Все треки

Pablittos • Russian rap, cinematic moody rap, 90 BPM, deep 808 subs, trap snares, half-time bounce, analog tape saturation, plate reverb, wide stereo hats, low-pass synth pads, male baritone rap, chant hook layers, minor key piano motif, nocturnal cityscape, longing resolve, rock,, hip hop

Ariada Elard • electronic

Genik • tech house

Genik • Dark club hybrid (drum & bass / techno)

Мистика и фильмы - аниме • Dark cinematic rock with Russian female vocals, brooding minor-key electric guitars, taiko-like low tom pulses, muted choir pads, and a rising orchestral surge that opens into a hard, hymn-sized chorus; the arrangement should feel possessed and urgent, with a two-thirds emotional lift and a sharp halo of strings around the reveal.

Мистика и фильмы - аниме • Cinematic alt-rock ballad, female vocals; verses start intimate over tremolo guitar and low strings, then drums and bass rise into a soaring, tense chorus. Angelic pads and piano underline the supernatural moments; last chorus hits hardest with stacked harmonies and a high, held note on the title phrase, then track drops to a hushed outro pulse.

Genik • tech house

Michael 210 • Russian acoustic rock with a raw, unplugged aesthetic. The track features two acoustic guitars: one playing a rhythmic strumming pattern with a percussive backbeat feel, and another providing melodic fills and a blues-influenced solo. The male vocals are delivered in a gritty, baritone register with a conversational yet expressive folk-rock delivery. The tempo is 120 BPM in 4/4 time. The production is dry with minimal reverb, emphasizing the natural resonance of the guitar bodies and the vocal texture. The arrangement transitions from a steady folk-strumming verse into a more aggressive, rhythmic chorus with emphasized downbeats.

Sergilio • Cosmic ambient track, ethereal space atmosphere, deep synth pads, distant echoes, slow evolving textures, subtle arpeggios, sci-fi vibe, minimal percussion, vast and mysterious mood, 4 minutes, instrumental.

Мистика и фильмы - аниме • Dark cinematic rock with female vocals; low, throbbing bass and tom-heavy drums under eerie piano motifs. Verses stay restrained and close-mic’d, with whispered doubles and distant choirs. Chorus explodes into distorted guitars, synth swells, and wide vocal harmonies. Bridge drops to near-silence, then rises with pounding drums and soaring ad-libs into a final, crushing refrain., female vocals

Мистика и фильмы - аниме • Dark cinematic rock with female vocals; low, throbbing bass and tom-heavy drums under eerie piano motifs. Verses stay restrained and close-mic’d, with whispered doubles and distant choirs. Chorus explodes into distorted guitars, synth swells, and wide vocal harmonies. Bridge drops to near-silence, then rises with pounding drums and soaring ad-libs into a final, crushing refrain., female vocals

мс Хоттабыч • Peak-hour techno banger at 132 BPM, hypnotic kick and offbeat hats, rubbery bass stabs weaving around a metallic synth lead. Female vocals, half-sung half-chanted, sit dry and upfront; hook stacks with tight harmonies and a whisper layer. Breakdowns strip to kick and vocal chop before slamming back with wide risers and a saturated, sidechained pad bed., techno

мс Хоттабыч • Peak-hour techno banger at 132 BPM, hypnotic kick and offbeat hats, rubbery bass stabs weaving around a metallic synth lead. Female vocals, half-sung half-chanted, sit dry and upfront; hook stacks with tight harmonies and a whisper layer. Breakdowns strip to kick and vocal chop before slamming back with wide risers and a saturated, sidechained pad bed., techno

Егорова Галина Васильевна • pop

TRENIN Deep house • 3D - audio .Epic folk metal with Slavic folk elements. The arrangement features electric guitars with heavy riffs, synthesized folk instruments (gusli, zhaleika), and powerful drums. Rhythm: march‑like, precise ($4/4$), medium tempo ($\approx 110–120$ BPM). The chorus is more powerful and hymn‑like, with choral backing vocals. The verse is declamatory, with accentuated diction. The finale is a crescendo: a gradual increase in volume and density of sound, ending with a powerful chord.

Мистика и фильмы - аниме • Cinematic dark rock ballad with female vocals; low piano octaves and tremolo strings under hushed verses, tom-heavy drums and distorted guitars swelling into a soaring, anguished chorus; eerie pads and reversed effects at the “gate” moments, final chorus stacked with high harmonies then collapsing into a single exposed vocal over distant choir-like pads, female vocals

Влад Мигаль • rock and roll, electric blues trio, 168 BPM, major key, boogie shuffle, swung 8th groove, punchy kick snare, slapped upright bass, overdriven slide guitar, tremolo guitar fills, barroom piano, live room mics, tube amp breakup, room slapback, raw club energy

Genik • Dark club hybrid (drum & bass / techno)

Дмитрий50 • folk, soul, funk,, drum and bass, lofi, pop, blues ballad, piano ostinato, brushed snare, fretless bass, tremolo guitar, muted trumpet, Hammond organ, kick drum accents, tape saturation, close mic room, slapback delay, bittersweet regret, confession arc, 78 BPM, half-time groove, sparse arrangement

Дмитрий50 • soul, funk, drum and bass, dubstep, lofi, slow blues, R&B soul, 78 BPM, tacet vocals, baritone organ stabs, muted Telecaster licks, fretless bass slides, brushed snare backbeat, tambourine offbeat, room mic bleed, tape saturation, spring reverb, call-and-response guitar blues, blues trio, late-night resolve

АнКер • jazz blues crossover, 92 BPM, smoky tenor sax, muted trumpet comping, upright bass walking line, brushed snare groove, Hammond B3 fills, tube amp guitar licks, call and response riffs, room mic bleed, tape saturation, spring reverb, late night mood, backbeat pocket

Андриан • Нежная, спокойная и красивая философская баллада, которая завораживает красивой, неповторимой музыкой и нежным, проникновенным вокалом. Музыкальная композиция не просто красива - она завораживающий шедевр, который хочется слушать снова и снова. Саксофон и виолончель между куплетами восхищают своими чудесными проигрышами и красивыми переливами композиции.

NatroN • horror punk, punk rock, 180 BPM, galloping eighth notes, slapback vocal delay, distorted electric cello, dark violin stabs, downpicked power chords, gang shouts, tape saturation, live-room drums, mono snare punch, gritty studio sound, manic energy, macabre bite

Граф • Moody Russian pop ballad with male vocals; sparse verse built on melancholic piano and airy pads, intimate close-mic tone. Chorus widens with deep bass swells, distant reverb-drenched guitar, and stacked backing harmonies. Subtle rhythmic pulse keeps it moving while leaving emotional space; bridge strips back to almost a cappella before a final, cathartic chorus.

TRENIN Deep house • Композиция в маршевом ритме 4/4 с чётким акцентом на сильные доли.Темп: 110–120 bpm,сочетает фольклорные мотивы с камерной атмосферностью. Мужской баритон с вкраплениями народного вокала ведёт мелодическую линию, подчёркивая архаичную,но тёплую интонацию в отдельных фразах слышны распевы и характерные мелизмы, отсылающие к старинным песням.Акустическая гитара и бас задают основу звучания: гитара добавляет душевной открытости,а бас придаёт композиции основательность и глубину.Живые барабаны добавляют ритмическую устойчивость их размеренный ход напоминает шаги в неспешном,но уверенном движении.Этнические флейты вносят мистический оттенок, создавая образы древних преданий,туманных лесов и далёких гор.Редкий звон подков служит своеобразным талисманом:он рождает ощущение оберега,домашнего очага и незримой защиты будто кто‑то добрый следит за путником в дороге. Музыка погружает в уютную атмосферу,где древнее переплетается с близким,а маршевый пульс дарит чувство уверенности и опоры, словно

Егорган • Italo disco, melodic piano, melodic acoustic guitar

Шурави • country, metal, jazz

АнКер • jazz blues, electric blues trio, Rhodes comping, baritone sax hooks, Hammond B3 swells, brushed snare shuffle, muted trumpet fills, upright bass walk, tape saturation, spring reverb, live room bleed, mono drum kit, smoky barroom, laid-back groove, 1960s club sound

TRENIN Deep house • 3D audio. Style of performance: Rhythm: Epic, with elements of a medieval ballad and folk music. Tempo: Moderately fast (~120 beats per minute), building up towards the chorus. Vocals: Deep, powerful, with choral accompaniment in the chorus. Instrumentation: Accordion, flute, electric guitar with distortion, drums with ethnic percussion. Atmosphere: Gloomy, heroic, filled with mysticism and tension.

Ратибор Ясный • rock acoustic ballad symphonic post punk, depression folks, acoustic guitar, bass, electric guitar

Genik • electroclash/tech house/deep hause/balearix beat, 130 BPM

Genik • electroclash/tech house/deep hause/balearix beat, 130 BPM

RizonAnz • rap, groove metal, electronic, house, hip hop

мс Хоттабыч • Dark club hybrid of rolling drum and bass and hypnotic techno; male vocals half-spoken, half-chanted. Sparse verse over pulsing low end and dry hats, then chorus explodes with detuned synth stabs, distorted reese bass, and stacked shouts. Arrangement builds in looping waves, with one filtered break and a final drop that cuts out on the last hook for crowd sing-along., techno, drum and bass

мс Хоттабыч • Dark club hybrid of rolling drum and bass and hypnotic techno; male vocals half-spoken, half-chanted. Sparse verse over pulsing low end and dry hats, then chorus explodes with detuned synth stabs, distorted reese bass, and stacked shouts. Arrangement builds in looping waves, with one filtered break and a final drop that cuts out on the last hook for crowd sing-along., techno, drum and bass

мс Хоттабыч • country, Laid-back country groove with twangy acoustic guitars, brushed snare, and warm male vocals; verses stay close and conversational, chorus opens wider with stacked harmonies and a singalong feel; slide guitar fills answer the vocal lines, bass walking gently to keep it light and wry

мс Хоттабыч • Pounding warehouse techno groove at 134 BPM, distorted kick and rolling bassline, metallic stabs echoing in the sides. Male vocals, half-chanted and deadpan in the verses, rising into a shouted, anthemic hook. Short risers and glitchy fills between lines; chorus opens with widened pads and crowd-style gang vocals on the title line. Master bus saturation for grit, clipped and aggressive., techno

мс Хоттабыч • Pounding warehouse techno groove at 134 BPM, distorted kick and rolling bassline, metallic stabs echoing in the sides. Male vocals, half-chanted and deadpan in the verses, rising into a shouted, anthemic hook. Short risers and glitchy fills between lines; chorus opens with widened pads and crowd-style gang vocals on the title line. Master bus saturation for grit, clipped and aggressive., techno

мс Хоттабыч • rap, Bouncy boom-bap with playful Russian hip hop bounce, mid-tempo. Male vocals, close and cheeky; stacked call-and-response ad-libs in the hook. Warm upright bass, crisp snares, and jazzy keys; occasional brass stabs on punchlines. Verses stay sparse so the storytelling pops; chorus widens with crowd-style chants, light vinyl crackle for flavor., hip hop

мс Хоттабыч • Dark warehouse techno with driving four-on-the-floor kick, metallic percussion, and a hypnotic, detuned lead. Male vocals, half-whispered verses that sit behind the beat; chorus steps forward with widened delays and a gritty vocoder layer. Slow-burn build into a peak-energy final hook, then sudden drop to a pulsing, filtered outro., techno

Брат • drum and bass

АнКер • blues, deep house, 118 BPM, half-time shuffle, electric guitar comping, bottleneck guitar fills, Hammond organ stabs, upright bass walk, brushed snare, tambourine backbeat, live room mics, tape saturation, spring reverb, call and response, laid-back groove, smoky club, 1960s live session

АнКер • blues, deep house, 118 BPM, half-time shuffle, electric guitar comping, bottleneck guitar fills, Hammond organ stabs, upright bass walk, brushed snare, tambourine backbeat, live room mics, tape saturation, spring reverb, call and response, laid-back groove, smoky club, 1960s live session

Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar

Шурави • country, folk, classical, jazz

ReMiXina • Rap

Piligrim • electro-pop, tropical house, clean electric guitar licks, muted bass plucks, syncopated rimshots, four-on-the-floor kick, sidechain pumping, glossy synth pads, bright arpeggiators, digital claps, wide stereo chorus, punchy kick compression, bittersweet nostalgia, uplifting groove, 102 BPM

Руслан тах • rap, Moody Russian hip-hop with male vocals; sparse detuned keys over a swinging trap groove, wide sub-bass and crisp hats. Verses stay close and conversational with subtle pitch-shifted ad-libs; hook blooms with stacked harmonies and a simple, chant-like top line. Occasional filtered drops to spotlight the vocal before the chorus slams back in., hip hop

мс Хоттабыч • jazz, Smoky late-night jazz trio, brushed drums and walking upright bass, warm nylon-string guitar comping soft extended chords; female vocals, intimate close-mic delivery. Verses stay hushed and conversational, chorus widens with lush reverb and subtle stacked harmonies. Occasional muted trumpet fills answer vocal phrases, gentle dynamic swell into the last hook before a tender fade.

Андрей_Ш • blues, electric blues, blues trio, call and response guitar, brushed snare shuffle, muted bass thump, Hammond B3 swells, slide guitar fills, barroom piano, room mic bleed, tape saturation, spring reverb, mono mix, 1960s studio grit, dry lead vocal, layered chorus, wry protest, midtempo shuffle