Felt hammer (v2)

[STYLE: blackened cinematic deathstep + neoclassical piano + industrial bass music + instrumental only + 150 BPM halftime] [CORE ENERGY: fragile emotional piano against overwhelming mechanical destruction + psychoacoustic tension + cold abandoned atmosphere + ritualistic pressure + emotional collapse] [PIANO DESIGN: felt piano close microphone recording + audible hammer mechanics + soft pedal resonance + melancholic minor harmonics + long cold reverberation + gigantic empty concrete hall reflections + slow emotional phrasing + cinematic spatial decay] [PSYCHOACOUSTICS: extreme silence-to-impact contrast + physical infrasonic pressure + unstable stereo perception + spectral masking between piano tails and sub bass + deep cinematic layering + body-feel low frequencies + disorienting spatial reflections] [DRUM DESIGN: dry industrial kick transients + metallic snare decay + machine-like percussion groove + aggressive halftime rhythm + microdynamic punch + mechanical impact texture + tension pauses before drops] [BASS ARCHITECTURE: infrasonic sub pressure + serrated midbass harmonics + hydraulic resonance + overdriven distortion layers + rotating bass modulation + mechanical growls + unstable stereo destruction + clipping saturation + psychoacoustic roughness] [DROP 1: near silence before impact + violent low-end pressure burst + industrial bass chaos colliding with isolated piano melody + rusted metallic textures + crushing dynamic expansion + wide cinematic sub movement] [BREAKDOWN: isolated emotional piano + distant machine ambience + subtle tape deterioration + low industrial drones + long atmospheric decay + gigantic empty spatial reflections + emotionally devastated tension] [DROP 2: denser bass layering + machinegun transient rhythm + rotating distorted bass formants + chaotic stereo movement + high-frequency abrasion textures + overcompressed industrial percussion + apocalyptic mechanical aggression + maximum sub pressure] [OUTRO: piano dissolving into degraded tape noise + distant electrical hum + metallic reflections fading into darkness + slow disappearing sub resonance + long cold atmospheric decay] [MIX & MASTER: festival-scale low-end pressure + aggressive transient shaping + dark analog saturation + controlled low-end compression + unstable wide stereo field + cinematic depth perception + oppressive mastering energy + preserve piano clarity] [ANTI-CLICHE: no heroic atmosphere + no EDM festival clichés + no commercial polish + no pop structure + no uplifting progression + no generic cinematic wording]