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Последние публичные треки, созданные нашими пользователями

Встречи

Встречи

Кавер-версия

Helganik Acoustic guitar, bards, pop rock

102
С вершины вниз!

vladzak57 soul, акустическая гитара

60
Слишком юн, чтобы молчать

Максим199454 Intimate Russian hip-hop with dusty boom-bap drums, uneasy minor-key piano stabs, dry vinyl crackle, and a slow, head-nodding swing; verses ride close to the mic with confessional pressure, then the hook opens into a bruised, chantable lift with layered doubles and a grimy low-end bloom, hip hop

99
Слишком

Максим199454 rap, Moody Russian hip-hop over sparse drums and deep bass, minor-key piano loop with eerie vocal chops. Male vocals, half-sung half-rapped, intimate and close-mic in the verses; hook opens wider with stacked harmonies and subtle pad swells. Gradual energy rise into the final chorus, then a clipped, abrupt ending that leaves a sting., hip hop

50
Вспышка в голове

Владимир38 Fast, liquid drum and bass with airy pads, warm sub, and crisp breaks; Russian male vocals half-sung, half-rapped. Verses ride the pocket with syncopated hi-hats and distant piano stabs, chorus blooms with stacked harmonies and a soaring lead. Subtle risers and filter sweeps lift into each hook, keeping energy high but emotional, perfect for late-night drives.

50
Кенотаф (Брату)

AlenaArdens Russian dark ballad, 65 BPM. , dry, close mic, no emotion — like reading a verdict. No reverb. Closed room. Intro: low felted piano, single bass note repeating. Cold. Train ambient: metal creaking. Verses: low piano only. Voice dry, flat. No dynamics. Pre-Chorus: symphony orchestra enters — strings, cellos, basses. Soft, dark. No brass. Voice same flat. Chorus: full orchestra swells. Distant wordless choir — voices, ghostly, far away. Voice still flat, no rise. Desperation in words, not in voice. Bridge: orchestra drops. Organ alone. Voice emptier. Outro: piano alone. Long pause. Whispered voice. Choir echo fades. No guitars. No drums. No kick. No bass. No reverb on voice. only. Empty, cold, closed room. No hope.

44
Сквозь бетон и пепел

Владимир38 Hardstyle anthem with pounding kick drums, euphoric reverse bass, screech lead stabs, and bright rave synths; male vocals, high-energy build into a festival-size drop, sharp snare rolls, gated chant layers, and a final lift that feels like a warehouse floor turning into a storm

68
Христос Воскресе!

divey church choir, clear male vocal, bright voices, organ

74
Маяк любви

Максим199454 rock, Epic Russian rock ballad with soaring male vocals, clean-to-crunch guitars, tom-heavy drums. Start sparse and tense, then build into a wide, anthemic chorus with strong overhead cymbals and sustained lead guitar lines. Bridge strips back to bass and floor toms, then final chorus explodes with stacked harmonies and a high guitar countermelody.

52
Солнце в руках

Солнце в руках

Кавер-версия

alviksan A melancholic and atmospheric Russian indie folk-pop ballad featuring a prominent acoustic guitar fingerpicking pattern, The song is set in a minor key with a moderate, steady tempo, The arrangement is centered around a clean, resonant acoustic guitar that provides both the rhythmic foundation and melodic arpeggios, A male vocalist delivers the lyrics with a soft, emotive, and slightly breathy baritone, characterized by a storytelling quality, The production is intimate and spacious, utilizing subtle reverb on the vocals and guitar to create a sense of depth, The structure follows a traditional verse-chorus-verse-chorus format, with a gentle instrumental bridge featuring a melodic guitar solo that mirrors the vocal melody, The overall mood is reflective and somber, capturing a sense of urban isolation and poetic longing

77
Под сапогом баса

Владимир38 Aggressive hardstyle with distorted kick rolls, male vocals barking over razor-edged synth leads. Verses stay tight and percussive; hook explodes with gang shouts, detuned supersaw stacks, and pitch-rising screeches. Mid-song break strips to a eerie pad and vocal chant before dropping into a brutal, chopped final chorus.

46
Два Ивана.

TRENIN Deep house 3-audio.Modern Patriotic Pop for Ceremonial Events. Tempo: Moderate, 110–120 BPM, with a march-like rhythm. nstrumentation:Full orchestra (strings, brass) combined with modern electronic elements — synthesizers and programmed drums. Vocals: Clear, emotional delivery; choral backing in the chorus. Accents: Extended instrumental interludes with fanfares, choral shouts (e.g., “Forward!”). Mood: Inspiring and proud, suitable for award ceremonies.

58
Юбилей 1(Edit)

Sergey-2463 Upbeat Euro-pop dance groove with bright synths, four-on-the-floor kick, and catchy group chants; verses ride a bouncy bassline, pre-chorus builds with claps and risers, chorus explodes with crowd-shout hooks. Male vocals, big gang backing vocals on the “ура” lines, energetic and celebratory.

75
Ван Хельсинг (исповедь вампира)
80
А я хочу назад

Алекс 890 pop, 90s Russian pop-dance nostalgia, male vocals; warm analog synths, airy pads, and steady dance kick with bright snare. Verses stay tender and intimate over soft keys and subtle bass, chorus blooms with wide backing vocals and glittery arps, hook repeats for singalong. Short instrumental riser into final chorus, gentle fade on last line.

58
Электрошрамы

Владимир38 Aggressive festival dubstep banger, male vocals; ominous pads and filtered intro that explodes into snarling bass swerves and metallic growls. Verses ride a half-time stomp with tight vocal chops; chorus drops into huge, syncopated wobble patterns and stacked shout-alongs. Second half adds glitchy fills, pitched screams, and wide crowd chants for a mosh-ready climax.

62
Знакомьтесь — Робин Гуд

Максим199454 rap, Dusty boom-bap с жирным русским грувом, мужской речитатив вплотную к микрофону, тёплый винтажный клавишный луп и редкие духовые слои в припеве. В куплетах плотная рифма в размеренном покате, припев поётся полу-рэпом с толстым бек-вокалом и выкриками. Во второй половине лёгкий подъём драмов и подпевок, но общее ощущение остаётся камерным, уличная исповедь один на один., hip hop

49
Этот мальчик

ОННа Female soft breathy vocals, intimate whisper, a cappella intro, finger snaps rhythm, minimalist folk blues piano, soulful, emotional storytelling, spacious, 70bpm.

383
Глубже Бита

Владимир38 Aggressive festival dubstep banger, male vocals. Intro builds with eerie pads, filtered kick, and risers; drop slams with metallic growls, syncopated drums, and sub wobble. Verses ride a half-time groove, tight and close-up; chorus explodes with shouted hook, layered gang vocals, and chopped vocal glitches answering the lead. Sparse melodic bridge before a second, heavier drop.

73
Люблю любить.

vladzak57 Любовная, радостная баллада!

58
Солдат

Пумас blues, spoken word cadence, stripped-down trio, single guitar focus, fingerpicked electric guitar, tube amp breakup, dead-center kick, room mic bleed, slapback delay, spring reverb, tape saturation, dry drum pocket, sparse arrangement, call and response, late-night barroom, 1960s club sound

81
Пасха

Vldmr83 pop, rock, jazz, electronic

97
Зеркала

NatroN A dynamic rock track led by a commanding . The verses build tension with tight drums and rhythmic guitar, swelling into an explosive chorus layered with powerful harmonies. At the bridge, a fierce electric guitar solo takes center stage, driving energy to the finale.

58
Через тернии к звездам

Gene Synthypop, space disco, space rock,, electronic

58
Свет мёртвой звезды (памяти БП)

AlenaArdens Russian alt-rock ballad, slow to mid tempo 72 BPM. Thick, dense mix, wide stereo. Real female voice, not trained, raw, cracks, gasps for air, close to microphone. Verses: intimate, almost spoken, trembling, clean electric guitar arpeggios, warm tape saturation, sparse piano, room reverb. Chorus: heavy distorted guitars enter, thick power chords, layered sub bass, low toms, soft kick like a heartbeat, voice breaks and strains, desperate, not screaming but pushing, wide backing harmonies. Bridge: swelling strings, high synth lead, guitar feedback, voice holds back a scream, everything builds. Then drop to near-silence — only clean guitar, whispered voice, room tone. Outro: exhausted, empty, fading to train rumble and tape hiss. No hi-hats, no perfect pitch. Melancholic, painful, real, immersive. Cold post-Soviet atmosphere, winter, empty apartment, distant train.

65
День Космонавтики!

Золтан Stadium Space Rock, Stadium Hard&Heavy, Stadium Power Metal Ballad, Cosmic, Mystic, 70 bpm, G Minor key, echoes/reverberation/ portamento, male powerful clear lead vocals, male bright choir backing vocals.

134
День Космонавтики!

Золтан Stadium Space Rock, Stadium Hard&Heavy, Stadium Power Metal Ballad, Cosmic, Mystic, 70 bpm, G Minor key, echoes/reverberation/ portamento, male powerful clear lead vocals, male bright choir backing vocals.

124
Ты помнишь, как я жил (Edit)

AndreyFirst rap, Moody Russian hip-hop, minor-key piano loop over tight drums and deep sub, male vocals. Verses stay close and confessional, almost whispered, then the hook explodes with doubled leads and distant choir pads. Occasional vinyl crackle and filtered drops before the chorus to frame the lyrics; last hook adds ad-libs and octave harmonies for a raw, cinematic climax., hip hop

41
БУЛОЧКА

Гранитная Intro, electronic, pop, trap, dance, arabic, folk, 140bpm

41
Жди меня, моя жена

База metal, Epic pop-metal ballad with Russian male vocals; intro starts on clean electric arpeggios and soft piano, then explodes into double-time drums and chunky rhythm guitars on the chorus. Verses stay intimate with low vocal register and sparse toms; choruses soar with stacked harmonies and sustained power chords. Bridge drops to half-time with ambient lead guitar swells, then final chorus modulates up for a triumphant, cathartic payoff., pop

38
Пуля За Любовь

База rap, Moody Russian hip-hop ballad with male vocals; sparse minor-key piano over head-nodding drums and warm sub-bass. Verses sit close and confessional with subtle tape saturation and filtered hats; hook blossoms with wide vocal doubles, airy pads, and distant choir stabs. Final chorus intensifies with ad-lib stacks and a slightly swung groove for a raw, emotional climax., hip hop

40
Алтай нагнет как кардан

База rap, Hard-hitting East European hip hop: dark minor-key piano loop, deep sub-bass, crisp trap drums. Male vocals, aggressive but articulate flow; verses tight and punchy. Hook explodes with stereo crowd chants, octave-doubled lead, and filtered risers into each chorus. Occasional chopped vocal stabs between lines to keep momentum high., hip hop

39
Ритм это пульс страны!

TRENIN Deep house Performance style: 3D-audio. Rhythm: crisp, march‑like emphasises determination and discipline, fitting the military theme. The lines follow a steady rhythmic pattern; verses and chorus create a rhythmic contrast. Tempo: moderate, around 100–120 beats per minute (in the style of a marching march) — dynamic enough to maintain tension, yet slow enough to preserve solemnity. Vocals: powerful, assertive, with accentuated diction — suits the patriotic message and command‑like intonation (especially in the chorus). Choral backing parts in the choruses are possible to create the effect of a “collective voice”. Instrumentation: brass section and drums (for the marching rhythm), complemented by electric guitars for a denser sound; possible synth pads for an epic feel. Atmosphere: heroic, patriotic, tense — a blend of duty, danger and belief in victory; both harsh and inspiring at the same time.

49
Прими меня какой я есть

База rap, Warm sentimental hip-hop ballad, midtempo with mellow piano loop and soft boom-bap drums; male vocals up close and confessional. Verses stay intimate over sparse keys and subtle bass swells; chorus opens with stacked harmonies and airy pads. Light vinyl hiss, gentle backing ad-libs, and a simple melodic hook to keep it catchy and heartfelt., hip hop

43
Прими меня какой я есть

База rap, Warm sentimental hip-hop ballad, midtempo with mellow piano loop and soft boom-bap drums; male vocals up close and confessional. Verses stay intimate over sparse keys and subtle bass swells; chorus opens with stacked harmonies and airy pads. Light vinyl hiss, gentle backing ad-libs, and a simple melodic hook to keep it catchy and heartfelt., hip hop

49
Леший на колесе

База Moody electronic club track with male vocals in Russian, sharp syncopated drums and a rubbery bass line. Verses stay minimal with filtered synth plucks, then the chorus explodes into wide pads, detuned leads, and gang-shouted backing vocals. Add glitchy vocal chops around the hook, dynamic stop‑downs before drops, and a distorted riser into the final chorus., electronic

54
Доча, Я Тебя Люблю

База rap, Warm, mid-tempo hip-hop beat with mellow keys and soft strings, subtle vinyl crackle; male vocals with intimate close-mic tone. Verses conversational and tight, drums laid-back but knocking; hook opens wider with stacked harmonies and airy pads. 808s round and deep, light percussion details gluing everything together, final chorus adds ad-libs and extra backing layers for a tender, uplifting finish., hip hop

55
Колесо Атам

База Playful folk-pop groove with bouncy acoustic guitar, light percussion, and whistled hooks; verses feel like a rambling road trip story, chorus blooms with stacked gang vocals, handclaps, and a stomping kick; male vocals, bright and cheeky delivery with a singalong earworm refrain

52
Весна.

IGARIK Acoustic Guitar, Nylon String Guitar, Fingerstyle, String Section, Chamber Pop, Cinematic, Orchestral, Evocative, Bittersweet, Building, 85 BPM

65
Звёзды зовут.

TRENIN Deep house The composition is in an epic, patriotic style with a marching rhythm (≈120 BPM) that conveys heroism and unity. A powerful male voice, sometimes joined by a choir, delivers broad, expressive melodies with clear diction. The rich orchestral sound features brass (trumpets, trombones, French horns) for a heroic timbre, drums and timpani for rhythm, and strings for depth and emotion. The solemn, inspiring atmosphere evokes pride and faith in one’s strength — a hymn to courage and the future.

46
Весна.

IGARIK Acoustic Guitar, Nylon String Guitar, Fingerstyle, String Section, Chamber Pop, Cinematic, Orchestral, Evocative, Bittersweet, Building, 85 BPM

74