Все треки
Последние публичные треки, созданные нашими пользователями
Андрей_Ш • Романс. Баллада. Лирическое исполнение. Хоровое сопровождение. Классическая музыка. Любовная лирика. Медленный темп. Яркие припевы.
Андрей 0304 • accordion
Tema can fly • Style: a hybrid of extreme metal, industrial electronics and orchestral music. Heavy guitar riffs (Doom Eternal, Painkiller) are combined with synthesizer textures and noises (Quake 4), complemented by choruses and strings (Painkiller, Tomandandy). Rhythm: dynamic, with variable tempo (160-170 BPM in the base part, up to 180-190 BPM in the climaxes). The basis is a combination: hard electronic bits (Quake 4); live drums with syncopation and polyrhythmia (Doom Eternal); percussion and pauses to create suspense (Tomandandy). Atmosphere: tense, aggressive and cinematic. Combines: Demonic apocalypse (Painkiller); Merciless Chaos (Doom Eternal); A cold futuristic menace (Quake 4); disturbing suspense and dramatic escalation (Tomandandy). The soundscape is complemented by FX effects: sounds of weapons, industrial noises, echoes of voices and screams.
Tema can fly • Style: a hybrid of extreme metal, industrial electronics and orchestral music. Heavy guitar riffs (Doom Eternal, Painkiller) are combined with synthesizer textures and noises (Quake 4), complemented by choruses and strings (Painkiller, Tomandandy). Rhythm: dynamic, with variable tempo (160-170 BPM in the base part, up to 180-190 BPM in the climaxes). The basis is a combination: hard electronic bits (Quake 4); live drums with syncopation and polyrhythmia (Doom Eternal); percussion and pauses to create suspense (Tomandandy). Atmosphere: tense, aggressive and cinematic. Combines: Demonic apocalypse (Painkiller); Merciless Chaos (Doom Eternal); A cold futuristic menace (Quake 4); disturbing suspense and dramatic escalation (Tomandandy). The soundscape is complemented by FX effects: sounds of weapons, industrial noises, echoes of voices and screams.
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Серж170 • pop with hip-hop elements. Clear pronunciation of words.
мс Хоттабыч • Aggro dubstep-techno hybrid, male vocals with shouted female crowd responses; distorted bass stabs and metallic leads, four-on-the-floor kick in verses that mutates into halftime drops in chorus. Glitchy vocal chops from the hook, laser sweeps before each drop, and a ravey synth line that blooms in the bridge before the final, heaviest slam., dubstep, techno
Себостьян • Warm orchestral pop ballad with female vocals; gentle strings and soft guitar arpeggios in the verses, saxophone answering phrases, and glock-like metallophone sparkles on key lines. Chorus swells with full orchestra, layered harmonies, and a lyrical sax solo tail; bridge strips back to intimate guitar and solo violin before a final soaring refrain.
Ратибор Ясный • post punk, depression folks, acoustic guitar, bass, electric guitar, Russian Boyan, or accordion, balalaika, three acoustic guitars, bass guitar, electric guitar, drums, Yamaha electric keyboards, a man singing the main part, 6 men singing the chorus, polyphony, chanting, thirds, octaves
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Себостьян • Warm orchestral pop ballad with female vocals; gentle strings and soft guitar arpeggios in the verses, saxophone answering phrases, and glock-like metallophone sparkles on key lines. Chorus swells with full orchestra, layered harmonies, and a lyrical sax solo tail; bridge strips back to intimate guitar and solo violin before a final soaring refrain.
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
vladzak57 • Orchestra
Falcon2804 • Soulful road chanson with acoustic guitar strums, accordion, piano, and bowed upright bass, driven by mid-tempo brushed drums and soft tambourine. Warm male vocal delivery with close-mic intimacy, subtle room reverb, minor-key harmonies, and a steady, highway-ready groove rooted in lived-in folk and folk-pop texture.
Respawn • [Create a song in the nu metal djent genre in Russian. Include: an intro with acoustic guitar and synthesizer, verses with emphasis on drum fills, heavy riffs, downpicking and blast beats. In the chorus — aggressive growl with diaphragmatic and false cord techniques, low-formant vocals, monotone and atonal elements. Add guitar solos and an acoustic bridge. Theme — broken relationships, pain, fragments of the past, transition from hope to hatred], [Atmospheric melodic death metal]
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Ivan007 • Dance-leaning track that builds into a club-ready drop with punchy four-on-the-floor kick, sidechained sub-bass, crisp clap/snare, and bright synth stabs. Add filtered risers, pulsing hi-hats, and glossy electronic textures, then close with a solo guitar outro—clean electric or acoustic with roomy reverb and gentle delay.
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
Tema can fly • Style: a symbiosis of aggressive industrial metal (as in Doom Eternal), high‑speed electronic percussion (a reference to Quake 4) and absurd cartoon elements (Painkiller with exaggerated effects). Rhythm: fast, 160-180 BPM. Hard percussion parts with syncopations and broken beats, alternating with "bouncy" electronic loops. There are powerful guitar riffs with distortion in the choruses, sudden slowdowns with comical sound effects in the transitions. Atmosphere: A chaotic battle with ironic overtones. On the background are industrial synthesizers and the rasp of metal, superimposed on top: Cartoon laughter (high-pitched, distorted voices); funny sounds (farting bass, "boom" effects when hitting); hypertrophied screams of enemies in the style of old cartoons; sudden inserts of caricature brass or xylophone. The overall effect: the adrenaline of battle + a smile from the absurd.
Tema can fly • Style: a symbiosis of aggressive industrial metal (as in Doom Eternal), high‑speed electronic percussion (a reference to Quake 4) and absurd cartoon elements (Painkiller with exaggerated effects). Rhythm: fast, 160-180 BPM. Hard percussion parts with syncopations and broken beats, alternating with "bouncy" electronic loops. There are powerful guitar riffs with distortion in the choruses, sudden slowdowns with comical sound effects in the transitions. Atmosphere: A chaotic battle with ironic overtones. On the background are industrial synthesizers and the rasp of metal, superimposed on top: Cartoon laughter (high-pitched, distorted voices); funny sounds (farting bass, "boom" effects when hitting); hypertrophied screams of enemies in the style of old cartoons; sudden inserts of caricature brass or xylophone. The overall effect: the adrenaline of battle + a smile from the absurd.
Ivan007 • electronic, hip hop, country, club
Zhenich • Soulful female vocals, breathy, rhythmic delivery, rap-style flow + Deep male rap voice, confident delivery
TurubanOFF • [Style: Blues Rock, Hard Rock, Driving Shuffle, 120 BPM] [Male Vocals: raw, passionate, slightly gritty, Russian language] [Instrumentation: wailing harmonica, overdriven electric guitar, pounding drums, walking bassline] [Structure: Intro (harmonica wail + driving riff) -> Verse (explosive energy) -> Chorus (anthemic, full band) -> Verse 2 (steady groove) -> Chorus -> Harmonica Solo (raw, bluesy) -> Guitar Solo (wah-wah, screaming bends) -> Bridge (dynamic drop, intimate) -> Guitar Break (staccato, building) -> Chorus Outro -> Outro (harmonica/guitar duel, big rock ending)]
vladzak57 • pop
EvgenyBoom • chromatic button accordion, Vocal timbre: Baritone with tenor brightness, ~1.5‑octave range. Husky, hoarse, gritty tone; light nasal resonance adds speech‑like quality. Growling and grainy undertones on stressed syllables. Intentional lack of academic intonation precision. Technique & articulation: Sharp consonant articulation (‘r’, ‘k’, ‘t’), sometimes rolled or staccato. Syllable stress for dramatic effect; unstressed syllables occasionally elided. Micro‑intonation shifts: glissandi, portamenti, slight pitch deviations for spontaneity. Legato/staccato alternation. Dynamics & register: Wide range: near‑whisper to forceful, strained shouting. Sudden volume shifts within phrases. Phrasing & style: Speech‑like, narrative delivery with Not many call‑and‑response elements. Free rhythm, slight anticipations/delays, improvisational ad‑libs. Ironic, defiant, theatrical mood with folk/street‑song colour. Overall: charismatic, storytelling singing — raw, spontaneous, and bold.
Себостьян • Intimate piano ballad with gentle acoustic guitar fingerpicking, male vocals in a close, confessional tone; verses stay soft and conversational, chorus swells with richer chords and double-tracked harmonies, subtle swells of strings in the second chorus to heighten emotion and leave space at the end for a fragile, whispered tag line
Себостьян • Intimate piano ballad with gentle acoustic guitar fingerpicking, male vocals in a close, confessional tone; verses stay soft and conversational, chorus swells with richer chords and double-tracked harmonies, subtle swells of strings in the second chorus to heighten emotion and leave space at the end for a fragile, whispered tag line
Tema can fly • Style: a hybrid of industrial metal (Painkiller), aggressive electronica with percussion (Doom Eternal) and cyber‑industrial (Quake 4). Rhythm: 175 BPM tempo; hard barrel with distortion, techno rhythms, staccato guitar accents, arpeggio synthesizers. Atmosphere: gloomy, tense — the primitive aggression of Predators vs the biomechanical threat of Aliens. A combination of organics (choir, strings) and technology (synthesizers, noises). Effects: xenomorph hissing, Predator tongue clicking, blade sounds, hydraulics, servos, distortion, reverse, delay, sidechain compression. Beginning (0:00-0:30): low hum (sub-bass), rare percussion, samples of Predator hunting clicks. Middle (0:30-3:30): Full arrangement — guitars, barrel, arpeggios, chorus; build-up and climax with drops and brass accents. Ending (3:30-4:00): gradual fading — low frequencies and rare blows remain; the final accent is the sound of a blade + the fading hiss of Someone Else.
Tema can fly • Style: a hybrid of industrial metal (Painkiller), aggressive electronica with percussion (Doom Eternal) and cyber‑industrial (Quake 4). Rhythm: 175 BPM tempo; hard barrel with distortion, techno rhythms, staccato guitar accents, arpeggio synthesizers. Atmosphere: gloomy, tense — the primitive aggression of Predators vs the biomechanical threat of Aliens. A combination of organics (choir, strings) and technology (synthesizers, noises). Effects: xenomorph hissing, Predator tongue clicking, blade sounds, hydraulics, servos, distortion, reverse, delay, sidechain compression. Beginning (0:00-0:30): low hum (sub-bass), rare percussion, samples of Predator hunting clicks. Middle (0:30-3:30): Full arrangement — guitars, barrel, arpeggios, chorus; build-up and climax with drops and brass accents. Ending (3:30-4:00): gradual fading — low frequencies and rare blows remain; the final accent is the sound of a blade + the fading hiss of Someone Else.
Tema can fly • Style: a symbiosis of industrial metal, death metal and electronica — Painkiller aggression, groove and polyrhythm of Doom Eternal, futuristic Quake 4. Rhythm: tempo 150-160 BPM. The basis is the blast beats of drums (Painkiller) combined with syncopated groove and sharp changes of accents (Doom Eternal). In some sections, there is a mechanical clarity of percussion (Quake 4). Atmosphere: Unstoppable rage and fearlessness. Chaotic, demonic drive (Painkiller) is combined with technological, alien threat (Quake 4) and assertive power (Doom Eternal). The soundscape is dense and "dirty": distorted guitars, sub‑bass, glitch effects, futuristic synthesizers and interspersed orchestral brass/chorus for epicness. The track space is dynamic: the alternation of intense combat sections and intense ambient fragments creates a sense of increasing threat and triumphant overcoming.
Tema can fly • Style: a symbiosis of industrial metal, death metal and electronica — Painkiller aggression, groove and polyrhythm of Doom Eternal, futuristic Quake 4. Rhythm: tempo 150-160 BPM. The basis is the blast beats of drums (Painkiller) combined with syncopated groove and sharp changes of accents (Doom Eternal). In some sections, there is a mechanical clarity of percussion (Quake 4). Atmosphere: Unstoppable rage and fearlessness. Chaotic, demonic drive (Painkiller) is combined with technological, alien threat (Quake 4) and assertive power (Doom Eternal). The soundscape is dense and "dirty": distorted guitars, sub‑bass, glitch effects, futuristic synthesizers and interspersed orchestral brass/chorus for epicness. The track space is dynamic: the alternation of intense combat sections and intense ambient fragments creates a sense of increasing threat and triumphant overcoming.
vladzak57 • rock
Костянычь • Moody trap-rap beat with distant bells and airy pads, Russian male vocals in an urgent, conversational flow; verses ride a swung hi-hat groove with deep sub, hook opens wider with stacked chants and subtle choir pad for uplift, final refrain strips back to half-time drums and reverb for a triumphant fade
мс Хоттабыч • rock, Up-tempo drum & bass meets ravey techno with crunchy rock guitars, female vocals riding hyperactive drums; verses stay tight and bouncy, hook drops into big distorted chords and bright synth leads, with crowd-style gang shouts on key phrases and a playful energy spike in the final chorus, techno, drum and bass
vladzak57 • r&b
'По дороге с облаками
NeonVerse • Sovietwave, 1980s USSR nostalgia, analog synthesizers, Polivoks bass, vintage Soviet electronics, space exploration vibe, scientific documentary soundtrack, melodic and melancholic, lo-fi warm texture, mid-tempo, 1980s Russian pop aesthetics, retro-futurism
Дядя Витч • Raging Russian chanson in the style of a tough street ballad: accordion leads, minor-key acoustic guitar strumming, balalaika accents, and driving tom-heavy drums. Raw baritone vocals with rough edge, gruff backing chants, and a chorus that opens into nostalgic choir pads, tape saturation, and a thick, defiant low end.
Костянычь • Dark, sultry club R&B with male vocals; slow swung groove, thick sub bass and airy pads. Verses stay intimate and close-mic’d; hook explodes with stacked harmonies and wide reverb. Subtle guitar swells and filtered synths build tension toward a final, breathy breakdown.
Себостьян • Modern Russian pop-rock power ballad with male vocals; clean electric guitar arpeggios in the verses, warm bass locked to a steady mid-tempo groove, and spacious drums that bloom into a wide, anthemic half-time chorus. Subtle overdrive and bending notes highlight the emotional peaks; final chorus adds stacked harmonies and cymbal swells for a cathartic, stadium-ready lift.
Себостьян • Modern Russian pop-rock power ballad with male vocals; clean electric guitar arpeggios in the verses, warm bass locked to a steady mid-tempo groove, and spacious drums that bloom into a wide, anthemic half-time chorus. Subtle overdrive and bending notes highlight the emotional peaks; final chorus adds stacked harmonies and cymbal swells for a cathartic, stadium-ready lift.
мс Хоттабыч • Fast drum & bass meets industrial techno: distorted reese bass, glitchy percs, chopped female ad-libs, male vocals deadpan in the verses, hook opens with bright detuned leads and crowd chants; tension rises with filter sweeps then drops hard each chorus, club mix energy built for looping in a chaotic stream window., techno, drum and bass
Tema can fly • Style: futuristic industrial metal with elements of 80's synthwave and epic orchestration. A hybrid of the aggression of game soundtracks and the nostalgic theme "Back to the Future". Rhythm: the tempo is fast (160-180 BPM, as in Painkiller); dynamic resizing and polyrhythmics (Doom Eternal); mechanical breakbeats and industrial grooves (Quake 4); Punctuated strikes with sharp transitions match the rhythm of the battle. Atmosphere: adrenaline and the pressure of Doom Eternal — for the feeling of a frenzied battle; The dark epicness of Painkiller (Gothic choruses, dissonant harmonies) is a hint of a "different time"; The cool technology of Quake 4 (synthesizers with futuristic sound, mechanical noises) is a reference to DeLorean and time travel; Alan Silvestri's recognizable melody in heavy processing is a link to the franchise, adding nostalgia and a spirit of adventure.
Tema can fly • Style: futuristic industrial metal with elements of 80's synthwave and epic orchestration. A hybrid of the aggression of game soundtracks and the nostalgic theme "Back to the Future". Rhythm: the tempo is fast (160-180 BPM, as in Painkiller); dynamic resizing and polyrhythmics (Doom Eternal); mechanical breakbeats and industrial grooves (Quake 4); Punctuated strikes with sharp transitions match the rhythm of the battle. Atmosphere: adrenaline and the pressure of Doom Eternal — for the feeling of a frenzied battle; The dark epicness of Painkiller (Gothic choruses, dissonant harmonies) is a hint of a "different time"; The cool technology of Quake 4 (synthesizers with futuristic sound, mechanical noises) is a reference to DeLorean and time travel; Alan Silvestri's recognizable melody in heavy processing is a link to the franchise, adding nostalgia and a spirit of adventure.
