Все треки

Лес • crossbreed, hardcore meets DnB, fast and furious, extreme

Лес • drum and bass

Olga_mis • Шуточная, веселая, шансон, гитара, pop, male vocal

Антон Васьков • metal, Aggressive nu metal duet with female and male vocals, down-tuned guitars, syncopated chugs and sudden halftime drops. Female voice cuts through with sharp melodic hooks in the chorus; male voice uses screams, rap-spoken grit in verses. Dense, overdriven bass and tight, clicky kick lock with palm-mutes; pre-chorus pulls back to a tense, filtered build, then choruses explode with layered gang shouts and octave guitar leads. Bridge hits a brutal breakdown with call-and-response growls leading to a final, anthemic chorus., male vocals, nu metal, female vocals

Olga_mis • Шансон, гитара, pop, female vocal

Алекс 890 • Melancholic neoclassical ballad with piano and solo violin, female vocals. Intimate, close-miked verse over sparse, rubato piano; strings swell in the chorus with a distant, cinematic width. Dynamics build from a fragile whisper to a soaring lament, then fall back to a bare, trembling ending. Subtle choral pads double the hook in the final refrain for emotional lift., classical

Антон Васьков • metal, Aggressive nu metal duet, female and male vocals trading lines then uniting on a huge gang-chant hook; detuned guitars in a low register, syncopated chugs, sharp pinch harmonics. Drums hit with double-time bursts into halftime drops; verses stay tight and rhythmic, almost spoken, then choruses explode with wide-open chords, octave leads, and layered shout harmonies. Brief breakdown with filtered guitars and whispered vocals before the final chorus roars back at full power., female vocals, nu metal, male vocals

RiiD • heavy future bass, aggressive drops, powerful bass, energetic

АлексК • emo rap, emotional lyrics, sad melodies, heartbreak themes, singing rap, rock, drum and bass

Огонек • Dark Slavic folk, epic ballad, strong men voice, guitar, rock, A strong female voice in losses, Loss after each quatrain

Rabbit_number13 • [rock] [alternative metal] [atmospheric intro] Melancholic yet powerful male vocals. The song is about standing still in a changing world, finding strength in not changing. Themes: acceptance, inner peace, heavy calm. The mood is epic, dramatic, but resigned, not angry. Structure: quiet, clean guitar intro building into heavy, distorted guitars and driving drums in the chorus. The bridge is a reflective spoken word part over a quiet pad, then exploding into a final, monumental guitar solo that fades into the quiet intro motif. The vocal style is clear, baritone, with grit and emotion, shifting between quiet verses and a strong, held-out chorus. Lyrics style: poetic, personal, metaphorical.

Сергей Федорович • Rock, metal, A-minor, humanized male voice

Славян74 • Laid-back acoustic trap groove with male vocals, dry close-mic tone; verses half-rapped, half-muttered, hook opens into a chant with layered doubles and subtle harmonies. Sparse keys and soft sub bass under a lazy drum pocket; bridge strips back to guitar and voice before the final chorus stacks ad-libs and background “мм”s for a wry, hooky finish.

Славян74 • Gritty cinematic trap ballad with male vocals; low-tuned piano and distant alarms under a heavy, slow groove. Verses stay sparse and tense with clipped delivery; chorus widens with choral pads and distorted sub-bass swells. Occasional processed radio-voice ad-libs and reverse-cymbal rises heighten the sense of frontline urgency and haunted memory.

АлексК • baroque pop, classical influences, harpsichord, strings, elegant, modern hip-hop, trap beat, 808 bass, crisp hi-hats, rap vocals, halftime DnB, slower tempo, hip-hop feel, heavy bass

Денис1202 • Военная, спокойная, трогательная, до сердца

VsS • pop, rock, jazz, blues, folk

Панк • Heavy metal, Russian metal, Operatic vocals, High male voice, Melodic metal, Epic, Dramatic, Powerful drums, Powerful solo, two guitars sound in unison, male vocals

Антон Васьков • metal, Aggressive nu-metal with dual female/male vocals, down-tuned guitars and sharp staccato riffs. Verses stay tight and rhythmic with call-and-response lines; choruses explode into anthemic, shouted hooks with layered gang vocals. Drums hit hard with syncopated tom runs and punchy snare; bridge drops to a tense, palm-muted grind before a final all-out wall of sound., nu metal, male vocals, female vocals

Антон Васьков • metal, Aggressive early-2000s nu metal groove, double-vocal attack (female lead, male screams), drop-tuned guitars with sharp start-stop riffs, grinding bass, and pounding, stuttering drums. Verses claustrophobic and syncopated, female vocal half-spoken/half-sung; pre-chorus builds with harmonized dissonance; chorus explodes with layered screams and octave doubles. Bridge descends into chaotic breakdown with call-and-response, distorted whispers, and a final crushing hit that cuts to dead silence., nu metal, female vocals, male vocals

Alexsei_23rus • [Spiritual] [Deep] [Uplifting] [Peaceful] [Nostalgic] [Atmospheric] [Ethereal Pads] [Soft Piano] [Analog Synths] [Reverb] [Deep Bass] [80s Drum Machine] [Sincere] [Soft Voice] [Powerful Chorus] [Harmonies] [Angelic Vocals] [Emotional]

RiiD • euphoric hardstyle, uplifting melodies, emotional, hands up

Ariada Elard • pop

Максим Борисович • industrial metal, electronic elements, mechanical rhythms, aggressive

Антон Васьков • metal, Aggressive nu metal duet with female and male vocals trading lines; jagged drop‑tuned guitars, chugging syncopated riffs, and sharp pinch harmonics. Verses stay tight and tense over stuttering drums; choruses explode with gang shouts and octave vocal doubles. Middle section breaks into a half‑time stomp with dissonant chords, then a final wall-of-sound chorus, screamed ad-libs, and abrupt cutoff., female vocals, male vocals, nu metal

Pardus335 • Jazz arrangement of Trostiansky’s ‘Nocturne’ for piano and balalaika. 72 BPM, 4/4, soft-swing jazz ballad. Keep the main theme clear on balalaika (tremolo picking, gentle slides, harmonics, subtle muted strums); piano provides warm jazz comping with maj7/9/13, add9/#11 voicings and light walking/pedal left hand. Optional very low-mix upright bass. Reharm: ii–V–I, minor iiø–V alt, tritone subs, backdoor cadences, tasteful passing chords. Mood: nocturnal, intimate, romantic, with a Slavic tint. Instrumental, no vocals. Tags: jazz, ballad, swing, acoustic, balalaika, piano, intimate, smoky

Pardus335 • Jazz arrangement of Trostiansky’s ‘Nocturne’ for piano and balalaika. 72 BPM, 4/4, soft-swing jazz ballad. Keep the main theme clear on balalaika (tremolo picking, gentle slides, harmonics, subtle muted strums); piano provides warm jazz comping with maj7/9/13, add9/#11 voicings and light walking/pedal left hand. Optional very low-mix upright bass. Reharm: ii–V–I, minor iiø–V alt, tritone subs, backdoor cadences, tasteful passing chords. Mood: nocturnal, intimate, romantic, with a Slavic tint. Instrumental, no vocals. Tags: jazz, ballad, swing, acoustic, balalaika, piano, intimate, smoky

NatLion • glacial ambient, ice sounds, arctic atmosphere, cold beauty, cold ice female vocal

Wjazow • Beautiful intro. Trance-rock with synthesizer and rock-guitars, distortion, manly voice without hoarseness, Hi-fi, stereo, surround sound, Shredding, Alternative Picking Hammer-on and Pull-off, Palm-mewtingswipe picking, male vocal ‎

ILUHENCIY • heavy metal, distorted guitars, double bass drums, powerful vocals, epic scope, epic cinematic, orchestral power, dramatic build, film trailer music, heroic, nu-style, modern production, clean sound, powerful, female vocal

Pardus335 • Blues arrangement of Trostiansky’s ‘Nocturne’ for piano and balalaika. 62 BPM, 12/8 slow minor blues with deep swing. Keep the main theme clear and lyrical: lead balalaika (tremolo picking, light slides/grace notes for blue-note color); piano comping with blues/gospel voicings and call-and-response. Minimal rhythm section: brushes on snare, shuffle ride, warm upright/electric bass. Optional soft Hammond B3 pads. 12‑bar form with tasteful reharmonization: i7–iv7–V7, passing bVI7, iiø–V alt turnarounds. Mood: nocturnal, smoky, intimate, with a Slavic tint. Tags: blues, slow blues, 12/8, minor, balalaika, piano, acoustic, vintage, smoky. Instrumental; no vocals.

Pardus335 • Blues arrangement of Trostiansky’s ‘Nocturne’ for piano and balalaika. 62 BPM, 12/8 slow minor blues with deep swing. Keep the main theme clear and lyrical: lead balalaika (tremolo picking, light slides/grace notes for blue-note color); piano comping with blues/gospel voicings and call-and-response. Minimal rhythm section: brushes on snare, shuffle ride, warm upright/electric bass. Optional soft Hammond B3 pads. 12‑bar form with tasteful reharmonization: i7–iv7–V7, passing bVI7, iiø–V alt turnarounds. Mood: nocturnal, smoky, intimate, with a Slavic tint. Tags: blues, slow blues, 12/8, minor, balalaika, piano, acoustic, vintage, smoky. Instrumental; no vocals.

НАТАЛЬЯ Дубинкина • Warm Russian chanson with male vocals, gentle nylon-string guitar and soft accordion swells; verses stay intimate and storytelling, then chorus swells with backing harmonies and a steady brush snare, rising into a heartfelt tavern-singalong energy by the final hook

Wjazow • ‎Epic orchestral score with Arabic percussion, female vocals soaring over tense strings and brass swells. Verses stay close and urgent, half-whispered storytelling; chorus explodes in a wide, heroic melody with choirs and low drums. Bridge pulls everything back to a solemn chant, then final chorus rises in key with stacked harmonies and echoing tom hits.

НАТАЛЬЯ Дубинкина • female vocal, шансон,

НАТАЛЬЯ Дубинкина • Smoky minor blues-chanson, slow groove with brushed drums and upright bass, sparse piano fills and a weeping lead guitar; male vocals in an intimate bar-room tone, verses stay low and storytelling, chorus widens with warm backing harmonies and a late subtle key change for lift

НАТАЛЬЯ Дубинкина • female vocal, шансон,

НАТАЛЬЯ Дубинкина • Bouncy pop groove with bright acoustic guitar, claps, and a playful bass line; verses stay light and conversational, choruses leap with stacked gang vocals and a catchy hook. Add subtle synth bells and a cheeky trumpet line in the bridge, female vocals front and center, big smile in the delivery.

НАТАЛЬЯ Дубинкина • Playful Russian chanson with acoustic guitar, light accordion fills, and upright bass; male vocals with a wink. Easy verse-chorus structure, midtempo swing, claps on the hook, brief spoken asides between lines. Energetic, bar-like singalong vibe that ramps up on each chorus.

НАТАЛЬЯ Дубинкина • Bouncy Russian pop-chanson with acoustic guitar, upright bass, light accordion phrases, and hand percussion; male vocals, easy sing-along feel. Verses stay intimate and storytelling, chorus bursts into a joyful, bar-like crowd hook with claps and gang vocals on the name line. Warm mix, close vocal, a wink in every phrase.

Денис1202 • Военная, с любовью, приятный голос

НАТАЛЬЯ Дубинкина • Шансон мелодичная

Сепаратист • Russian underground rap, AK-47 style, simple hypnotic piano riff, heavy boom-bap beat, ironic male vocals, raw street flow, 90 BPM, Chernogorsk vibe]Ural rap, Russian underground hip-hop, boom bap, 90bpm, male rap vocals, simple catchy piano loop, deep heavy bass, raw street sound, ironical flow, 2010s rap vibe

Pardus335 • Symphonic metal reimagining of Trostiansky’s ‘Nocturne’. 150 BPM, 6/8, nocturnal triplet drive. Keep the main theme clear in violins and lead guitar (unison/thirds); tight distorted rhythm guitars; triplet double‑kick. Harp/piano arpeggios, icy celesta, wide string pads. Heavy low brass (trombones/tuba), timpani/taiko, occasional church bells. Epic ‘ah/oh’ choir at climaxes. Moonlit, dramatic, slightly mystical. Preserve the melody; add modern metal riffs, big crescendos, and cinematic orchestration.

Pardus335 • Symphonic metal reimagining of Trostiansky’s ‘Nocturne’. 150 BPM, 6/8, nocturnal triplet drive. Keep the main theme clear in violins and lead guitar (unison/thirds); tight distorted rhythm guitars; triplet double‑kick. Harp/piano arpeggios, icy celesta, wide string pads. Heavy low brass (trombones/tuba), timpani/taiko, occasional church bells. Epic ‘ah/oh’ choir at climaxes. Moonlit, dramatic, slightly mystical. Preserve the melody; add modern metal riffs, big crescendos, and cinematic orchestration.

OKNELADUS • house, techno, electronic; driving basslines, pulsing synths, and a hypnotic beat create a high-energy track. the vocals should feel raw and intense, blending seamlessly with the rhythm., electronic

OKNELADUS • rap, hip hop, fast and upbeat with energetic beats and playful synths, perfect for a festive and fun atmosphere

RiiD • future bass house fusion, four-on-floor, uplifting melodies

Dj Airoosh • Big room,130bpm

Антон Васьков • metal, Aggressive Russian nu metal with alternating male screams and soaring female hooks; downtuned chugs and tight syncopated drums in the verses, choruses explode into wide distorted chords and stacked harmonies. Half-time breakdown drops to whispered layers, dissonant guitar squeals, and distant gang vocals before the final hook returns at full power. Male and female vocals trade lines, then unite on the last chorus for a massive, cathartic climax., male vocals, female vocals, nu metal, staccato