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Последние публичные треки, созданные нашими пользователями

Вхожу в любовь (Live Concert Edit)

Yuki_Schtiel Live post‑punk concert: male and female vocals singing the main lines, crowd enthusiastically singing along in the chorus, synth bass, dark synth melody, distant male and female backup voices echoing in the venue.

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Жёсткая правда любви!

Смирнов Анатолий male hoarse vocals, female soprano vocals, duet, emotionality, tearfulness, Japanese-style ballad, dramatic crescendo

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Знамение для Николая

InnaWav Ethereal Russian indie-pop cosmos with distant tolling bells, airy synth pads, and subtle trip-hop grooves; female vocals floating in reverb, soft but intense. Verses stay intimate over sparse piano drones, then the chorus swells with layered harmonies and stereo-panned choral pads, bells blooming like supernovas. Final bridge strips back to near a cappella with a shimmer of celestial noise, then everything returns in a wide, cinematic outro.

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كل ذهب دبي — لحبيبتي

Золтан Oriental Pop, Ethno Digital, Flamenco, Eurodisco, Eurobeat, Erotic, Mystic, powerful Darbuka percussion, 120-128 bpm, G Minor key, echoes/reverberation/portamento, male sexual warm mysterious lead vocals, male sexual soft mysterious backing vocals.

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كل ذهب دبي — لحبيبتي

Золтан Oriental Pop, Ethno Digital, Flamenco, Eurodisco, Eurobeat, Erotic, Mystic, powerful Darbuka percussion, 120-128 bpm, G Minor key, echoes/reverberation/portamento, male sexual warm mysterious lead vocals, male sexual soft mysterious backing vocals.

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Не верь им — они чужие

Yuki_Schtiel Cold-wave Russian post-punk with sharp synth stabs, chorus-drenched guitars, male vocals; drum machine groove stays rigid and danceable while bass drives a dark pulse. Verses are tense and clipped; choruses erupt with wide, echoing vocals and doubled hooks. Sparse analog pads bloom in the bridge, then everything slams back into a stark, anthemic final refrain.

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Архангел Михаил

InnaWav Pure deep male voice Instrumental, gothic, Dark cinematic hip-hop hymn with Russian male vocals; eerie choirs and distant church bells over a slow, grimy beat and deep subs. Verses spoken-sung in a cold, steady cadence; chorus lifts with soaring choral pads and distorted backing chants. Sparse piano stabs and reverse FX build tension, then drop to near-silence on key lines for maximum impact.

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День дурака — наш праздник (Edit)

InnaWav Bouncy indie pop duet with male and female vocals trading playful lines; tight live drums, jangly guitars, and a bright bass groove. Verses stay light and conversational, chorus jumps with gang shouts and claps. Middle section drops to just guitar and voices before a last, big singalong hook.

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Да!

Золтан Soulful Music, Whiskey Bar Blues/Soul/Country, acoustic guitar, banjo, Irish violin, harmonica, 80-90 bpm, D Minor key, male "age range" deep raspy vocals.

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Да!

Золтан Soulful Music, Whiskey Bar Blues/Soul/Country, acoustic guitar, banjo, Irish violin, harmonica, 80-90 bpm, D Minor key, male "age range" deep raspy vocals.

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Мама Таня

Себостьян pop, Warm acoustic pop ballad with female vocals, gentle piano leading the harmony, soft pads and subtle bass. First verse intimate and close-mic, chorus lifts with stacked harmonies and a simple drum groove, then drops back to almost solo piano for the bridge. Final chorus adds ad-libbed top lines and a slight tempo push to feel like a loving family singalong.

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Мама Таня

Себостьян pop, Warm acoustic pop ballad with female vocals, gentle piano leading the harmony, soft pads and subtle bass. First verse intimate and close-mic, chorus lifts with stacked harmonies and a simple drum groove, then drops back to almost solo piano for the bridge. Final chorus adds ad-libbed top lines and a slight tempo push to feel like a loving family singalong.

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ДРГ

Ратибор Ясный post punk, depression folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии double bass, bass guitar, bass parts, male vocal, male vocal

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Привет, я в сети.(2007г.)

Влад Мигаль Russian chanson, pop ballad, medium tempo, energetic swing, accordions and strings, saxophone lead, orchestral interludes, brushed snare kit, warm upright bass, piano chords, electric guitar fills, cinematic crescendo, direct-address lyrics, bittersweet nostalgia,, jazz

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Лунная ночь

Альберт Миракян Romantic neoclassical ballad with solo piano and lush string ensemble, male vocals. Quiet, spacious intro blooming into a lyrical, soaring chorus; delicate arpeggios under verses, legato strings rising on refrains. Subtle woodwinds and harp color the bridge, then a soft, luminous outro that lets the vocal linger in the air., classical

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04. Где-то капли стучат...

Сергей Фролов classic rock, power ballad, electric guitar harmonics, reverb guitar solo, gated snare, analog bass, stacked synth pads, soft piano accents, wide stereo mix, tape saturation, live room drums, verse chorus lift, slow build climax, nostalgic longing, emotional intensity, 72 BPM

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Тихие мечты...

Влад Мигаль pop, synth-pop, wide chorus harmonie, bittersweet nostalgia

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Я схожу по тебе с ума

Себостьян Smoky small‑club jazz combo with upright bass, brushed drums, and warm piano; male vocals crooning up close to the mic. Horn section answers vocal phrases, then swells into a lush mini‑orchestra in the chorus. Easy swing on the verses, chorus blooms with wider chords and a soaring brass pad; intimate, late‑night mix that lets the vocal wink and ache at the same time.

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Я схожу по тебе с ума

Себостьян Smoky small‑club jazz combo with upright bass, brushed drums, and warm piano; male vocals crooning up close to the mic. Horn section answers vocal phrases, then swells into a lush mini‑orchestra in the chorus. Easy swing on the verses, chorus blooms with wider chords and a soaring brass pad; intimate, late‑night mix that lets the vocal wink and ache at the same time.

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мне грустно на тебя смотреть( муз. Евгений Медведев,ст.Есенин)

моральная агрессия Opera male vocals, heavy metal, classic, acoustic guitar, electric guitar solo, bass guitar solo, drums, psychedelic, symphony Orchestra

124
Союз вселенных.

К-1 rock, electronic, folk, classical, soul

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Я долго

Кирилл10 hip-hop, club trap, 92 BPM, minor key, kick-snare pocket, swung hi-hats triplet rolls, deep 808 slides, syncopated sub bass, chopped brass stabs, call-and-response hooks, sparse verse drops, riser build-ups, sidechain pumping, plate reverb snare, Moscow night grit, streetwise energy

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Полёт

Себостьян Darkstep horror with male vocals: detuned reese bass grinding beneath stuttering half-time drums and metallic percussive hits. Whispered verses over eerie, stretched choirs and distant industrial clanks; chorus explodes with distorted lead synths, layered growl screams, and a wide, cold reverb. Mid-song break pulls everything down to a heartbeat pulse and filtered bass before a final, crushing drop with glitchy vocal chops and rising noise swells., darkstep

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Здравствуй, Солнце

Ратибор Ясный post punk, major folks, acoustic guitar, bass, electric guitar, контрабас, бас гитара , басовые партии double bass, bass guitar, bass parts, male vocal, male vocal

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Полёт

Себостьян Darkstep horror with male vocals: detuned reese bass grinding beneath stuttering half-time drums and metallic percussive hits. Whispered verses over eerie, stretched choirs and distant industrial clanks; chorus explodes with distorted lead synths, layered growl screams, and a wide, cold reverb. Mid-song break pulls everything down to a heartbeat pulse and filtered bass before a final, crushing drop with glitchy vocal chops and rising noise swells., darkstep

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Иду к тебе (Walking to You)

Oceania dark cinematic blues rock, mythic spoken word edges, solemn and dangerous mood, spiritually fierce, quiet tension to thunderous catharsis; Cain and Abel themes, Jungian shadow work, wounded healer narrative; 72 BPM slowburn → 90 BPM in choruses, D minor key; instrumentation: slow burning electric guitar (heavy reverb), haunted cello (low register), low sub‑bass synth drones, deep tom rolls; vocals: male deep baritone (spoken word → raw singing), female ethereal backing (harmonies); sound design: church bells tolling 3 times, wind howling, thunder rumbles, rain (light → heavy), footsteps passing by, door creaking, fire crackling, bird wings flapping, echoing whispers, dripping water, faint chanting

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Deep in

Кирилл10 Russian hip-hop, club trap, 92 BPM, 808 sub-bass slides, crisp rimshot snare, triplet hi-hat rolls, detuned brass stabs, analog synth lead, minor-key piano loop, gated reverb, tape saturation, Moscow night grit, cold-start intensity, triumphant drop, live-room bounce

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Приди ко мне в гости

Анатолич Rock-folk storytelling track with acoustic strummed guitar, tin whistle, fiddle, and bodhrán woven into a steady rock drum kit and electric bass. Verses hit harder with overdriven guitars and tom-driven groove, while the chorus turns softer with layered vocal harmonies, mandolin, and warm room reverb.

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BLACK SMOKE

Кирилл10 hardcore drift phonk, slav phonk rap, distorted 808 bass, memphis phonk vocals, aggressive cowbells melody, fast trap hi-hats, dark underground street vibe, viral TikTok phonk energy

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Ожидания ( использован стих В. Гелетайтис)

kuprumserga Style: ironic urban chanson with elements of author's song and pop lyrics. - **Genre basis - chanson:** - Simple, memorable melody and harmony. - Emphasis on the text and its presentation (storytelling manner). - Use of an acoustic guitar as a leading instrument. - A slight hoarseness in the voice, "yard" aesthetics. - **Mood and theme - ironic realism:** - The song mocks stereotypes about passionate love and male feats. - The plot focuses on a everyday, life-like situation, presented with self-irony. - The humor is based on the contrast between expectations ("tank", "storm") and reality ("sheets have cooled", "joints ached"). - **The musical character is light and dance-like:** - Despite the "military" metaphors in the lyrics, the music should not be heavy or dramatic. - The rhythm is rather cheerful, dance-like or marching, which emphasizes the comicality of the situation. - The arrangement is light, without pathos, with a warm sound of a guitar or accordion.

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Dark Symphony

Sergilio Cyberpunk 2077 , bass guitar, Bass cello, symphonic metal, rolling bass, driving bass line, deep bass 808, hard bass, gothic metal , mystery atmospheric, epic full-on psytrance, dark cinematic, epic folk choral

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Тайна песка

Вася Вамп Hard rock, guitar overdrive, bass overdrive, emotional, mysterious

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Моя девчонка Оля

Alex 86 Melancholic Russian chanson ballad, male lead with soft female harmonies; close nylon-string guitar and sighing accordion over warm upright bass and brushed snare. Intimate, talk-like verses in the low register; choruses bloom with longer vowels and gentle female call-and-response. Final chorus dips to a near-spoken barroom murmur, then swells tenderly on the last title line, with a small accordion and vocal harmony lift., accordion, gentle, ballad, chanson, male vocals, soft, light, slow, harmony, dynamic, warm

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Мама, Татьяна Николаевна

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies; close‑miked nylon guitar arpeggios, sighing accordion lines, warm upright bass and brushed snare in a slow sway. Intimate storyteller verses in a narrow range; choruses open up with longer held vowels and gentle female call‑and‑response. Final chorus dips into a near‑spoken barroom murmur, then swells tenderly on the last title line., ballad, gentle, warm, soft, slow, dynamic, harmony, accordion, male vocals, chanson

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Мама, ты одна моя

Alex 86 Melancholic Russian chanson ballad, male vocals with soft female harmonies. Close-miked nylon guitar carries the pulse; sighing accordion weaves countermelodies over warm upright bass and brushed snare. Verses stay intimate and low, almost spoken; choruses bloom with longer held vowels and gentle call-and-response from female backing. Final chorus drops to a hushed barroom murmur, then swells tenderly on the last title line for a lingering outro., dynamic, ballad, male vocals, light, harmony, slow, accordion, gentle, warm, soft, chanson

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Компас в пути

Вася Вамп Медленный панк рок, guitar overdrive, choir, emotional

49
Пузо

Вася Вамп Бодрый весёлый ska punk rock, guitar overdrive, synth, energetic, happy

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клёны мои

Анатолич romance chanson, Russian pop ballad, nylon-string guitar arpeggios, violin counter-melody, brushed snare, accordion pads, upright bass, intimate room reverb, slow build chorus, string section lift, bittersweet nostalgia, 72 BPM, rubato intro, half-time refrain, dynamic breakdown

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ТРЯПКА

Вася Вамп Punk rock, guitar overdrive, bass, pure voice, calm

49
Пельмешки без спешки

sps rap, High-energy trap-dubstep hybrid with distorted bass swells, stuttering hi-hats, and glitchy vocal chops; male vocals bouncing between playful rap and chant-style hook. Verses ride a minimal, rubbery low-end groove; chorus explodes with layered shouts and detuned synth leads. Occasional half-time drops and riser sweeps for festival-style impact, keeping the hook insanely sticky., dubstep, electronic

127
Моему другу Бояну

Золтан Gangsta rap, Rapcore, Orchestral rap, Symphony Orchestra, 180 bpm, G Major key, male lyrical baritone MC vocals, male clear backing vocals.

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Моему другу Бояну

Золтан Gangsta rap, Rapcore, Orchestral rap, Symphony Orchestra, 180 bpm, G Major key, male lyrical baritone MC vocals, male clear backing vocals.

183
Рассыпалось всё

Вася Вамп Медленный лирический рок, rock ballad ,guitar overdrive, bass overdrive, emotional

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С Днём рождения, класс!

maxmegabass pop, Bright pop groove with acoustic guitar strums, claps, and playful synth bells; verses bounce lightly then chorus hits wider with stacked gang vocals from the class and a steady kick. Short bridge strips to handclaps and lead vocal before a final big-hook chorus, kid-friendly energy, mixed-gender group vocals.

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