The aesthetics of Sverdlovsk underground art rock. A light, minor‑key sadness; the blues is interspersed with the echo of a string quartet and the sounds of a flute and a trumpet. The vocalist is a man with a natural nasal tone and a tense soft palate, slightly slurred diction and a whistling quality. His voice is melancholic and unflappable; he sings through clenched teeth. The voice naturally breaks under strain, without smooth pop techniques. Live instruments: a heavily compressed bass guitar with flat‑wound strings, a simple drum machine with hits muffled by fabric, and a distant hum of an electric organ. Clean arpeggios of an electric guitar in the bridge pickup. Natural reverb only on the vocals, strong midrange frequencies around 1 kHz.