Все треки
Последние публичные треки, созданные нашими пользователями
Jeronimo • Fast, cutting-edge drum and bass with aggressive reese bass and sharp, skittering drums. Verses stay tight and percussive with Russian rap vocals, filtered pads in the background, and glitchy fills between lines. Chorus widens with soaring synth leads, stacked shouts on the hook, and sidechained pads that pump with the kick. Energy ramps relentlessly, brief half-time switch in the bridge before slamming back into full-speed chaos., drum and bass
Jeronimo • Fast, cutting-edge drum and bass with aggressive reese bass and sharp, skittering drums. Verses stay tight and percussive with Russian rap vocals, filtered pads in the background, and glitchy fills between lines. Chorus widens with soaring synth leads, stacked shouts on the hook, and sidechained pads that pump with the kick. Energy ramps relentlessly, brief half-time switch in the bridge before slamming back into full-speed chaos., drum and bass
Jeronimo • High-energy liquid drum and bass, bright pads over rolling sub and crisp breakbeats. Male vocals in a conversational tone, half-sung, half-rapped in verses; chorus explodes with wide synth chords and doubled hooks. Short ambient intro, then immediate drop; occasional chopped vocal echoes and filtered drum fills keep it racing until a euphoric final hit., drum and bass
Jeronimo • High-tempo liquid drum & bass with Russian male vocals; rolling, syncopated breaks, warm sub bass, and airy pads. Verses stay tight and rhythmic with chopped vocal doubles; chorus blooms with wide reverb, bright keys, and a soaring top-line hook. Occasional filtered drops and risers to keep the dancefloor tension rising and releasing., drum and bass
Jeronimo • Rolled-out liquid DnB at 172 BPM, airy pads over warm sub, skittering breaks with subtle pitch-shift fills. Verses stay intimate and close-mic'd; choruses bloom with wide stereo reverb, layered male vocals, and a bright, detuned synth lead tracing the hook. Sparse piano stabs in the bridge, then a filtered drum build that slams back into the final chorus., drum and bass
Гога Манжурский • Соло на гитаре. Душевно.
Jeronimo • Dark, fast drum and bass with tense, rolling bassline and glitchy percussion; verses almost spoken in a cold, intimate male vocal, then chorus explodes with wider reverb, distorted backing doubles, and stuttered vocal chops. Sparse pads in the verses; chorus brings detuned synth swells and a rising noise sweep for impact, riding a relentless 172 BPM energy arc., drum and bass
Виталий Котов • Dark, aggressive Russian trap beat, heavy distorted 808s and clipped snares. Verses are tight double-time bars with snarled male vocals, ad-libs panned wide. Hook hits with shouted gang vocals, simple menacing chant, synth brass stabs and sub drops on every downbeat. Sparse eerie keys in the background, lots of distortion and saturation on the master for a brutal, in-your-face feel.
Jeronimo • Fast liquid drum and bass, bright sidechain synth pads, airy arps and softly filtered reese bass. Female vocals in an intimate top-line, close-miked. Verses stay half-whispered over minimal keys; the chorus lifts with wide reverb, double-tracked hooks, and shimmery high-end percussion. Energy builds in waves, with a euphoric final drop and a gentle, echoing outro., drum and bass, electronic
Jeronimo • drum and bass, blues
Сергей65 • jazz,rock, энергично
Солнышкино счастье • electronic, classical, soul, dubstep, ambient, synthwave
Jeronimo • country, Aggressive hybrid of modern dubstep sound design and high-BPM drum & bass grooves fused with twangy country guitar. Starts with a tense build and filtered vocals, then drops into snarling bass, double-time drums, and gritty male vocals. Big singalong chorus with stacked gang shouts and a halftime stomp, then final section ramps the tempo for a frantic, high-energy finish., drum and bass, dubstep
Jeronimo • country, Aggressive hybrid of modern dubstep sound design and high-BPM drum & bass grooves fused with twangy country guitar. Starts with a tense build and filtered vocals, then drops into snarling bass, double-time drums, and gritty male vocals. Big singalong chorus with stacked gang shouts and a halftime stomp, then final section ramps the tempo for a frantic, high-energy finish., drum and bass, dubstep
СЕРРЕСС • folk, symf metal, piano, female vocals, emotional, slow tempo,
Jeronimo • rap, Hyper-color rave blend: liquid drum and bass groove under four-on-the-floor house kicks, filtered disco samples, and techno stabs. Hip hop bounce in the drums, chopped cartoon FX, and glitched vocal bits. Arrangement ramps fast from sparse intro to full-on peak-time hook, then breaks down to a wobbly bass-only section before a final hands-up chorus., disco, techno, drum and bass, hip hop
Jeronimo • Fast, rolling drum & bass groove with deep reese bass and bright chopped breaks; verses glide in half-time over filtered pads, then snap into double-time on key phrases. Hook explodes with wide synth leads, crowd-style gang vocals, and sidechained chords pumping with the kick; occasional glitchy vocal chops between lines to keep the energy frantic but hopeful. Male vocals, slightly overdriven, sitting upfront in an energetic, club-ready mix., drum and bass
Маме в день рождения
Alex 04-72 • лирический шансон, мелодичная гитара, теплый голос, задушевная атмосфера, female vocal, male vocal, classical
Кощей • hardcore rap, aggressive delivery, raw beats, street credibility, gothic orchestral, pipe organ, dark choir, medieval atmosphere, piano, funk, male vocal
Позывной Поэт • heavy metal, distorted guitars, double bass drums, powerful vocals
ATWST • deep morning, sunrise vibes, optimistic, new beginning
ATWST • tech house, minimal beats, driving bassline, hypnotic loop, club sound
БАСКАК • dubstep, Russian folk revival, traditional roots, modern interpretation, cultural preservation
Позывной Поэт • heavy metal, distorted guitars, double bass drums, powerful vocals
БАСКАК • folk fusion Russia, ethnic instruments, modern production, world music blend
ATWST • tech house, minimal beats, driving bassline, hypnotic loop, club sound
ATWST • big room house, festival drops, anthemic leads, crowd-pleasing
ATWST • acid house, 303 squelch, rave energy, psychedelic, nostalgic
Яна4 • Bright Slavic pop with bouncing bass and glossy synths, sleigh-bell percussion on the backbeat. Verses stay light and conversational, then the chorus bursts into wide, sing-along hooks with stacked harmonies and handclaps. Short synth hook between sections keeps it radio-tight and festive.
Яна4 • Bright Slavic pop with bouncing bass and glossy synths, sleigh-bell percussion on the backbeat. Verses stay light and conversational, then the chorus bursts into wide, sing-along hooks with stacked harmonies and handclaps. Short synth hook between sections keeps it radio-tight and festive.
SAVINA • Gritty alt-rock band: overdriven guitars with a dark, steady groove, bass locked tight with a punchy mid-tempo kit. Female vocals raw and upfront, verses almost spoken on the edge of breaking, chorus opens into strained, soaring belts with doubled harmonies. Short reverb, crispy distortion on guitars, subtle feedback swells between sections; bridge pulls dynamics way down then slams back in with a cathartic final chorus.
ATWST • big room house, festival drops, anthemic leads, crowd-pleasing
SAVINA • rock, Modern Russian rock banger with female vocals, crunchy overdriven guitars and tight live drums. First verse stays in a simmering mid-tempo groove with palm-muted riffs; pre-chorus lifts with open chords and rising bass line. Chorus hits wide and anthemic with stacked harmonies and crash-heavy drums, then a short octave-guitar hook answers the vocal. Bridge drops to tom-driven tension, then explodes back into the final chorus with ad-libs and extra guitar layers.
RiiD • Relentless festival techno with a hypnotic four-on-the-floor, metallic percussion, and a rubbery offbeat bass. Male vocals, half-chanted hook that loops like an app notification; verses are short, percussive, almost spoken, with stuttered delays. Chorus explodes with crowd-style chants and processed shouts, then drops into a minimal, pounding groove with rising noise sweeps and chopped vocal glitches., techno
ATWST • euphoric hardstyle, uplifting melodies, emotional, hands up
SAVINA • rock, Punchy pop-rock band feel, midtempo. Crunchy rhythm guitars lock with a steady groove; bass warm and slightly overdriven. Verses stay intimate with close-mic female vocals, sparse drums and palm-muted guitar; chorus explodes with wide power chords, octave leads, stacked harmonies, and a driving kick. Short bridge strips back to toms and distant reverb guitar before a final, higher-energy chorus.
SAVINA • rock, Aggressive Russian alt-rock, female vocals. Crunchy overdriven guitars lock with a tight live kit; bass rides dirty, forward in the mix. First verse starts simmering over palm-muted riffs, pre-chorus builds with rising toms and double-tracked vocals. Chorus explodes with wide power chords, octave leads, and shout-along gang backs. Bridge drops to half-time with a snarling, almost spoken vocal before the final full-throttle reprise.
ATWST • deep bass music, sub frequency, minimalist, sound system
БЕШАННЫЙ • Hardcore Dance Rap / Stomper)
Purga • Epic Russian pop-rock with modern trap drums and wide synth pads, male vocals. Starts in a tense half-time march, kick and toms building under muted guitar. Chorus explodes with big distorted power chords, octave lead and stacked gang vocals. Bridge strips to vocal, sub bass and snare, then final chorus returns fuller with soaring ad-libs and crash-heavy drums.
Букет 💐 (https://t.me/+2qXDfXVjB2w4Yjcy)
Jura • male vocal, techno, metal
SAVINA • rock
Королева с шипами (версия 2)
SAVINA • Рок, female vocal
Андрей Поляковский1 • Andean folk, panpipes, charango, highland melodies, mountain spirit, pop
Вадим Прохоров • Genre: Upbeat, modern Russian folk-pop ("новый фолк"). Think Варвара Визбор or early Пелагея meets the playful energy of Ленинград. Core Vibe: A witty, mischievous female narrator cheerfully complaining about her eccentric, rule-breaking lover. The tone is celebratory irony, not sadness. Instrumentation & Rhythm: · Core: Driving, danceable rhythm based on drobushka (fast folk beat). · Melody: Catchy, chant-like verse melody using a minor folk scale. · Sounds: Lively acoustic balalaika