloomy ambient noises and horror effects (rasping, whispering, drops of blood). The sound is aggressive, tense, with a dark atmosphere and dissonant harmonies. Rhythm: size 4/4, tempo 120-130 BPM with occasional acceleration up to 140 BPM. The hard electronic beat on strong beats is complemented by syncopated snare drums and metal percussion. Characteristic: polyrhythmia and breakbeat inserts; dynamic changes (from minimalistic sections to dense climaxes); disruptions before transitions; Layering is an overlap of industrial and electronic rhythmic patterns.

Tema can fly • Style: industrial rock with elements of electronic music and Gothic aesthetics (in the spirit of BloodRayne). Heavy synthesizer parts and distorted guitar riffs are combined with orchestral inserts (chorus, strings), gloomy ambient noises and horror effects (rasping, whispering, drops of blood). The sound is aggressive, tense, with a dark atmosphere and dissonant harmonies. Rhythm: size 4/4, tempo 120-130 BPM with occasional acceleration up to 140 BPM. The hard electronic beat on strong beats is complemented by syncopated snare drums and metal percussion. Characteristic: polyrhythmia and breakbeat inserts; dynamic changes (from minimalistic sections to dense climaxes); disruptions before transitions; Layering is an overlap of industrial and electronic rhythmic patterns.

Tema can fly • Style: industrial rock with elements of electronic music and Gothic aesthetics (in the spirit of BloodRayne). Heavy synthesizer parts and distorted guitar riffs are combined with orchestral inserts (chorus, strings), gloomy ambient noises and horror effects (rasping, whispering, drops of blood). The sound is aggressive, tense, with a dark atmosphere and dissonant harmonies. Rhythm: size 4/4, tempo 120-130 BPM with occasional acceleration up to 140 BPM. The hard electronic beat on strong beats is complemented by syncopated snare drums and metal percussion. Characteristic: polyrhythmia and breakbeat inserts; dynamic changes (from minimalistic sections to dense climaxes); disruptions before transitions; Layering is an overlap of industrial and electronic rhythmic patterns.

Костянычь • Moody Russian trap-soul, male vocals; intimate keys and distant pads under a slow, heavy bounce. Verses are almost spoken, close-mic and dry; hook blooms with widened reverb, layered doubles, and subtle backing chants. Deep sub anchors the groove, sparse percussion cracks on key lines, and a brief bridge strip-down before the final chorus gives a raw, confessional climax.

Михаил 43 • Punchy electro garage-pop, 120 BPM, springy synth bass and crisp drum machine groove; verses stay tight and talky over a pulsing arpeggio, chorus blooms with bright pads, vocoder doubles the hook, and a glitchy synth lead mirrors the starter cranking rhythm, electronic

Алекс 890 • metal, Russian dance shanson with male husky vocals; driving four-on-the-floor disco kick, bright hi-hat groove, slinky funk bass, and sharp rhythm guitar. Lead melody doubled by a playful violin that shifts from folk-flavored lines in the verses to soaring classical-style runs in the hooks. Choruses open up with wide backing chants and claps, bridge strips back to bass, kick, and solo violin before a final high‑energy refrain., classical, pop, disco

молга • Punchy Russian pop-rap banger for driving; mid-tempo beat with tight low-end, bright synth stabs, and crisp claps. Verses ride a confident, slightly swung groove; hook explodes with stacked gang vocals and shout-along phrases. Short pitched vocal chops answer the lead vocal; car-door thumps and filtered rev FX tucked in for texture. Male vocals, bold and upfront, with a wide, glossy chorus.

Михаил 43 • rap, Boom-bap flavored hip hop with a playful street bounce, Russian male vocals. Tight swung drums, warm sub, and dusty keys loop; hook explodes with stacked chants, ad-libs, and crowd call-and-response. Verses stay narrative and conversational, occasional tape-stop drops on punchlines, light synth leads echo the "scanner" motif. Mix keeps the vocal front and center, with subtle phone-voice FX for Sanёk’s interjections., hip hop

Marchelli_83 • Fast electric blues, a la Steve Ray Vaughan

Михаил 43 • rap, Boom-bap flavored hip hop with a playful street bounce, Russian male vocals. Tight swung drums, warm sub, and dusty keys loop; hook explodes with stacked chants, ad-libs, and crowd call-and-response. Verses stay narrative and conversational, occasional tape-stop drops on punchlines, light synth leads echo the "scanner" motif. Mix keeps the vocal front and center, with subtle phone-voice FX for Sanёk’s interjections., hip hop

Sergilio • [Genre: Synthwave, Cyberpunk, Darkwave], [Mood: Dystopian, Futuristic, Energetic], [Tempo: 145 BPM], [Instruments: Analog Synths, Deep Bass, Electronic Drums, Industrial Sounds, Atmospheric Pads], [Vocals: female], [Language: English], [Structure: Intro → Build-up → Drop → Breakdown → Final Drop → Outro]

Константин1986 • electric blues, swamp rock, 96 BPM, slow shuffle, bent-note guitar, slide guitar fills, amp breakup, room mic drums, walking bass, tack piano, spring reverb, call and response, trio arrangement, punchy breakdowns, laid-back groove, gritty live-club feel

Алёна Варшавская • Можно исполнять под акустическую гитару с нарастающим хором или в стиле церковного рока, с элементами поп- и инди-музыки, но с глубоким благоговения.

Владимир Балахонов2 • electronic, electronic, electronic, electronic, electronic, electronic, electronic, electronic

Деликатес • acoustic guitar, drum

Антон Васьков • metal, Aggressive nu metal with male growl/screams, down-tuned guitars, blastbeat bursts, and sharp double-kick patterns. Stop-start riffs create whiplash energy; verses are tight and frantic, chorus opens wider with shouted gang vocals. Mid-song guitar solo over halftime stomp, plus a brutal drums-only break before the final screamed hook., nu metal

Кристина10 • Фортопиано,скрипка,лёгкий рок

ХохлоМА • metal, Relentless industrial techno-metal hybrid: distorted guitars lock with a four-on-the-floor kick, metallic percussion and robotic bass growl. Male shouted verses with gang shouts, female lead on the hook; chorus widens with synth pads and octave guitars. Energy climbs in waves: stomping march in verses, explosive rave-style drops in choruses, final repeat with shouted ad-libs and extra cymbal crashes., techno