Все треки

Последние публичные треки, созданные нашими пользователями

Падай поймаю
70
The Sound Of Silence
69
Ты сказала мне: "Да"

Ратибор Ясный nostalgic pop rock, 80s influenced, synthesizers and guitars, retro

200
Феникс...

ZlodeyAi Folk pop with ethnic instruments, sincere and soulful, clear female vocals with folk singing elements, 95 BPM, acoustic guitar, tambourine, jaw harp, flute, ethnic drums

176
​Обещание вернуться

AIKIM Epic Ethno-Rock, intense Rap-Metal, cinematic orchestral elements, heavy driving drums, booming bass, soaring duduk flute, haunting female choir, emotional male rap vocals, explosive chorus, dramatic tension, atmospheric, cinematic, high-fidelity, 140 BPM.

97
Любовь и дым

Alex 86 Melancholic Russian chanson ballad, male vocals. Nylon-string guitar fingerpicking sets a slow sway; soft accordion holds long, sighing chords. Intimate, almost spoken verses close to the mic; choruses lift into broader melody with airy “aaah” backing pads. Light brush drums and warm bass enter by the first chorus, subtle string swells added in the second for extra ache and width., warm, emotional, male vocals, light, harmony, ballad, soft, accordion, slow, chanson

82
Любовь и дым

Alex 86 Melancholic Russian chanson ballad, male vocals. Nylon-string guitar fingerpicking sets a slow sway; soft accordion holds long, sighing chords. Intimate, almost spoken verses close to the mic; choruses lift into broader melody with airy “aaah” backing pads. Light brush drums and warm bass enter by the first chorus, subtle string swells added in the second for extra ache and width., warm, emotional, male vocals, light, harmony, ballad, soft, accordion, slow, chanson

120
Семейный очаг

Alex 86 Melancholic Russian chanson ballad, male vocals. Intimate nylon-string guitar fingerpicking close to the ear; soft accordion swells on downbeats, warm upright-style bass outlining roots, and a gentle brushed kit in a slow, rocking sway. Verses stay hushed and narrative; chorus opens into long, held vocal lines with subtle backing harmonies. Gradual lift into the final refrain, then instruments thin out to just guitar and accordion for a resigned, tender outro., accordion, male vocals, soft, warm, slow, gentle, chanson, ballad

48
Реальность или (Edit) (Edit) (Edit)

Боб Юрли rap, Dark trap / mafia house hybrid,. Dense sub-bass and sharp, Powerful guitar riffs, mechanical drums under a cold minor-key synth loop; verses tight and whispered like secrets in a back room. Chorus drops with wider pads, distorted backing chants, and a swaggering hook that feels ritualistic. Occasional pitch-shifted ad-libs and riser sweeps build tension, then pull back to stark minimalism between sections.

433
Семейный очаг

Alex 86 Melancholic Russian chanson ballad, male vocals. Intimate nylon-string guitar fingerpicking close to the ear; soft accordion swells on downbeats, warm upright-style bass outlining roots, and a gentle brushed kit in a slow, rocking sway. Verses stay hushed and narrative; chorus opens into long, held vocal lines with subtle backing harmonies. Gradual lift into the final refrain, then instruments thin out to just guitar and accordion for a resigned, tender outro., accordion, male vocals, soft, warm, slow, gentle, chanson, ballad

62
Свет Рода (Зов Крови)

AIKIM Ethno-Rock, Slavic Folk Metal, Epic Cinematic Rock, Male and Female Duet, Distorted electric guitar, Heavy tribal drums, Double kick pedal, Gritty male vocals, Ethereal female soprano, Powerful harmonies, 95 BPM, Orchestral strings.

87
Наши дни — отрывной календарь

Alex 86 Romance ballad with male vocals; intimate piano and soft strings at first, then gradual dynamic build. Verse 1 stays close and conversational, then arrangement swells with woodwinds and timpani rolls into a soaring, almost operatic chorus on high notes. Final repeat pulls the band down and leaves the singer holding a bright, ringing top note with subtle choir harmonies and long reverb tail.

57
Наши дни — отрывной календарь

Alex 86 Romance ballad with male vocals; intimate piano and soft strings at first, then gradual dynamic build. Verse 1 stays close and conversational, then arrangement swells with woodwinds and timpani rolls into a soaring, almost operatic chorus on high notes. Final repeat pulls the band down and leaves the singer holding a bright, ringing top note with subtle choir harmonies and long reverb tail.

51
Тройка вороная

Alex 86 Cinematic Russian romance ballad; male vocals starting warm and chesty, then opening into bright soaring high notes on the chorus. Orchestral strings and tremolo balalaika under a steady carriage-like pulse; subtle choir swells on emotional peaks, timpani rolls into the final chorus, ending on a held major chord that hangs in the air.

71
Тройка вороная

Alex 86 Cinematic Russian romance ballad; male vocals starting warm and chesty, then opening into bright soaring high notes on the chorus. Orchestral strings and tremolo balalaika under a steady carriage-like pulse; subtle choir swells on emotional peaks, timpani rolls into the final chorus, ending on a held major chord that hangs in the air.

70
Иришка из “Династии”

Vanechka2373 pop, Bright modern pop with female vocals, glossy synths and a bouncy four-on-the-floor groove. First verse stays light with muted keys and tight rhythm guitar; chorus blooms with wide pads, stacked harmonies and a catchy top-line hook. Second verse adds playful percussion and subtle Eastern motifs, bridge strips to clap-and-bass for a singalong moment before a final, explosive chorus.

81
Иришка из «Династии»

Vanechka2373 Sunny mid‑tempo reggae with bouncy offbeat guitars, lazy skanking organ, and warm round bass. Male vocals in a storytelling vibe; playful call‑and‑response ad‑libs in choruses. Verses stay light and narrative, chorus opens wider with stacked harmonies and bright horns punching the hook. Easy summer groove, soft percussion and claps lifting energy in the final repeat., reggae

83
Моя девчонка танцует

Alex 86 pop, High-energy Russian pop banger for male vocals; tight four-on-the-floor club groove with bright synth stabs and bouncing bass. Verses sit on a lean, percussive arrangement, spotlighting the vocal; choruses explode with stacked hooks, airy pads, and crowd-ready claps. Short FX risers between sections, crisp topline melodies aimed at radio and dance floors.

65
Сквозь Асфальт

RusMos pop, Gritty Russian hip-hop, minimal beat built on heavy 808 bass pulses and razor hi-hats at 140 BPM. Male vocals in a calm, confident pocket; intro almost spoken, verse tight and percussive with subtle melancholic pads in the background. Pre-chorus widens with airy chords, doubled hook line, and a slight vocal reverb lift to make the repetition addictive while keeping the overall texture raw and street-focused.

71
Летим по улицам

RusMos Dark, bouncy Russian hip-hop club record; swung drums and deep sub, eerie plucks on the verses. Male vocals laid back but cold, ad-libs tucked wide. Hook hits with layered chants and extra octave double; last chorus brings in heavier distortion on the bass and subtle choir pads for lift.

59
Железом по корням

RusMos Stomping halftime beat with warlike toms and folk hand percussion, male vocals. Balalaika and dulcimer samples weave a tense riff in the verses; chorus explodes with gang shouts, wide guitars, and layered choirs. Dynamics rise from taut, close-mic’d storytelling to a massive, stadium-ready “вперёд!” chant that begs for crowd call-and-response.

64
Огонь в глазах

RusMos High-energy club banger with modern electronic groove, male vocals. Tight verse over pulsing sidechained synth bass and crisp electronic drums; pre-chorus builds with rising pads and filtered vocal chops. Chorus hits wide with stacked gang shouts, bright lead synth, and aggressive sub lift. Second half adds rhythmic stabs and glitch fills to push the dancefloor over the edge.

84
Эй, давай танцевать

RusMos dance, Punchy pop-dance at 124 BPM, bright synth hooks and tight kick-clap groove; male/female vocals with shouty gang responses on the hook, verses riding a chunky sidechained bass. Choruses explode with layered top-line, wide reverb on key words, and a rising synth riser into each drop. Short bridge-style intro then straight into the first verse, keep arrangement lean and high-energy for clubs and radio., pop

74
Жить красиво

RusMos Aggressive Russian hip-hop banger, tight low-end and sharp drum groove, male vocals. Verses ride a relentless, syllable-dense flow over a stark, cold synth motif; hook explodes with gang-vocal chants and filtered risers. Short drops before each chorus for maximum impact, ad-libs tucked wide in the stereo field, vocal doubles thickening key punchlines.

82
Ярило, встань

RusMos folk, Dark folk + ambient electronic; низкие атмосферные синтезаторы стелются, как туман над полем, редкие удары бубна и глухой варган подчеркивают речитативный зачин. Постепенное нарастание: добавляются слои синтов и плотный пульсирующий бит, ритмика бубна ускоряется. В припеве — мощный многоголосный хор, широкая реверберация, мужские и женские голоса в перекличке. К финалу темп и плотность растут, варган уходит в высокие обертоны, бит дробится и ведёт к экстатическому завершению., electronic, ambient

58
Она любила март

Alex 86 rap, Dusty boom-bap with warm low-end and vinyl crackle, mid‑tempo headnod groove. Male vocals laid back but confident, slight rasp. Chopped guitar and organ stabs looped in a swung pocket, tight, rounded kick and lazy snare. Hook widens with doubled vocals and subtle call‑and‑response ad-libs; last chorus adds airy vocal chops and a touch of spring reverb for lift., warm, male vocals, low

77
Она любила март

Alex 86 rap, Dusty boom-bap with warm low-end and vinyl crackle, mid‑tempo headnod groove. Male vocals laid back but confident, slight rasp. Chopped guitar and organ stabs looped in a swung pocket, tight, rounded kick and lazy snare. Hook widens with doubled vocals and subtle call‑and‑response ad-libs; last chorus adds airy vocal chops and a touch of spring reverb for lift., warm, male vocals, low

62
Комоедица: пробуждение Велеса

RusMos folk, Dark pagan EDM with tribal beats and Slavic folk textures; male vocals in a ritual chant style. Deep, pulsing kick drives a hypnotic groove under layered hand drums and low droning mouth harp. Verses sit in a tense, whisper-to-growl register with sparse gusli plucks and distant zhaleika phrases; choruses explode into stomping crowd chants, stacked gang vocals, and distorted synth swells. Occasional breakdown leans on bone-dry percussion and throat-singing-inspired harmonies before dropping back into a massive, festival-ready finale., edm, beats

66
Эфиоп Донбасса

Jeronimo rap, Bouncy reggae-rap fusion with male vocals, offbeat skank guitar and warm sub-bass; verses ride a head-nod hip-hop groove with playful storytelling, chorus explodes into singalong gang chants and call-and-response ad-libs, sparse keys and horn stabs lift the hook while drums stay lazy but heavy, hip hop, reggae

131
Круг огненной сечи

RusMos Explosive Slavic folk-rave: stomping floor toms, frame drums, and claps under a huge festival kick; male and female gang vocals in call-and-response. Verses ride a driving, chant-like rhythm; chorus erupts into shout-along hooks with octave unisons. Layered folk flutes and zhaleika lines snake around the topline; bridge drops to drums and voices only before a final, massive group chant.

65
А у нас тут хорошо

Jeronimo rap, Moody trap‑synthwave with R&B male vocals; swung drums and deep sub anchor the groove, airy retro synth pads paint neon dusk, and a plaintive lead synth doubles the hook. Verses stay intimate and close-miked, chorus widens with lush harmonies and side-chained chords, bridge strips to pads and 808 before a final, triumphant hook reprise., r&b

72
Вставай, Русь!

RusMos rap, Epic trap/orchestral hybrid with male vocals: thunderous low brass, choirs, and taiko-style drums under a sharp, modern beat. Verse drums hit in a militant half-time stomp; ancient Slavic chants and flutes weave around 808 subs. Chorus explodes with stacked gang shouts, big cinematic strings, and open, roaring lead vocal. Bridge strips back to drones and hand percussion, then final chorus returns bigger, with extra choir harmonies and riser swells for a triumphant climax., orchestral

67
Skyline Arcs

RusMos dance, Bright peak-time techno, 135 BPM, four-on-the-floor drive with a punchy sidechained bass. Prominent lead violin carries hooky, staccato motifs in the verses, opening into soaring legato lines over the drops. Crisp synth stabs answer the violin phrases; wide pads bloom in the high end during builds. Male vocals as sparse, mantra-like topline; chopped vocal echoes ride the breakdown, then slam back into a euphoric final drop., emotional, bright, soaring, uplifting, bassline, techno, violin, rhythmic

47
Trumpet to the Sky

RusMos dance, Peak-hour festival techno banger at 134 BPM; pounding four-on-the-floor kick with sharp claps and sidechained bass. Bright, lead trumpet riffs carry the topline in a big major-key hook, trading with punchy piano stabs and wide, stacked synth chords. Long, tense risers and white-noise sweeps into explosive drops, where trumpet fanfares collide with massive chant-style crowd vocals and echoing delay throws. Male vocals, built for call-and-response with a huge crowd., techno, uplifting, vocal, noise, bright

65
Русь моя родная

RusMos Epic hybrid of ancient Slavic chants and modern mid-tempo trap beats at 94 BPM; male vocals in a resonant baritone, doubled by low choir. Intro opens sparse with gusli arpeggios and distant droning voices, then drums and deep bass rise under the first verse. Chorus explodes with stacked gang vocals, balalaika tremolos, and bright shelest from zhaleika. Second verse adds subtle synth pads and stomps; after the second chorus, an instrumental solo features a virtuosic balalaika lead trading phrases with zhaleika over halftime drums. Final section drops the beat to spotlight raw vocal power, then swells into a huge, sustained last line with choir and cymbal wash.

78
Ночная ярмарка

RusMos Peak-hour techno with synthesized folk leads over a pounding 4/4 at 130 BPM; male vocals. Pulsing sidechained bass and tight kick–clap drive the verses, with ornamented phrygian/dorian flute and bagpipe-style leads weaving call-and-response with the vocal. Pre-drop filters and risers build into explosive drops where bright folk hooks double with aggressive detuned synth stacks and crowd-chant backing vocals. Occasional balalaika-like plucks add rhythmic sparkle; vocals sit upfront and urgent, with shouted ad-libs on the hooks.

69
Folk Techno Обряд

RusMos folk, Slow-burning folk techno DJ set, 5-minute arc: opens with sparse drones, shamanic throat-singing textures and hand percussion; kick and hat pattern fades in from 90 BPM, gradually climbs toward 120 with evolving tom grooves and atmospheric risers. Mid-section slam-drop with distorted synthetic bagpipe lead stacked over an arpeggiated bassline and wide polysynth pads; tension built by filters and tape-stop moments. Final third decelerates into a misty breakdown where the rhythm thins and long, reverb-soaked Slavic-style vocalises float over residual sub and delayed drums; ideal for a ritual peak then gentle landing in a dark club set., techno

75
Калинов мост хранит наш род

RusMos Epic Slavic folk over driving electronic pulse, female vocals. Deep drones, layered folk choirs, frame drums locking with sharp programmed kicks and claps. Verses stay intimate with zither-like plucks and low flutes; chorus explodes into stacked harmonies, distorted bass swells, and wide reverbs. Bridge strips to vocals and distant bells, then final chorus slams back in with octave-doubled topline and thunderous toms.

68
Перед битвой

RusMos Dark hybrid of old Slavic folk and modern electronic battle pop, female vocals. Low drones and distant war drums in the intro, then tom-heavy trap groove under raw frame drum hits. Verse built on minor-mode gusli and flute phrases, subtly sidechained to a pulsing bass bed. Choruses explode with stacked female chants and a sharp lead synth doubling the melody. Occasional distorted vocal shouts treated like percussive stabs; final chorus adds crowd-style gang vocals and a wide, echoing reverb tail for a rallying, pre-battle climax.

54
Детство

ERArus Alternative rock, atmospheric, nostalgic, Би-2 style, acoustic intro, slight melancholy, driving guitars, poetic lyrics, warm but sad

62
Двуглавый орёл

RusMos Massive Russian rap banger: aggressive male vocals over dense electronic drums, sub-heavy low end, and cutting snares. Ancient folk colours from gusli, zhaleika, and balalaika weave through the hooks; ethnic percussion locks with a trap-informed groove. Verses are tight and percussive, hook opens into a wide, chant-like anthem with layered gang vocals, echo tails, and rising synths for an epic, imperial energy arc.

73
Брат в бою

RusMos Heroic Russian rap with folk elements at 104 BPM, male vocals; stomping, march-like drums and heavy 808 under raw balalaika and gusli riffs. Verses stay tight and percussive, voice almost spoken; hook explodes with wide choir-style doubles, jaw harp pulses and reed phrases answering the vocal. Start dark and tense, then grow into an epic brotherhood anthem with gang shouts and big reverbs on the final chorus.

74
Сквозь века

RusMos Epic festival EDM fused with ancient folk motifs at 128 BPM, female vocals. Intro builds from a solo, reverb‑drenched ethnic chant into a tight four-on-the-floor with gritty sidechained bass and sharp hats. Massive drops with layered vocal chops and deep sub hits; verses sit on pulsing pads and subtle drones, ethnic percussion weaving around the groove. Choruses explode with stacked harmonies, echoing call‑and‑response hooks, and scratched turnarounds between phrases. Final section strips to drums and voice, then a last, wide, reverbed hook.

77
Один Бог

RusMos Epic folk-electronica at 124 BPM with female vocals. Celtic whistles and airy pads over a driving 4-on-the-floor kick, layered hand drums, and deep sub bass. Verses stay spacious with plucked harp and distant drones; choruses explode into big choral stacks, stomps, and claps. Bridge strips back to intimate solo voice over evolving synths, then final chorus returns with extra harmonies and a soaring whistle line on top.

66
Целуйте асфальт

Максим199454 rap, Gritty Russian hip hop banger, mid-tempo bounce with thick sub bass and sharp snare; verses ride a head-nod groove over eerie chopped sample, hook explodes with gang vocals and wide stereo chants. Male vocals, sly and cocky delivery, ad-libs tucked behind the main line. Final chorus adds extra layers and drops for a triumphant, homecoming feel., hip hop

80
Путь  (инструментал)

Николай Саблин Beautiful emotion intro, uplifting trance with synthesizer -heavy metal with piano, acoustic guitars, emotion rock guitars solo, Driving Bass, beautiful end

103
Прыгаем как мячики

Тамир Upbeat, bouncy kids’ choir with bright acoustic guitar, claps, and light percussion; verses stay nimble and playful, chorus explodes with layered group vocals and call‑and‑response shouts, short bridge with key change lift for extra excitement

57