爆走！ 我こそは支配者！

[Intro: Energetic, distorted bass riff, harsh percussion, engine growl samples.] Akaku moeru heddoraito Kuroi kage ga yami wo saku Enjin no houkou, hibikiwataru Tamashii ga sakebu, ima, ubau! [Verse 1: The tempo is maintained, more complex drum patterns and synthesizer melodies are added to reinforce the rhythm.] Taiya wa himei, hibana chirashi Kaabu wo kirisaku, surudoi kakudo Juuryoku wa yuujou, mushi suru dake Enjin wa myakudou, kemono no kodou Nagareru keshiki wa, mohaya chuushou Adorenarin, zenshin wo kake meguru Chouchou wa kako, mirai sae mo kogasu Tada, kono shunkan, eien wo kizamu [Chorus: Amplification, even more intense sound, vocal effects of "growl" and "scream".] Dorifuto! Genkai wo koete Asufaruto, shakunetsu no suteppu Ore koso ga shihaisha, kono michi wa ore no mono! Osore wo shiranu, bakusou! Tomaranai! [Verse 2: More variety in percussion, the introduction of short, aggressive synthesizer arpeggios. The bass becomes more "loose" and "viscous".] Kage wa kokuen, sora he to mau Shikkoku no bodi, akuma no tsubasa Taikousen wa, tada no haike Kyoufu wa nenryou, saranaru chikara Shisen wa itten, eikou no hate Genkai nante, kotoba wa nai Kono ikari wa, seigyo funou Shouri dake ga, ore no nozomi! [Chorus: The beat is amplified, the deep, oppressive bass, the repetitive samples of "Drift! Drift!"] Dorifuto! Genkai wo koete Asufaruto, shakunetsu no suteppu Ore koso ga shihaisha, kono michi wa ore no mono! Osore wo shiranu, bakusou! Tomaranai! [Verse 3: Darker, lower tones, minimalistic, but very strong beat. Using processed samples of sirens and crash sounds.] Yamiyo ni hikaru, akai teeru raito Kaze wo kirisaki, houkou suru enjin Raibaru-tachi wa, tada no chiri Shouri no aji wa, amaku, soshite kewashii Kono tetsugaku, chi to nari niku to naru Tamashii no okusoko, kakusei shita kemono Kakyou wa nai, tada zenshin nomi Mirai wo yakitsukusu, hikari no sen! [Chorus] Dorifuto! Genkai wo koete Asufaruto, shakunetsu no suteppu Ore koso ga shihaisha, kono michi wa ore no mono! Osore wo shiranu, bakusou! Tomaranai! [Bridge: A sharp slowdown, but maintaining tension. A thick, drawling bass, the sounds of metal grinding, a quiet, eerie synthesizer pad.] Chinmoku sae mo, arashi no maebure Juuteion, shinzou wo tsukamu Kore wa geemu ja nai, seizon kyousou Ore no ruuru de, subete wa ugoku [Final Chorus: The most powerful sound, the bass feels physically, distorted vocals elements are added.] Dorifuto! Genkai wo koete Asufaruto, shakunetsu no suteppu Ore koso ga shihaisha, kono michi wa ore no mono! Osore wo shiranu, bakusou! Tomaranai! Dorifuto! Genkai wo koete Asufaruto, shakunetsu no suteppu Ore koso ga shihaisha, kono michi wa ore no mono! Osore wo shiranu, bakusou! Tomaranai! [Outro: A return to the original, but even more devastating bit. The bass becomes unbearably loud. Sound chaos, fading fast.] Bakusou! Shihaisha! Darenimo tomerarenai! Asufaruto wa ore no kyanbasu! Zekkyou, soshite shoumetsu! Ore koso ga, kono yoru no teiou!