Все треки

ИИбатя • Russian indie-pop, sophisti-pop, upbeat 140, funky melodic bassline, clean jangling guitars, light percussion, rhythmic melancholic accordion, hazy ethereal , airy reverb, playful and ironic, sophisticated.

Александр маслюков • Russian Rock, Male Voice, Emotional, Powerful Chorus.Heavy Guitar Solo, Melodic Bridge

Денис Чебаков • Romantic Italian-tinged chanson with Italian disco sheen: mid-tempo 4/4 groove, nylon-string lead guitar weaving around a warm synth bass and steady drum machine pulse; male vocals up close and confessional in the verses, then widening with airy backing harmonies and bright disco strings in the chorus. Subtle accordion swells in the bridge, tambourine and claps lift the final hook for a danceable yet sentimental glow., italian disco

Денис Чебаков • High-energy Slavic pop banger with female vocals, bright layered synths and driving dance drums. Verses bounce on syncopated rhythms and ear-candy earworms; chorus explodes with stacked harmonies and a soaring top-line. Bridge strips to pulsing bass and claps, then drops into an expansive guitar-synth solo that feels like taking off into the night sky.

Золтан • Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, Erotic, Mystic, 114 bpm, E Minor key, synthesizer Yamaha DX7, Linn Drum, rhythmic delay, vocoder/echoes/reverberation/portamento, female sexual clear mysterious lead vocals (reminiscent of Sandra's voice), male sexual warm mysterious backing vocals.

Золтан • Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, Erotic, Mystic, 114 bpm, E Minor key, synthesizer Yamaha DX7, Linn Drum, rhythmic delay, vocoder/echoes/reverberation/portamento, female sexual clear mysterious lead vocals (reminiscent of Sandra's voice), male sexual warm mysterious backing vocals.

моральная агрессия • Bass guitar solo, growling voice, high screaming voice, opera choir voices, death metal, heavy metal

Marchelli_83 • Hardcore-punk

Рафик_А • pop, спокойная лирическая композиция, первый куплет под лирический перебор под пианино, припев под красивый инструментал, второй куплет под лирический перебор под пианино, припев под красивый инструментал, проигрыш под красивый инструментал и соло на электрической гитаре, поет красивый глубокий мужской голос

divey • britpop 1990s, new wave, happy, wah wah rhythm guitar, bright leader guitar, drums, male raspy vocals, choir

NatroN • arena rock, hard rock ballad, 1980s stadium mix, male tenor vocals, rasped belting, dual guitar harmonies, palm-muted power chords, fretless bass slides, gated snare reverb, plate delay vocals, analog synth layers, minor key chorus, half-time verses, soaring pre-chorus, cathartic release

NatroN • hard rock, 96 BPM, distorted power chords, palm-muted guitar chugs, slide guitar bends, arena tom fills, gang shout hooks, overdriven bass grit, snare compression, tape saturation, plate reverb, stereo room mics, halftime bridge, anthemic catharsis, bruised defiance

vladzak57 • double time rap

Dukem • Style: Russian indie rock, bard punk, hypnotic spoken word, lo-fi, melancholic male vocals, Naik Borzov vibes, riding on a star, mid-tempo 85 BPM, acoustic guitar arpeggio, dreamy but edgy, slight vocal distortion, space echo reverb. Structure: - Intro: soft guitar picking, space wind - Verse 1: quiet half-spoken, intimate - Chorus: swaying rhythm, voice slightly louder, melancholic - Verse 2: light irony in voice - Guitar solo: short, clumsy but soulful - Chorus repeat - Bridge: spoken word, pauses between lines, intimate - Outro: fading voice, last chord decays

Dukem • Style: Russian indie rock, bard punk, hypnotic spoken word, lo-fi, melancholic male vocals, Naik Borzov vibes, riding on a star, mid-tempo 85 BPM, acoustic guitar arpeggio, dreamy but edgy, slight vocal distortion, space echo reverb. Structure: - Intro: soft guitar picking, space wind - Verse 1: quiet half-spoken, intimate - Chorus: swaying rhythm, voice slightly louder, melancholic - Verse 2: light irony in voice - Guitar solo: short, clumsy but soulful - Chorus repeat - Bridge: spoken word, pauses between lines, intimate - Outro: fading voice, last chord decays

Сергей Федорович • Catchy hybrid of gangster rap, glitch-hop, and raiser-house at a driving club tempo, with punchy 808 kick, distorted sub-bass, chopped breakbeats, and syncopated glitch edits. Humanized hooligan male lead with gritty delivery, plus stacked background vocals, filtered synth risers, stutter fills, and big sidechained drops built to make you move.

Ирина Пожогина • classical crossover, 78 BPM, rubato intro, string quartet ostinato, felted piano arpeggios, solo violin lines, celesta accents, low cello drones, timpani rolls, glockenspiel motifs, concert hall ambience, close mic piano, tape saturation, wide stereo strings, bittersweet nostalgia, autumn dusk, gradual crescendo, resolved cadence

Смирнов Анатолий • Я Pop, Russian Chanson, male vocals, echo, Explosive powerful vocals, Piano, Atmospheric, emotional, Add Bits

InnaWav • Cosmo-gothic indie pop with male vocals; spacious synth pads and pulsing bass under a steady mid-tempo groove, verses in a hushed near-whisper that bloom into anthemic, echo-drenched choruses; icy arpeggios and choral swells add sacred drama while a reverbed drum kit and distant guitar delays drive a slow, inevitable rise to a cathartic final hook

InnaWav • Cosmo-gothic indie pop with male vocals; spacious synth pads and pulsing bass under a steady mid-tempo groove, verses in a hushed near-whisper that bloom into anthemic, echo-drenched choruses; icy arpeggios and choral swells add sacred drama while a reverbed drum kit and distant guitar delays drive a slow, inevitable rise to a cathartic final hook

Серж170 • hard rock, arena rock, male lead vocals, stacked choir chorus, reverb soaked snare, distorted power chords, palm muted riffs, double kick drums, overdriven bass guitar, solo guitar breaks, tape saturation, wide stereo mix, gated tom fills, anthemic chorus, 72 BPM, late 80s production

Лилия Бабошко • female vocals, vocals harmonies, souls, melodic, violin, synth, symphony orchestra, ballads, guitar, electric guitar, synth, pop music

Ирина Пожогина • pop, electronic

Yurec • ska punk, Russian protest rock, 160 BPM, brass stabs, upstroke guitar, punchy snare backbeat, walking bassline, shouted male vocals, ragged lead rasp, group chant chorus, spoken bridge rap, overdriven live room, tape saturation, mono horn punch, gang vocals, sarcastic city satire, anti-system energy Russian pop, synth-pop, club trap, anthemic chorus chant, rap-sung delivery, shouted lead vocals, gritty male baritone, razor diction, crowd shouts, syncopated 808 slides, distorted synth stabs, gated snare, stadium handclaps, sidechain pumping, punchy kick drums, tension-free dropouts, verse chorus build,

Fokysanastasya • Female vocals, slap house, acoustic guitar riff, punchy bass, sassy, cathy hook, russian pop, high energy, 124 ВРМ, modern radio hit

Fokysanastasya • Female vocals, slap house, acoustic guitar riff, punchy bass, sassy, cathy hook, russian pop, high energy, 124 ВРМ, modern radio hit

Fokysanastasya • Female vocals, pop rock, Alternative pop, energetic, electric guitar, punky, bold, fast tempo, Angry

Fokysanastasya • Female vocals, pop rock, Alternative pop, energetic, electric guitar, punky, bold, fast tempo, Angry

Fokysanastasya • Russian pop, Caucasus style, sunth accordion, upbeat dance rhythm, family emotional vocals, oriental motifs, 105 ВРМ

Fokysanastasya • Russian pop, Caucasus style, sunth accordion, upbeat dance rhythm, family emotional vocals, oriental motifs, 105 ВРМ

Fokysanastasya • Стиль (Style Prompt): Slap House, Deep House, Russian Pop, Male Vocals, Club, Bass Boosted, Energetic, Catchy.

Fokysanastasya • Стиль (Style Prompt): Slap House, Deep House, Russian Pop, Male Vocals, Club, Bass Boosted, Energetic, Catchy.

Лес • Russian pop rock, theatrical punk rock, distorted electric guitars, octave bass lines, tom tom marches, brisk acoustic strums, gang chant hooks, pipe organ stabs, snare build breaks, overdriven drum bus, tape saturation, stereo room mics, verse dropouts, double-time chorus, minor key, defiant nostalgia, haunted swagger, 148 BPM, arena chant breakdown

Marchelli_83 • Punk

Влад Мигаль • Russian pop, synth-pop, romantic pop jazz, accordion countermelody, saxophone solos, glossy digital reverb, tape-saturated drums, sidechained sub-bass, soaring chorus lift, intimate verses, autumn nostalgia, urban romance, 92 BPM, syncopated percussion, stereo width, layered synth pads, crescendo breakdown, radio-ready polish

Mikhail Banni Zaitsev • techno

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus Language: Russian

Dukem • Genre: Post-grunge, alternative metal, hard rock, 2000s radio rock Tempo: Mid-tempo (85-95 BPM) Mood: Angsty, cathartic, brooding, tense with explosive release Vocal style: Clean but strained tenor, emotional rasp in choruses, melodic verses, no screaming but high tension, similar to Adam Gontier Guitar: Palm-muted verses, power chords with distortion in choruses, simple but heavy riffs, occasional harmonics Bass: Low-end heavy, following guitar rhythm Drums: Steady rock beat with punchy snare, crash cymbal accents in choruses Structure: Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro Dynamics: Quiet verses to loud choruses, sudden transitions Production: Polished but aggressive, compressed, radio-ready, big reverb on vocals in chorus Language: Russian

Shuvin • pop, rap

Лес • big beat, breakbeat, 128 BPM, distorted bass, chopped synth riffs, ragga-style breaks, reversed break fills, live drum breaks, crunch compression, stereo bus saturation, warehouse reverb, filter cutoff drops, snare roll builds, shouted chant hooks, aggressive adrenaline

Dj Airoosh • Big room, 130bpm

Dj Airoosh • Big room, 130bpm

Dj Airoosh • Big room, 130bpm

Shuvin • pop,rap

Shuvin • pop, рэп

Shuvin • pop, rap, rock

Лес • Russian pop rock, theatrical punk rock, distorted electric guitars, octave bass lines, tom tom marches, brisk acoustic strums, gang chant hooks, pipe organ stabs, snare build breaks, overdriven drum bus, tape saturation, stereo room mics, verse dropouts, double-time chorus, minor key, defiant nostalgia, haunted swagger, 148 BPM, arena chant breakdown

Владимир 50 • Italian opera

Dj Airoosh • Big room, 130bpm

Jura • [Genre: Symphonic Metal, Epic Orchestral Fantasy, Cinematic Rock] [Mood: Uplifting, Mystical, Expansive, Philosophical, Triumphant] [Tempo: 100 BPM (with dynamic shifts)] [Vocal Style: Female Lead: angelic, powerful soprano ;Soft Choir: ethereal, celestial harmonies;Dark Choir: deep, resonant chants;Folk Vocals: ancient, ritualistic backing] [Energy Curve: Mystical intro → epic build‑ups → powerful metal sections → cinematic climax → peaceful outro] [Instrumentation: soaring strings (violins, violas, cellos, double bass); powerful brass (trumpets, french horns, trombones); soft and dark choirs; folk instruments (Uilleann pipes, flute, acoustic guitar); heavy metal guitars and drums; grand piano; celestial synth pads; sound effects (wind, birdsong, distant church bells, ocean waves)] [FX: massive cathedral reverb on vocals;long delay trails on soaring melodies; orchestral hits on key transitions; vocal layering and harmonies; sidechain compression on pads dur, electronic