Все треки
Последние публичные треки, созданные нашими пользователями
Вики Ники • Душевно ритмичная взрывная мощная сильная надрывая мелодия ходом вокал тихий печально насыщенный Бек многочисленные вокалы саксофон барабаны шум ветра Хаус эхо
КАЛЕКА • Pagan Metal, Slavic Folk Metal, Atmospheric Black Metal, Female Harsh Vocals, Male Death Growl, Duet, 150 BPM, Devotional, Ecstatic, Reverent, Hypnotic, Deep Bass Drum, Rhythm Guitars, Forest Atmosphere, Fire Crackling, Ritualistic, Modal Melody, Dark but Uplifting.
divey • Britpop 1990s. F major, chord progression C-Gm7-C-F, 120-130BPM. Catchy hook analog synth. Glossy retro production. Four-on-the-floor heavy drum machine, rhythmic bassline, analog synth, arpeggiator, leader guitar, wah wah rhythm guitar, bass guitar. Female vocal with slightly sensual, bright and confident tone.
divey • Britpop 1990s. F major, chord progression C-Gm7-C-F, 120-130BPM. Glossy retro production. Four-on-the-floor heavy drum machine, rhythmic bassline, analog synth, arpeggiator, leader guitar, wah wah rhythm guitar, bass guitar. Female vocal with slightly sensual, bright and confident tone.
Екатерина85 • rock, Upbeat rock-electro hybrid, Russian pop-punk energy, bright synth arps over crunchy guitars and driving live drums; male vocals, fast and playful top-line with gang shouts on the hook, middle eight strips back to claps and bass then explodes into a final chant-along chorus, electronic
Нарисованный дом
SоколоV • slow shuffle blues, 84 BPM, electric guitar call-and-response, bottleneck slide guitar, upright bass, brushed snare, rimshot backbeat, Hammond B3 stabs, tambourine accents, live room bleed, spring reverb, tape saturation, punchline vocals, laid-back groove, wry swagger
Диласо • dance pop, Russian pop music with beautiful vostok oriental melodies, Caucasian chanson, 124 beats per minute, lead melody on the duduk, male baritone vocals, ostinato on the strings, brass strings, record reverb, four-handed percussion, summer oriental disco arrangement drive
Екатерина85 • Glossy disco‑electro groove at 120 BPM, female vocals. Bright sidechain synths, elastic bass, tight four-on-the-floor kick. Verses stay minimal with percussive claps and talk-sung attitude; choruses explode with glittery pads, octave leads, and stacked girl‑gang chants. Short vocoder hooks and filtered risers between sections keep the dancefloor energy high and playful., disco, electronic
Вики Ники • Душевно ритмичная взрывная мощная сильная надрывая мелодия ходом вокал тихий печально насыщенный Бек многочисленные вокалы саксофон барабаны шум ветра Хаус эхо
kuprumserga • Style: lounge jazz with elements of bossa nova. The main tempo is moderate and swinging, creating a sense of lightness and coziness. The arrangement is dominated by a soft bass and brushes on the drums, which set a smooth rhythm. The saxophone (alto or tenor) plays a leading role, providing melodic solos and supporting the harmony. The piano adds chords and light arpeggios, while the acoustic guitar (nylon string) emphasizes the bossa nova elements. The vocals are soft, intimate, with a slight huskiness, and not forced. The overall atmosphere is romantic and relaxed, perfect for a cozy evening or a leisurely dance.
Лилия Бабошко • pop, slow shuffle blues, electric blues trio, call and response guitar, bent-note lead guitar, muted bass groove, brushed snare accents, tube amp breakup, spring reverb, analog tape saturation, room mic bleed, live club ambience, mono drum mix, laid-back swagger, wry humor, 72 BPM, swung shuffle feel
kuprumserga • Style: easy listening jazz, with elements of soul and bossa nova. The vocals are soft, with light improvisation, phrasing and vibrato, without forcing. Arrangement: the base is an acoustic piano with soft chords and arpeggios, the double bass plays a smooth line. The rhythm is set by a light brush on the drums or a shaker. In the verses, there is minimalism, and in the chorus, a warm saxophone sound (alto or tenor) is added for solos and undercurrents. In the bridge, there is an emphasis on piano and double bass pizzicato, and the vocals become more intimate. The overall dynamics are smooth, with a gradual increase in density towards the end.
HUSTON tlgrm 79990572794 • Grange, rock, acoustic power guitar, energetic drums, powerful sound, intense male vocal, bpm 90
Ратибор Ясный • post punk, art rock, Russian rock, folk rock, dual bass guitars, three electric guitars, bayan, balalaika, acoustic guitar strums, drum forward mix, bass forward mix, live room reverb, tape saturation, punchy compression, call and response riffs, driving 4 4, anthemic chorus, gritty folk energy, modal melody
Hatabych • punk rock, 160 BPM — heavy distortion guitars, accelerated blast beats in verses, organ and violins in transitions, Vocals: from a low to a clear whisper
Золтан • Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, Erotic, Mystic, 118-120 bpm, D Minor key, synthesizer KORG PA600, Roland TR-909 drum machine, rhythmic delay, vocoder/echoes/reverberation/portamento, bright male + female duet, female sexual clear mysterious vocals (reminiscent of Sandra's voice), male sexual warm mysterious vocals.
Золтан • Sandra's style, New Wave, Eurodisco of 80's Synthpop of 80's, Eurobeat, Erotic, Mystic, 118-120 bpm, D Minor key, synthesizer KORG PA600, Roland TR-909 drum machine, rhythmic delay, vocoder/echoes/reverberation/portamento, bright male + female duet, female sexual clear mysterious vocals (reminiscent of Sandra's voice), male sexual warm mysterious vocals.
Вики Ники • Гимн душевно поп музыка Детские многолосный вокалв
Костянычь • Mid-tempo Russian pop ballad with warm synth pads, gentle piano arpeggios, and soft electronic drums; male vocals upfront, intimate. Verses stay close and breathy; chorus opens wider with layered harmonies and a subtle bass swell. Final chorus adds brighter pads and a lifted key feeling for a subtle, emotional climax.
Александр маслюков • Mature deep male baritone, cinematic folk, acoustic guitar, melancholic cello, atmospheric, slow tempo, 60 bpm, wise and calm, minimal percussion, nature soundscapes, neoclassical elementsGravelly baritone"
Max-Mix • Hi-NRG, house,EBM,hip hop
Александр маслюков • Mature deep male baritone, cinematic folk, acoustic guitar, melancholic cello, atmospheric, slow tempo, 60 bpm, wise and calm, minimal percussion, nature soundscapes, neoclassical elementsGravelly baritone"
Max-Mix • Hi-NRG, house,EBM,hip hop
Max-Mix • Hi-NRG,, hip hop,EBM,, drum and bass
Andrew_Sh • blues rock, slow shuffle blues, 72 BPM, fingerpicked electric guitar, bent-note guitar licks, call-and-response guitar, tube amp breakup, spring reverb, slapback delay, wood room ambience, dry drum close-mic, kick-snare pocket, sparse trio arrangement, laid-back groove, conversational phrasing, warm analog tape, live-club feel
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Дмитрий1365 • Poprock,piano
Max-Mix • Hi-NRG,, hip hop,EBM,, drum and bass
Max-Mix • Hi-NRG,, hip hop,EBM,, drum and bass
Золтан • Modern Talking's style, Eurodisco of 80's, Eurobeat, Bollywood Movie Music, Bollywood Cinematic Symphony Orchestra, traditional Indian melodies and chants, traditional Indian instruments, Digital Folk, synthesizer KORG PA5X, 120 bpm, A♭ Minor key, echoes/reverberation/portamento, male beautiful tender vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
Золтан • Modern Talking's style, Eurodisco of 80's, Eurobeat, Bollywood Movie Music, Bollywood Cinematic Symphony Orchestra, traditional Indian melodies and chants, traditional Indian instruments, Digital Folk, synthesizer KORG PA5X, 120 bpm, A♭ Minor key, echoes/reverberation/portamento, male beautiful tender vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
Max-Mix • drum and bass, hip hop, reggae, disco
Max-Mix • drum and bass, hip hop, reggae, disco
DJaxon • rock, metal, скрипка, душераздирающе
Золтан • Modern Talking's style, Eurodisco of 80's, Eurobeat, Bollywood Movie Music, Bollywood Cinematic Symphony Orchestra, traditional Indian melodies and chants, traditional Indian instruments, Digital Folk, synthesizer KORG PA5X, 120 bpm, C Minor key, echoes/reverberation/portamento, male beautiful tender vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
Золтан • Modern Talking's style, Eurodisco of 80's, Eurobeat, Bollywood Movie Music, Bollywood Cinematic Symphony Orchestra, traditional Indian melodies and chants, traditional Indian instruments, Digital Folk, synthesizer KORG PA5X, 120 bpm, C Minor key, echoes/reverberation/portamento, male beautiful tender vocals (reminiscent of Thomas Anders's voice), male high-pitched with falsetto choir backing vocals.
Sergey G • pop for emo
Blindur Topkasson • Trance, dynamic dance, deep female vocals, vocalise, synthetic solo, hard bass
Тамир • rap, Slow-bloom hybrid of trap drums and liquid drum & bass under a dusty disco bassline; indie-folk guitars and subtle pedal steel nods to country, with warm rock amps. Male vocals leading a small choir of stacked harmonies, call-and-response hooks. Verses stay hushed and introspective, choruses widen with layered gang vocals and reverb-sweet ad-libs; final hook strips back to near a cappella over a pulsing, filtered groove., folk, drum and bass, disco, country, rock
Irina7 • rap, Energetic blend of rolling drum and bass with techno stabs and hip hop bounce; verses ride over a nimble, syncopated groove with chopped male vocals, chorus explodes with wide synth leads and stacked gang shouts, breakdown strips to sub-heavy bass and claps before a final peak, drum and bass, techno, hip hop
Тамир • rap, High-energy hybrid of drum & bass, dubstep, trap, and modern rock; halftime intro with filtered drums and distant guitar harmonics, then a sudden tempo lift into aggressive DnB grooves. Male vocals ride a syncopated trap bounce in the verses; choruses explode with distorted power chords, growling bass, and layered shout-backs. Drop sections lean into wobbly bass swells and stuttered vocal chops, with a final outro that strips to gritty guitar and vocal for a raw, anthemic finish., rock, drum and bass, dubstep
Ломая код
Tema can fly • Style: cyber-rock with electronic elements (synthesizers, glitch effects, hard beats). Tempo: 92 BPM — moderate, pulsating, as in the original. Rhythm: clear 4/4 grid; restrained beat in verses, percussion and synthesizer chords in strong parts in choruses. Vocals: the verses are a half—whisper with a slight distortion treatment, the intonation is disturbing, restrained; Enterprising — the dynamics increase, the voice is brighter; The chorus is a powerful, emotional vocal (range: middle + top notes), with an "echo" effect on the last words of the line; Bridge minimalism: reverberation voice, almost acapella; The finale is a gradual fading, a digital echo to "breaking the code today." Singing speed: corresponds to the original — clear syllables, pauses between phrases, without haste, with an emphasis on semantic words ("code", "pain", "matrix").
Ломая код
Tema can fly • Style: cyber-rock with electronic elements (synthesizers, glitch effects, hard beats). Tempo: 92 BPM — moderate, pulsating, as in the original. Rhythm: clear 4/4 grid; restrained beat in verses, percussion and synthesizer chords in strong parts in choruses. Vocals: the verses are a half—whisper with a slight distortion treatment, the intonation is disturbing, restrained; Enterprising — the dynamics increase, the voice is brighter; The chorus is a powerful, emotional vocal (range: middle + top notes), with an "echo" effect on the last words of the line; Bridge minimalism: reverberation voice, almost acapella; The finale is a gradual fading, a digital echo to "breaking the code today." Singing speed: corresponds to the original — clear syllables, pauses between phrases, without haste, with an emphasis on semantic words ("code", "pain", "matrix").
Суша • Шансон
Ломая код
Tema can fly • Style: cyberpunk rock with elements of industrial and electronic music (like the soundtrack of Cyberpunk 2077): synthesizers, hard beats, guitar riffs with distortion, background noises of Night City. Rhythm: moderate tempo (~90 BPM), size 4/4. There is a restrained beat in the verses, a powerful drive with enhanced percussion and synthesizer chords in the choruses. The speed of singing: verses — measured, almost recitative delivery (under the beat); The choruses are energetic, with an emphasis on strong parts; Bridge — slow down, focus on emotion; The finale is a gradual fading of the voice with an echo. Vocals (Julia Gorokhova's style): The verses have a muted, tense timbre, a slight hoarseness.; In the choruses, there is a strong, emotional sound with a transition to falsetto at the climaxes.; Effects: delay and reverb in bridge and finale, slight digital distortion in choruses.
Ломая код
Tema can fly • Style: cyberpunk rock with elements of industrial and electronic music (like the soundtrack of Cyberpunk 2077): synthesizers, hard beats, guitar riffs with distortion, background noises of Night City. Rhythm: moderate tempo (~90 BPM), size 4/4. There is a restrained beat in the verses, a powerful drive with enhanced percussion and synthesizer chords in the choruses. The speed of singing: verses — measured, almost recitative delivery (under the beat); The choruses are energetic, with an emphasis on strong parts; Bridge — slow down, focus on emotion; The finale is a gradual fading of the voice with an echo. Vocals (Julia Gorokhova's style): The verses have a muted, tense timbre, a slight hoarseness.; In the choruses, there is a strong, emotional sound with a transition to falsetto at the climaxes.; Effects: delay and reverb in bridge and finale, slight digital distortion in choruses.