Все треки

Последние публичные треки, созданные нашими пользователями

Ты — и звезда, и солнце

Алекс 890 pop, Warm orchestral pop with gentle Eastern motifs, male vocals. Nylon guitar and qanun introduce the verse over soft strings; light percussion and hand drums lift the groove. Chorus blooms with full string section, piano, and supportive male backing harmonies. Middle section leans intimate with reduced arrangement, then returns to a soaring, heartfelt final chorus and tender outro., classical

55
Дороги +

Данила79 pop, electronic, rock

34
Гларусы-кораблики, уточки-ныроочки
45
Giftstadt-Gebet

Антон Васьков metal, Grinding industrial metal with male growls and shouted gang vocals; chugging, palm-muted guitars locked to a mechanical kick-snare pattern, metallic percussion hits, and a snarling mid-tempo stomp. Verses stay tight and claustrophobic, bass pulsing like factory engines; chorus widens with dissonant synth pads, higher-register screams, and a massive half-time crash feel. Brief noise-soaked bridge with filtered drums and spoken-word growl before a final, all-out wall of sound. Male vocals, switching between guttural lows and feral highs., industrial metal

51
Саморазрушение

DarkAIron Genre: dark trap metal, heavy rap Tempo: 140 BPM, aggressive distorted 808 bass, heavy 808 kicks, hi-hats with rapid rolls Mood: nihilistic, bleak, urban decay, no melodic singing, strictly spoken word rap, flat delivery Vocals: male, deep, monotone, aggressive, slightly distorted, no clean chorus, no emotional rise Structure: verse (16 bars) -> hook (8 bars, spoken, no melody) -> verse (16 bars) -> hook -> bridge (8 bars, half-time, whispered) -> outro (spoken, fading) Instruments: heavy 808 sub-bass with distortion, cinematic minor key strings pads, gunshot-like snare hits, reversed piano notes, vinyl crackle Production: dry mix, no reverb on vocals, heavy sidechain compression, bass distortion, lo-fi texture Style: similar to dark Memphis rap meets trap metal, minimalistic repetitive lyrics, aggressive monotone delivery, no screaming, no singing Avoid: melodic hooks, singing, choir, acoustic instruments, clean guitars, uplifting chords, major keys

83
Валенки

ATWST [EDM, Big Room House fusion with aggressive Phonk influences, ultra-pumping remix style, maximalist production, 128-132 BPM, professional studio quality, crystal-clear mix, massive sub-bass, layered synths]

146
Каждый Миг Горит

Денис Чебаков Bright Euro/Italo disco at 127 BPM, female vocals; shimmering synth arps, elastic bassline, tight four-on-the-floor kick. Verses ride a bouncy keys-and-clap groove, pre-chorus adds rising pads and octave bass, chorus explodes with stacked harmonies and a catchy top-line hook. Short synth riffs answer vocal phrases, with a middle lift that strips to bass, kick, and vocal ad-libs before the final full-energy chorus.

33
Белые горы

V0r0n electronic rock, post-grunge, hard rock, alternative rock, nu-metal, cello, orchestra

129
Жизнь от встречи и до встречи (слова Денис ЧЕБАКОВ) (Edit)
54
Прочь из моей головы (Live Concert Edit)

Yuki_Schtiel Live concert performance of rhythmic alternative hip‑hop at 140 BPM in D minor: gritty Russian male vocals lead the charge, with the crowd echoing key lines and chanting the hook. Distorted, overdriven bass and sharp industrial drums (syncopated hats, glitchy percussion hits) drive the energy. Verses feature a tight, angular flow over metallic stabs and filtered noise; during the hook, the audience’s chants blend with stacked shouts and octave doubles from the vocalist. Occasional lo‑fi drops and tape‑stop effects spotlight vocal aggression and trigger crowd reactions — roars, chants, and synchronized stomps. Atmosphere: raw, high‑energy, with palpable crowd participation. Genres: industrial, hip‑hop, rhythmic.

30
Рок на аккордеоне (Live Concert Edit)

Yuki_Schtiel Live concert performance of a crunchy Slavic rock groove: distorted accordion lead carries the main riff, male vocals half‑sung, half‑shouted. The crowd is fully engaged — they chant along in unison during the verses, amplifying the tight, riffy energy. In the choruses, the audience explodes with the band: gang shouts and octave harmonies fill the venue, creating a massive, communal sing‑along. Brief mid‑song breakdown features a solo accordion run, with the crowd clapping in time; then a final, even bigger chorus hits — crash‑heavy drums drive the momentum as thousands of voices join the anthem, echoing through the arena.

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It's not you.
122
Падает Снег (Live Concert Edit)

Yuki_Schtiel Live alternative post‑punk track, deeply melancholic. The singer starts alone with a raw, emotional vocal; as the song builds, the audience joins in, singing the refrain louder and more passionately with each repetition. Instruments: moody bass, atmospheric guitars with heavy reverb, minimalistic drums. The final chorus is dominated by the crowd’s powerful, echoing voices, almost drowning out the singer.

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Остаемся детьми

Фёдор Фёдорович Рок баллада, blues, slow shuffle, live-club trio, call-and-response guitar, bent-note guitar, baritone sax riffs, upright bass walk, brushed snare, Hammond organ stabs, tube amp saturation, spring reverb, room mic bleed, loose backbeat, 84 BPM, conversational groove, punchline phrasing

43
Обычный день штурмовика. (Ак. конц.)

Сергей Федорович acoustic version, acoustic guitar, pop rock, emotional low , male baritone vocals intimate hoarse chest register, humanized , live club acoustics, call and response, punchline lyrics, Natural room sound, soft tape compression, and a heartfelt live-band texture.

60
Ай-Яй-Яй  (Cover)

Ай-Яй-Яй (Cover)

Кавер-версия

Jura Euro Hard House,Car Bass, Hardbass, Dancepop, Frenchcore, average pace, Bass Boosted, vocal house, Car house,Bass profundo voice ,festival ready, big drops, electronic fusion, aggressive kicks, fast tempo, rave energi

57
No way

HUSTON tlgrm 79990572794 Trance, break bit, dark piano, energetic drums, 808 bass, powerful sound, intense male vocal, bpm 120

58
Наводи суету

HUSTON tlgrm 79990572794 Aggressive rock-metal, power acoustic guitar, energetic drums, powerful sound, intense male vocal, bpm 90

50
Тусклый город (ак. конц.)

Сергей Федорович acoustic version, acoustic guitar, pop rock, emotional low male voice, male baritone vocals intimate hoarse chest register, Natural room sound, soft tape compression, and a heartfelt live-band texture.

58
Чум

Oksana Che Этно, ханты, инструмент турман создает ритм, инструменты нарс-юх, тор-сапль-юх, кугель-юх, хантыйская погремушка, бубен шамана большой, песня народная ханты, исполнение спокойное монотонное, завораживающее, дополнительно добавить звуки леса, шелест деревьев, хруст веток, капли воды, течение ручейка, дуновение ветра, вокал мужской, фолк

87
Путь

mirwad Pleasant, ringing, gentle female voice, Meditation, Prayer

74
Казак+

Данила79 folk, rock, electronic

63
Наш отряд шагает рядом

Alex 86 folk, Tender 1960s Italian-style folk-pop ballad at 95 BPM, acoustic guitar and upright bass setting a gentle march feel, male boy soprano on lead with children’s choir in warm unison and simple thirds on the hook; soft tambourine and glockenspiel sparkle on downbeats as accordion swells lift the patriotic lines, dynamics rising into each chorus then easing back to intimate verses, soft, simple, pop, russian folk, accordion, nostalgic, acoustic, harmony, tribute, warm, gentle

54
Наш отряд шагает рядом

Alex 86 folk, Tender 1960s Italian-style folk-pop ballad at 95 BPM, acoustic guitar and upright bass setting a gentle march feel, male boy soprano on lead with children’s choir in warm unison and simple thirds on the hook; soft tambourine and glockenspiel sparkle on downbeats as accordion swells lift the patriotic lines, dynamics rising into each chorus then easing back to intimate verses, soft, simple, pop, russian folk, accordion, nostalgic, acoustic, harmony, tribute, warm, gentle

55
Лирика

Данила79 pop, electronic, dance, rock, dj.

57
Поле

Кристина10 Лёгкий рок,голос слегка охрипшый голос,в начале чтоб были звуки разрыва мин,чтоб сама песня не была сильно наиграна,а цепляла за душу

71
Океан огня

Diego Voideh Medi-tative, cinematic song in the style of Dao-inspired Chinese cinema with Indian emotion. Length: 5:30–6:30. Soft Chinese strings (guzheng, erhu), dudu flute, light electronic waves, sub-bass pulse, minimalist 70–80 BPM beat. Sitar with raga bends and Bollywood phrasing, violin with crying vibrato, tanpura drone, ambient pads, wind/flute effects, reverb, echo, pauses. Calm, deep, spacious, like morning mist over a river, luminous but not dramatic. Whispered duet at the start, growing into a full crescendo, ending with soft echo and fade-out. Male voice warm, calm, like a teacher, slight Armenian-style melismas. Female voice thin, ringing, with Indian accent and gamaka/rаga vibrato, like Bollywood love duets. Spiritual, meditative, cinematic, minimal, warm, emotional.

31
Мама Зоя

Diego Voideh ambient cinematic ballad, emotional male-female duet, soft piano, warm strings, airy pads, intimate vocals, slow tempo 70 BPM, deeply touching, hopeful, tender, spacious reverb

43
Две тысячи

Diego Voideh acoustic folk duet, heartfelt campfire style, rugged tenor , warm alto , guitar violin, 75 BPM like Lumineers.

50
Ветер пустыни

Gene Goa trance, макама Хиджаб, Arabian style

46
Messaggio d'amore

Gene Italodisco new future, arpeggio, echo, 100 bpm

54
Eggman

Sapulia928 Heavy metal with mid-tempo drop-tuned rhythm guitars, palm-muted chugs, and razor-tight power-chord riffs. Calm male lead vocal sits dry and centered over massive kick-snare drums, double-kick accents, punchy tom fills, and a thick distorted bass, with layered gang chants and a soaring guitar solo section.

57
Eggman

Sapulia928 Heavy metal with mid-tempo drop-tuned rhythm guitars, palm-muted chugs, and razor-tight power-chord riffs. Calm male lead vocal sits dry and centered over massive kick-snare drums, double-kick accents, punchy tom fills, and a thick distorted bass, with layered gang chants and a soaring guitar solo section.

67
Стас-скай лайн снова в эфире

мс Хоттабыч Dark driving techno groove, 132 BPM, male vocals half-rapped half-chanted. Minimal kick and rolling bass through the verses, with twitchy percussive synth stabs. Chorus opens with a wide detuned lead and crowd-style shouts tucked under the hook. Occasional glitch FX on key punchlines; final drop strips back to kick, bass, and vocal for a cold, triumphant finish., techno

35
Стас-скай лайн снова в эфире

мс Хоттабыч Dark driving techno groove, 132 BPM, male vocals half-rapped half-chanted. Minimal kick and rolling bass through the verses, with twitchy percussive synth stabs. Chorus opens with a wide detuned lead and crowd-style shouts tucked under the hook. Occasional glitch FX on key punchlines; final drop strips back to kick, bass, and vocal for a cold, triumphant finish., techno

36
ООО, предатель

мс Хоттабыч Aggressive warehouse techno, 132 BPM, distorted kick pounding under metallic percussion and dark synth stabs. Male vocals barked and chanted in a raw, almost hoarse tone, verses tight and percussive. Chorus opens with shouted gang-style layers, huge reverb tail on the title line, then snaps back into a dry, upfront vocal. Occasional glitchy vocal chops and riser swells to slam into each drop., techno

25
ООО, предатель

мс Хоттабыч Aggressive warehouse techno, 132 BPM, distorted kick pounding under metallic percussion and dark synth stabs. Male vocals barked and chanted in a raw, almost hoarse tone, verses tight and percussive. Chorus opens with shouted gang-style layers, huge reverb tail on the title line, then snaps back into a dry, upfront vocal. Occasional glitchy vocal chops and riser swells to slam into each drop., techno

39
Мама сита снова в эфире

мс Хоттабыч rap, Dark club blend of tech-house and hip-hop: swung four-on-the-floor kick, growling sub, metallic percussion. Russian female vocals, half-rapped, half-sung with a sly, confident delivery. Hook rides a repetitive synth stab; verses strip back to bass and clap, then chorus widens with airy pads, delay throws, and stacked ad-libs on key phrases. Late-song break filters everything down to just vocal and pulse before a final drop., hip hop, techno

31
Мама сита снова в эфире

мс Хоттабыч rap, Dark club blend of tech-house and hip-hop: swung four-on-the-floor kick, growling sub, metallic percussion. Russian female vocals, half-rapped, half-sung with a sly, confident delivery. Hook rides a repetitive synth stab; verses strip back to bass and clap, then chorus widens with airy pads, delay throws, and stacked ad-libs on key phrases. Late-song break filters everything down to just vocal and pulse before a final drop., hip hop, techno

31
Анастасия, не ругайся

мс Хоттабыч rap, Playful boom-bap beat with crisp snares and warm sampled keys, male vocals. Laid-back verses with conversational flow; hook gets bouncy with stacked gang shouts on the title phrase. Sub-bass stays cozy, subtle vinyl crackle, occasional DJ cuts between lines to punch the jokes. Keep the mix dry and intimate so every word in Russian lands clearly., hip hop

48
Анастасия, не ругайся

мс Хоттабыч rap, Playful boom-bap beat with crisp snares and warm sampled keys, male vocals. Laid-back verses with conversational flow; hook gets bouncy with stacked gang shouts on the title phrase. Sub-bass stays cozy, subtle vinyl crackle, occasional DJ cuts between lines to punch the jokes. Keep the mix dry and intimate so every word in Russian lands clearly., hip hop

45
Техно-ладка Мармеладка

мс Хоттабыч rap, Dark French-trap beat with Russian rap flow, male vocals; rubbery distorted bass and crisp trap hats under a cold, hypnotic synth loop. Verses tight and percussive with occasional half-time pockets; hook widens with stacked chant-style backing vocals and a subtle choir pad. Ad-libs drenched in short, aggressive delay to amp the swagger., techno, hip hop

37
Техно-ладка Мармеладка

мс Хоттабыч rap, Dark French-trap beat with Russian rap flow, male vocals; rubbery distorted bass and crisp trap hats under a cold, hypnotic synth loop. Verses tight and percussive with occasional half-time pockets; hook widens with stacked chant-style backing vocals and a subtle choir pad. Ad-libs drenched in short, aggressive delay to amp the swagger., techno, hip hop

38