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Последние публичные треки, созданные нашими пользователями

Halo (слова: Martin Lee Gore)

Золтан Melodic Dark Dutch House, Deep Bass, New Wave, Darkwave, Synthpop of 80's, Erotic, Mystic, synthesizer Virus T12 Polar, powerful heavy Industrial percussion, 130 bpm, D♯ Minor key, vocoder/echoes/reverberation/portamento effects, male sexual bass profundo lead vocals, male robotic backing vocals.

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Halo (слова: Martin Lee Gore)

Золтан Melodic Dark Dutch House, Deep Bass, New Wave, Darkwave, Synthpop of 80's, Erotic, Mystic, synthesizer Virus T12 Polar, powerful heavy Industrial percussion, 130 bpm, D♯ Minor key, vocoder/echoes/reverberation/portamento effects, male sexual bass profundo lead vocals, male robotic backing vocals.

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Герои.

Сергей Федорович A modern rap and hip-hop hit with a catchy melody and a humanized, velvety male voice, acoustic guitar,male baritone vocals intimate hoarse chest register

55
Сменка

Svetlay Светлана pop, Moody Russian pop ballad with male vocals, tender piano leading the verses and soft pads under the chorus. Subtle electronic percussion grows in the second half, with a soaring, bittersweet hook. Light strings lift the final chorus, then everything falls back to intimate vocal and keys on the last line.

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Искусственный рай_148791

Миша Симбиоз Drum and bass, sinthesizer, sub bass, progressive deep house, intro, female vocal, female voice, emotional energetic,

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В зоопарке

В зоопарке

Кавер-версия

Pawelitel Sadness,Trance, folk, pop, electronic

69
Тихий час

Александр 843 Title: «Quiet Time — Nightmare Come True» Style: Dark Pop / Horror Synth, ominous and тревожное mood, sharp contrasts (whisper → aggressive vocals), child duet (boy and girl, 4–5 years old), light falsetto voices, very soft (p), smooth and slightly «floating» intonation Instruments: echo synths, heavy drums, creaky sound effects, metal scrapes, low basses Vocal style: whispered vocals with echo in intro and bridge, harsh growling child vocals in choruses, nervous half‑whispered intonations in verses Tempo: starts slow (80 BPM), speeds up to 110 BPM in choruses, explosive peak (140 BPM) in finale Effects: echo, distortion in finale, creaks, footsteps, scrapes, sudden pauses and accents, «distant whisper» effect at the end Structure: intro → verse 1 → chorus → verse 2 → chorus → bridge → finale

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Наша бесконечность

Alex 86 Russian estrada chanson with male vocals; tender mid‑tempo sway built on warm acoustic guitar and lyrical accordion lines, brushed kit and soft bass. Short instrumental intro blooms into the first verse; chorus widens with backing “ooh”s and a melodic accordion counterline. Final chorus lifts slightly in key, then a gentle guitar-accordion outro fades.

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Письмо

Анастас 3 Slow cinematic pop ballad, 75 BPM. Male vocal, deep and sincere in verses, powerful and emotional in chorus. Verses: soft piano and light strings, intimate storytelling mood. Chorus: full band — drums, bass, electric guitar, lush strings; big, soaring melody. Story of unread letter and unrequited love.

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Старый баркас

TurubanOFF Russian heavy metal, power ballad, melodic male vocals, storytelling verses, high tenor, clear and emotional voice, dramatic delivery, acoustic guitar in verses, powerful distorted electric guitars and drums in chorus, epic and sad chorus, dynamic contrast between soft verses and heavy chorus, no chanson

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Лес

Николай Саблин Trance- heavy metal track. Pad. Clear surround sound, distortion, Driving Bass, High-energy heavy metal featuring aggressive electric guitar riffs and a driving rhythmic foundation meta , emotional manly voice without hoarseness, beautuful end

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Любовь и бал 🙈

Мэри П hip hop, classical, house, synthwave

41
Пусть грусть

Пусть грусть

Кавер-версия

Егорган Italo disco, melodic piano, melodic acoustic guitar

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Разлука

Дядя Витч disco blues, 112 BPM, electric guitar call-and-response, muted bass guitar, Hammond organ stabs, brushed snare shuffle, tambourine backbeat, upright piano comping, tube amp saturation, room mic bleed, spring reverb, tape compression, late-night swagger, weary optimism, soul

60
Раньше  в твоих глазах ..( кавер гр. Кино).

Ратибор Ясный Alternative rock, acoustic guitar, bass, sounds of explosion and mashing gun fires пост панк, Акустическая версия

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Судьба

Судьба

Кавер-версия

Роман20 Pop

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Креативный директор

мс Хоттабыч Bouncy electro-reggae groove, syncopated skank guitar with bright synth stabs, four-on-the-floor kick under a lazy offbeat, male vocals half-rapped half-sung. Chorus explodes with stacked gang shouts and siren FX swells; verses ride a rubbery bass and chopped vocal delays. Arrangement builds from sparse intro to festival-sized final hook, perfect for looping in short-form clips., techno, reggae

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Креативный директор

мс Хоттабыч Bouncy electro-reggae groove, syncopated skank guitar with bright synth stabs, four-on-the-floor kick under a lazy offbeat, male vocals half-rapped half-sung. Chorus explodes with stacked gang shouts and siren FX swells; verses ride a rubbery bass and chopped vocal delays. Arrangement builds from sparse intro to festival-sized final hook, perfect for looping in short-form clips., techno, reggae

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НАША БЕСКОНЕЧНОСТЬ.

Alex 86 Russian estrada chanson with male vocals; tender mid‑tempo sway built on warm acoustic guitar and lyrical accordion lines, brushed kit and soft bass. Short instrumental intro blooms into the first verse; chorus widens with backing “ooh”s and a melodic accordion counterline. Final chorus lifts slightly in key, then a gentle guitar-accordion outro fades.

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Ольга Николаевна

NatSol автор стихов cumbia, disco, instrumental, 104 BPM, clave-driven groove, syncopated bassline, conga interplay, timbales accents, electric guitar chop, Hammond organ stabs, analog synth bass, tape saturation, room mic ambience, live-club energy, call and response, sparse breakdowns, laid-back swagger

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Danza kuduro #4 (Cover RMX)

Степан Дмитриев Dance, remix, danza kuduro, rap, pop

95
Генерал

Генерал

Кавер-версия

Роман Лысов electric blues, blues trio, 82 BPM, greasy 12 bar, fingerpicked Telecaster, bottleneck slide, Hammond B3 swells, upright bass, brushed snare, call and response riffs, live room bleed, tube amp saturation, plate reverb, punchy kick drum, laid-back groove, barroom swagger, rock

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Научите...

Миша Симбиоз Create a dark cinematic drum and bass track with neo-classical and industrial ambient elements. Primary instrumentation: aggressive rhythmic string sections (violins, cellos), deep sub-bass, complex DnB breaks. Male vocals in Russian: clear, cold narrative, shifting to rhythmic spoken word in intense parts. Mood: tense, elegant, tragic — a dystopian symphony for a closed city. Structure follows this exact Russian lyrical narrative

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Будь Самим Собой

Alex 86 rap, Dark Russian trap banger at ~140 BPM, male vocals. Sparse, menacing synth drones and a growling minimal bassline pinned to a rigid grid. Dry, punchy kicks and tight snares frame rapid-fire, slightly distorted double-time verses with aggressive delay throws on key line endings. Hook widens with layered low-octave chants and a subtle eerie pad swell. Vocals sit upfront, almost uncomfortably intimate, with short reverbs to keep it cold and in-your-face., minimal, rapid, bassline, male vocals

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Будь Самим Собой

Alex 86 rap, Dark Russian trap banger at ~140 BPM, male vocals. Sparse, menacing synth drones and a growling minimal bassline pinned to a rigid grid. Dry, punchy kicks and tight snares frame rapid-fire, slightly distorted double-time verses with aggressive delay throws on key line endings. Hook widens with layered low-octave chants and a subtle eerie pad swell. Vocals sit upfront, almost uncomfortably intimate, with short reverbs to keep it cold and in-your-face., minimal, rapid, bassline, male vocals

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Моя любимая

Alex 86 folk, Warm indie-folk trio with up-close male vocals; soft fingerpicked guitar and round bass pulse set an intimate mood. Verses stay hushed and confessional, nearly spoken; first chorus brings in brushed percussion and gentle double-tracked harmonies. Each chorus gains a touch more strum and harmony, ending on a held, ringing chord that hangs in the air., soft, light, male vocals, dynamic, warm, acoustic

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Дом любви и счастья

Диласо Стиль шансон, звучание гитары и аккордеона, эстрадный шансон, музыкальное вступление. Вокальные переходы от куплета к припеву, особая «душевность», переходящая в надрыв. В конце песни звучит музыкальная часть отбивки. Мужской и женский вокал, дуэт, низкие выразительные и чарующие голоса, тембр бархат, шансона. Песня вдохновляющая и проникновенное по настроению несёт любовь и добро.

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Крестик

evgenia2 Male vocals over driving road chanson bass and emotional electronic layers; steady midtempo groove with pulsing low end, shimmering synth pads, and subtle arpeggios. Verses intimate and close-mic, almost spoken; chorus opens with soaring, gritty vocal, widened by distant choirs and reverb swells. Bridge strips back to bass and pad, then full-track lift on final chorus with ad-libbed cries and echoing delays. Bassbit90s

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Моя любимая

Alex 86 folk, Warm indie-folk trio with up-close male vocals; soft fingerpicked guitar and round bass pulse set an intimate mood. Verses stay hushed and confessional, nearly spoken; first chorus brings in brushed percussion and gentle double-tracked harmonies. Each chorus gains a touch more strum and harmony, ending on a held, ringing chord that hangs in the air., soft, light, male vocals, dynamic, warm, acoustic

38
Сломанное крыло

Алекс 890 pop, Russian chanson-pop ballad with male vocals, sorrowful strings and intimate piano; verses stay close and conversational, then the chorus swells with dramatic violin lines and backing harmonies, building from fragile confession into a soaring, heart-wrenching hook, classical

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вино не допитое

вино не допитое

Кавер-версия

Миша Симбиоз Clean male gravelly vocal,Create a cinematic trip-hop track. BPM 80. Slow, heavy beat with vinyl crackle. Deep sub-bass enters only in choruses. Lead instrument: minimal piano with a repeating two-note motif. Strings in climax — dry, cutting. Male vocals: tired, intimate, slightly rough. Almost whispered in verses, opens up in choruses but never shouts. Structure: piano intro , verse 1 with voice + piano only, first chorus with beat and bass, verse 2 returns to piano, second chorus with full band, breakdown with only voice and piano, final climax with everything, piano outro to silence. Mood: lonely, beautiful, 4am, empty streets, black-and-white cinema.

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Любовь и судьба.

Любовь и судьба.

Кавер-версия

Светик3 pop,, classical, hip hop

47
Юрий в эфире

мс Хоттабыч rap, Dark playful trap beat, mid-tempo, Russian club energy; rubbery 808s and crisp hi-hats, eerie pluck synths in verses, hook explodes with chanting gang vocals and wide reverb, male vocals half-rapped half-shouted, ad-libs tucked deep for rowdy, meme-ready chaos

43
Мы как море

Мэри П house, synthwave, classical

51
Я не лимон

Марья Власова Russian folk rap, folk blues fusion, acoustic balalaika riffs, slide guitar licks, bottleneck guitar, upright bass walking, brushed snare groove, stomp claps, live room ambience, tape saturation, spring reverb, mono drum bus, call-and-response phrasing, minor key blues, laid-back pocket, midtempo swing, barroom grit

46
Наталья, милая невеста

мс Хоттабыч country, Warm acoustic country ballad with gentle swing; male vocals over strummed guitar, soft brushed snare, and mellow bass. Fiddle lines answering key phrases, steel guitar swells in the chorus. First verse intimate and close-mic’d, chorus widens with stacked harmonies and a brighter kit. Bridge drops to just guitar and vocal, then a final, fuller chorus with ad-lib tails and a tender ring-out.

44
Я не лимон

Марья Власова blues rap fusion, 92 BPM, laid-back swing, brushed snare shuffle, syncopated kick drum, walking bass line, staccato electric guitar licks, muted trumpet accents, Hammond B3 comping, call and response riffs, live-room bleed, tape saturation, spring reverb, mono drum overheads, barroom groove, punchy backbeat

43
Лох — это судьба

мс Хоттабыч Cold warehouse techno groove, relentless four-on-the-floor kick, distorted bass stabs and metallic synth arps. Male vocals, half-spoken, half-shouted with gang-style backing on the hook. Energy builds from tight, minimal verses into a huge, chantable chorus, with a short filtered break before the final drop., techno

52
Крутит и калечит

Алекс 890 metal, Dark folk-chanson fused with symphonic metal and pop polish: raspy male vocals over minor-key acoustic guitar and upright bass, with distant strings and choir pads swelling into a heavy, downtuned riff on the chorus. Verses stay sparse and storytelling; choruses hit hard with pounding toms, distorted guitars, and a simple, haunting top-line. Subtle accordion colors the midrange, final chorus climbs in intensity then drops to a dry, intimate last line., classical, pop

60
вмыкАешь

вмыкАешь

Кавер-версия

Миша Симбиоз Genre: Dark Ambient / Industrial / Spoken Word BPM: None. Free atmospheric flow. Vibe: Cold, heavy, hypnotic. A frozen memory from the 90s. A dream you cannot wake from. --- SOUND DESIGN RULES: · No melodic leads. No drum beats. No rhythm loops. · Only textures, drones, field recordings, sparse industrial hits. · Vocals: male, calm, spoken, almost monotone. No acting. · Transitions are key — let the atmosphere breathe and shift

59
Ты и я....

Piterrulit rock, pop,агрессия, metal, electronic

68
Суета

mirwad Симфоник-метал, перегруз гитар, бодро, быстро, энергично

62
Агенты II

mirwad Энергичный весёлый задорный панк-рок, металл

65
Песня о чести

kuprumserga The song is written in the style of a modern pop ballad with elements of soft rock. The main emphasis is on sincerity and emotional depth. * **Tempo:** medium (70-80 BPM), 4/4 time signature. * **Verse:** sounds intimate and confiding. It features an acoustic guitar, a soft bass line, and light keyboards. The rhythm section is unobtrusive (drums). * **Chorus:** becomes powerful and anthemic. Full-fledged drums, a clean electric guitar, and background strings (violins, cello) enter, creating an epic sound. * **Bridge:** a dynamic decline to a minimum — vocals accompanied by piano, possibly with a cello solo to enhance the drama. * **Vocal:** expressive, with a slight hoarseness that emphasizes the masculinity of the lyrics. The overall dynamic is built on the principle of "from small to large," culminating in the finale. The atmosphere is one of dignity, inner strength, and light-hearted nostalgia.

56
Паспорт — это цифры

evgenia2 Big-room dance floor banger with female vocals, thick sidechained bass and sharp four-on-the-floor kick; bright synth stabs around a slick electric guitar hook that explodes into a flashy solo after the second chorus. Verses are tight and percussive, pre-chorus lifts with rising pads, chorus hits wide with stacked gang vocals on key phrases and playful ad-libs. High-energy arrangement that keeps the club moving from start to finish.

56
Стала

ReMiXina Hardcore rap

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