Все треки

Tema can fly • Style: cyberpunk industrial with elements of drum‑and‑bass and orchestral hybrid. Harsh synthesizers, industrial noises (metal screeching, discharges) and amplified drums are combined with epic orchestral inserts (strings, brass, choirs) and processed background vocals (reverberation, distortion) — like the distant "voice of the city". Rhythm: tempo 130 BPM, size 4/4. Driving beats with breakbeat elements and sharp dynamic transitions create a feeling of acceleration — as if during a chase. Sudden drops and pauses increase the tension. The atmosphere is epic, chaotic and adrenaline-fueled. Futuristic urban chaos of Night City: neon lights, chases along multi‑level tracks, a feeling of constant threat. The combination of powerful orchestral themes and aggressive electronics conveys the scale and dynamics of key game events.

Tema can fly • Style: energetic electronic mix with elements of cyberpunk‑industrial and drum‑and‑bass. Hard beats, sharp synthesizer parts and dense basses create a powerful drive. Background vocals (distorted, robotic samples) add depth and futuristic touch without interrupting the basic rhythm. Rhythm: tempo — 130 BPM, size — 4/4. A clear, assertive beat with breakbeat elements, sharp accents and dynamic transitions maintain a high level of energy — as in the midst of a chase or a fight. Atmosphere: tense, aggressive and technological. The combination of electronic and industrial sounds (metallic screeching, electric discharges) immerses you in the world of the neon metropolis Cyberpunk 2077. The adrenaline, danger and relentless pace of the metropolis are felt — ideal for dynamic game scenes.

Tema can fly • Style: energetic electronic mix with elements of cyberpunk‑industrial and drum‑and‑bass. Hard beats, sharp synthesizer parts and dense basses create a powerful drive. Background vocals (distorted, robotic samples) add depth and futuristic touch without interrupting the basic rhythm. Rhythm: tempo — 130 BPM, size — 4/4. A clear, assertive beat with breakbeat elements, sharp accents and dynamic transitions maintain a high level of energy — as in the midst of a chase or a fight. Atmosphere: tense, aggressive and technological. The combination of electronic and industrial sounds (metallic screeching, electric discharges) immerses you in the world of the neon metropolis Cyberpunk 2077. The adrenaline, danger and relentless pace of the metropolis are felt — ideal for dynamic game scenes.

TurubanOFF • Acoustic folk, Russian bard, male vocals with gentle warmth, fingerpicked acoustic guitar, soft piano, light reverb, intimate, heartfelt, melancholic yet hopeful, slow tempo 72 BPM, nature ambience (birds, stream), clear vocals, cantabile, tender tenor

RinaSadry • Pop, Acoustic Guitar, Female Vocal, Melodic, Uplifting, Bright, Joyful

Ратибор Ясный • folk, rock, contralto.

TatarBear • Indie, folk-rock

AIKIM • Aggressive Dark Phonk, Industrial Trap, Heavy 808 Bass, Masculine Very Raspy Smoke-Stained Baritone, Gravelly Voice, Heavy Vocal Fry, Russian Rap, Deep Gritty Vocals, Sharp Start, High Tension

Igor-Push • [Style of Music] Epic Dance, Cinematic Bass, Orchestral Electronica [Mood] Majestic, Epic, Uplifting [Vocal] Wordless vocal pads and choirs [Tempo] 120 BPM [Loudness] -7 to -5 LUFS [Main Elements] Pounding Sub‑Bass (30–50 Hz), Cinematic Drums (deep kicks, snares), Orchestral Strings, Brass Hits, Synth Pads, Arpeggios, Vocal Choirs, Reverb Tails, Cymbal Crashes [Techniques] Layering orchestral/electronic, Sub‑bass drops with brass, Sidechain to kick, Pitch rises on arps, Reverb swells, Call‑and‑response (brass/synths) [Sound Design] Moderate compression, Saturation, Long reverb (2.5–3.0 s) on pads/choirs, Wide stereo, Centered mono bass, EQ boost 30–60 Hz, High‑pass filter on non‑bass

AIKIM • Horrorcore, aggressive rap, dark trap, heavy industrial metal, high-octane energy, raspy male vocals, deep bass-baritone, evil cinematic piano, hard hitting 808, 140 BPM, gritty, shouting, eerie sound effects, rhythmic speech

AIKIM • Extreme deep gravelly male voice, raspy smoker tone, aggressive dark crunk, Memphis phonk, phonk cowbell, distorted 808 bass, 78 BPM, wolf howl sound effects, crows cawing, vocal fry, demonic low baritone, gritty underground, high energy, dark ritual atmosphere.

TurubanOFF • Acoustic folk, Russian bard, male vocals with gentle warmth, fingerpicked acoustic guitar, soft piano, light reverb, intimate, heartfelt, melancholic yet hopeful, slow tempo 72 BPM, nature ambience (birds, stream), clear vocals, cantabile, tender tenor

RusMos • Old Slavic pagan lullaby, low male voice, deep 808 bass, slow cinematic drums. Mystical forest night atmosphere. Soft but powerful bass drops. Gusli, wind sounds, whispering leaves. Mid tempo, hypnotic. From quiet and gentle to powerful and lyrical. Spell-like, soothing but heavy in chorus. Dark ambient with folk elements.

Beggusha • electric blues, pop rock edge, blues trio, call-and-response guitar, slide guitar licks, muted bass guitar, brush snare, tremolo guitar, tube amp saturation, room mics, spring reverb, tape compression, laid-back groove, bittersweet defiance, 96 BPM, swung eighths, metal

Igor-Push • [Style of Music] Beatbox, Future Bass, Lo‑Fi Hip‑Hop Fusion [Mood] Chill, Atmospheric, Dreamy, Groovy, Introspective [Vocal] Beatbox vocals + sung Russian lyrics, soft male vocal [Tempo] 95 BPM [Loudness] -10 to -8 LUFS [Main Elements] Deep Vocal Kick, Sub‑Bass Tone (40–60 Hz), Future Bass Chords (bright, filtered), Lo‑Fi Vinyl Crackle, Snare (soft mouth clap), Hi‑hats (tongue clicks), Piano Melody (simple, repeating), Vocal Pads (harmonized), Reverse Cymbals, Scratches [Techniques] Layering beatbox and synths, Sub‑bass pulses, Filter sweeps on chords, Sidechain compression to kick, Vocal layering and harmonies, Vinyl crackle loops, Pitch bends on vocal pads [Sound Design] Light compression, Saturation for warmth, Long reverb (2.0–2.5 s) on pads/piano, De‑essing, Wide stereo for chords and pads, Centered mono bass, EQ boost 40–60 Hz, High‑pass filter on non‑bass elements

Nostromo • Trumpet, trambon, Russian folk-rock

RusMos • Old Slavic pagan rap, low male voice, powerful 808 bass and heavy drums. Cinematic kick drums, deep sub bass, mystical ancient Russian forest atmosphere. Gusli and choir drops. Dark epic drill. Slow to mid tempo. Rhythmic spoken word. Spell-like, oath style. Aggressive bass hits. Lyrical but heavy.

mirwad • The mezzo-soprano, Оperatic voice and heavy symphonic metal music, energetically, metal, guitar trio, orchestra

Aidar_ • pop, hip hop, electronic, atmospheric

Igor-Push • [Style of Music] Beatbox, Deep House, Dubstep Fusion [Mood] Hypnotic, Heavy, Energetic, Groovy, Atmospheric [Vocal] Beatbox vocals + sung Russian lyrics, male vocal [Tempo] 118 BPM [Loudness] -8 to -6 LUFS [Main Elements] Deep Vocal Kick, Sub‑Bass Tone (30–50 Hz), Dubstep Wobble Bass, Deep House Pads, Snare (sharp mouth clap), Hi‑hats (tongue clicks), Vocal Stabs, Reverse Cymbals, Scratches [Techniques] Layering beatbox and synth bass, Sub‑bass drops, Wobble LFO modulation, Sidechain pumping to kick, Call‑and‑response patterns, Polyrhythms, Vocal pitch‑shifting [Sound Design] Heavy compression on bass, Saturation on wobbles, Reverb (1.2–1.5 s), Wide stereo for pads, Centered mono bass, EQ boost 30–60 Hz

InnaWav • Playful Russian children’s chant over upright piano and light jazz brushes, bouncy tempo; male vocals. Verses stay speech-like and nimble; choruses snap with claps and stacked kids’ responses. Brief call-and-response bridge, then a bright final hook with unison shout.

Гурьян • Mid-tempo Russian war-rap, gritty male vocals, roomy drums with heavy low-end, tense minor-key guitar loop, subtle synth drones. Verses close-up and storytelling, hook opens wider with gang-style chants and echo throws. Occasional background radio FX and distant artillery rumbles for atmosphere, smooth but hard mix that keeps the vocal upfront and raw.

ЯСТРЕБ production • The man's hoarse voice, electronic effects, dance, electronic beats, positive chillhop-pop, percussion, tempo 100, bass line, big bass festival, dance club trap, melodic, super positive review, full bass, 808 full bass, High-quality sound with heavy bass

mirwad • Оperatic voice, metal, energetically, punk rock, guitar trio

Золтан • Traditional fast dancing Gypsy Camp song, traditional Gypsy Camp male + female choir, acoustic guitar, violin, accordion, tambourine, A Minor key, male clear lead vocals, male strong backing vocals.

Золтан • Traditional fast dancing Gypsy Camp song, traditional Gypsy Camp male + female choir, acoustic guitar, violin, accordion, tambourine, A Minor key, male clear lead vocals, male strong backing vocals.

Aler S-ey • 120pbm, electronic, synthwave.

nero11001 • folk, Gritty folk-electronic fusion: fingerpicked acoustic guitar and dusty male vocals over subtle pulsing synths and soft sub bass. Verses stay intimate and close-mic’d, with brushed percussion and distant organ swells. Chorus widens with stacked harmonies, airy pads, and a simple four-on-the-floor kick that lifts the hook. Final section strips back to guitar and voice, letting the last lines hang in roomy reverb., electronic

Sergilio • [Style: Hard Bass, Phonk, Energetic] [BPM: 150–160] [Mood: Aggressive, Energetic, Club] [Instruments: Heavy 808 bass, punchy kicks, distorted synths, vocal samples] [Vocals: Male, aggressive tone, Russian phonk style]

ЯСТРЕБ production • A man's hoarse voice, fun and atmospheric, chorus with echo in the background, high-quality sound, great track, a positive track, a bass track, car sound, lo-fi chillhop, vinyl, a calm track with powerful basses, an atmospheric chorus with powerful basses and a girl's voice in the chorus, a bass line in the background, in the style of Ural rap

Вася Вамп • Hard rock, guitar overdrive, violin, choir, mysterious, emotional,Rock, мелодичный рок, punk rock, guitar, violin , скрипка в проигрышах

Sergilio • Electro house track 150 BPM, powerful and punchy bassline, aggressive synth stabs, catchy vocal hook with a party vibe, energetic buildup and massive drop, club-ready sound, modern production, vocals: female, [Structure: Intro → Build-up → Drop → Breakdown → Final Drop → Outro]

mirwad • The mezzo-soprano, оperatic voice, song with a guitar, the arrangement, orchestration

InnaWav • Modern Russian ethno-cosmo indie pop; airy synth pads over folk drones and frame drum groove, playful plucked strings and flute hooks; verses stay talk-sung and rhythmic, chorus lifts with chant-like group vocals; sparkle delays and subtle vocoder layers on key hook words for an educational yet dreamy singalong

InnaWav • Modern Russian ethno-cosmo indie pop; airy synth pads over folk drones and frame drum groove, playful plucked strings and flute hooks; verses stay talk-sung and rhythmic, chorus lifts with chant-like group vocals; sparkle delays and subtle vocoder layers on key hook words for an educational yet dreamy singalong

Ariada Elard • electronic

Граф • Airy spiritual art-pop ballad with male vocals; soft piano and distant pads create a weightless bed, subtle strings bloom in the chorus, heartbeat-like low percussion appears in the second half. Intimate, close-mic verses; chorus opens with wide reverb and layered harmonies, gentle rise to a luminous, transcendent outro. male child duet, whispered male lead, flute countermelody, field recordings, heartbeat kick, sparse verse arrangement, wide chorus lift, gospel organ, brushed snare, upright bass pulse, warm tube saturation, plate reverb, dynamic build, emotional catharsis, majesty, 72 BPM, swung half-time сердцебиение

InnaWav • Bouncy kids-pop with bright synths, claps on every second beat, and a playful bass line. Female vocals, call-and-response with a kids’ choir on the hook. Verses move quick and percussive; chorus opens wider with long vowels and stacked harmonies. Short drum fills and rising FX lead into each new number set, keeping the energy high and catchy.

InnaWav • Bouncy kids-pop with bright synths, claps on every second beat, and a playful bass line. Female vocals, call-and-response with a kids’ choir on the hook. Verses move quick and percussive; chorus opens wider with long vowels and stacked harmonies. Short drum fills and rising FX lead into each new number set, keeping the energy high and catchy.

Igor-Push • [Style of Music] Pure Beatbox, Acapella Bass Focus, Vocal Percussion [Mood] Powerful, Groovy, Heavy, Energetic [Vocal] Beatbox vocals only (no lyrics) [Tempo] 105–115 BPM [Loudness] -9 to -7 LUFS [Main Elements] Deep Vocal Kick (low, resonant), Sub‑Bass Tone (40–60 Hz), Mid‑Bass Lines (melodic patterns), Snare (sharp mouth clap), Hi‑hats (tongue clicks), Cymbals ("ts" breath sounds), Scratches (vocal turntable) [Techniques] Layering multiple bass layers, Sub‑bass synced to kick, Bass slides and pitch bends, Call‑and‑response (bass/snare), Polyrhythms with bass base, Micro‑glitches on bass hits [Sound Design] Heavy compression on bass, Slight saturation, Light reverb (1.0–1.3 s), De‑essing, Centered mix, mono‑compatible, EQ boost 40–80 Hz for bass clarity

Sergilio • Hard bass track , aggressive, energetic, powerful kick drum, fast tempo (150-160 BPM), distorted basslines, punchy synth leads, repetitive phrases, repetitive vocal samples, club atmosphere, Russian hard bass style, high energy, [Structure: Intro — drop — breakdown — drop — outro]

Макс-Л • ROCK.

RinaDi • Mystic music, slow shuffle, call-and-response guitar, slide guitar, muted bass line, brushed snare, tube amp breakup, spring reverb, room mic bleed, analog warmth, sparse verses, dynamic breakdowns, dark folklore, midnight swagger

Aler S-ey • 120bpm, electronic, bluegrass.

RusMos • Epic Imperial Russian waltz-trap hybrid. Female vocal (), dramatic and haunting. Heavy modern beat: 808 bass, hard kick, drill snare rolls, tempo 140 BPM with half-time waltz feel (3/4 over 4/4). Mixed with orchestral elements: cello, violin, military snare drums, church bells, dusty piano. Atmosphere: abandoned ballroom of Winter Palace, midnight, candle flicker, ghosts of Russian Empire. Structure: orchestral intro → verse (soft beat + breathy vocal) → pre-chorus (rising strings) → chorus (full beat drop, bass distortion, layered vocals ) → bridge (spoken word over cello) → outro (beat fades into ticking clock + horse hooves). Vocal style: from whisper to powerful belt, with Old Russian melodic ornaments. Key: D minor. References: + Imperial march.

Светлана16 • pop, electronic, techno, house, soul

Макс-Л • Driving rock with crunchy overdriven electric guitars, tight palm-muted riffs, punchy live bass, and hard-hitting kick-snare drums. Verse sections stay lean and gritty, while the chorus opens with stacked guitar harmonies, gang vocals, and roomy plate reverb. Slight tape saturation and live-room bleed add raw edge.

Светлана16 • pop, electronic, techno, house, soul

Igor-Push • [Style of Music] Pure Beatbox, Acapella, Vocal Percussion [Mood] Energetic, Playful, Confident, Groovy [Vocal] Beatbox vocals only (no lyrics, no instruments) [Tempo] 110–120 BPM (comfortable for complex patterns) [Loudness] -10 to -8 LUFS (clear and punchy) [Main Elements] * Kick (bass drum sound) * Snare (closed mouth clap) * Hi‑hats (tongue clicks, lip oscillations) * Cymbals (breathy "ts" sounds) * Scratches (vocal turntable effects) * Basslines (deep vocal bass) * Mouth synths (melodic vocalizations) * Sub‑bass (vocal sub‑tone, 40–60 Hz) [Techniques] * Polyrhythms * 3‑over‑4 hi‑hat patterns * Call‑and‑response patterns * Layering (multiple beatbox layers) * Stutters and glitches * Reverse vocal effects [Sound Design] * Clear, upfront vocal recording * Light reverb (1.2–1.5 s) for space * Slight compression for consistency * De‑essing to control sibilance * Centered mix, mono‑compatible

Макс-Л • ОСТАВИТЬ ВСЁ НЕ МЕНЯЯ