ska-punk at 126–132 BPM in 4/4 with light eighth-note swing; talk-sung Russian vocals over offbeat upstroke electric guitar, organ and keyboard skanks, kick on 1 and 3, snare on 2 and 4, hi-hat or tambourine on the and, and occasional rimshots. Choruses turn into a blunt punk march with pounding kick, cracking snare, and gang-shouted choir. The bridge drops into quiet half-time or 6/8 waltz with whispered comic delivery, dry drums, and sparse keys; the coda builds the refrain without adding gloss.