2010s maximalist electropop, layered synthesizer pads with bright sawtooth leads, punchy side-chain compressed kick-driven four-on-the-floor groove, staccato piano stabs doubling chord hits, thick low-mid bass with subtle distortion, stadium-scale digital reverb on snare, SSL-style bus compression gluing mix, dry-wet parallel vocal processing with heavy pitch correction, wide stereo chorus on synth layers, mid-range belting soprano with clipped consonants and sudden falsetto breaks, deliberate dynamic contrast between hushed verses and explosive full-band choruses with unison stacked backing vocals.